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Designed from the ground up for comfort, playability and rich tone, the GT Urban Ash debuts a new compact body shape with a big, resonant acoustic voice.
The GT (Grand Theater) shares the basic footprint of the jumbo-sized Grand Orchestra shape, but its proportions have been scaled down (including a shallower body depth), creating a fun, inviting feel in a package that you can take virtually anywhere. The GT also features a uniquely proportioned neck with a scale length of 24-⅛”, a bit longer than the GS Mini and a bit shorter than the Grand Concert. The neck provides a slinky fretting feel thanks to reduced string tension.
It comes together in the GT Urban Ash, built with solid back and sides of the responsibly sourced tonewood that gives the guitar its name. A solid spruce top helps charge the GT’s tonal response with projection that belies its small frame, powered by the new asymmetrical C-Class bracing design, which translates the tone-enhancing properties of V-Class bracing into a sonic engine that’s appropriate for this new body shape. Expect a warm, punchy midrange accentuated by crisp treble notes, with an impressive bass response that owes its surprising power to the new bracing scheme.
A beautiful fretboard of responsibly sourced smoked eucalyptus delivers the feel of a rosewood fretboard with the tonal character of ebony, while a thin matte finish preserves the guitar’s resonance. A clean-cut appointment package includes Pinnacle inlays in Italian acrylic, a three-ring koa rosette and a dusky Urban Sienna stain on the ash back and sides. It ships in a super-durable yet lightweight AeroCase™.
Taylor GT Shape Compact yet gifted with a bold voice, the GT’s scaled-down frame offers surprising tonal power and texture.
Sitka Spruce Top The soundboard choice for most guitars, Sitka spruce produces a broad dynamic range and accommodates a versatile range of playing styles.
Urban Ash Body Sourced from city trees in need of removal, Urban Ash produces midrange power and balance comparable to Honduran mahogany.
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