Roland AC60 Acoustic Chorus Acoustic Guitar Amplifier
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A Compact Stereo Acoustic Amp with Pure, Natural Tone Although there are many acoustic amps on the market today, few of them can compete with the rich, natural tone of the compact AC-60 Acoustic Chorus amplifier. This innovative stereo amp uses sophisticated digital signal processing to deliver a crisp sound with lush stereo/multi-band chorus including a new "wide" mode plus delay/reverb and impressive Auto Anti-Feedback control. And with its 2-channel Mic/Line design and stand-mountable configuration, the AC-60 is clearly heads above the competition. Big Sound in a Compact Package Talk about impressive. The AC-60 is a marvel of amplifier design, using the latest DSP technology to deliver a pure, rich acoustic sound with projection far beyond its compact size. This stereo acoustic amp (30w x 2) offers brilliant stereo/multi-band chorus including a new "wide" mode, plus shimmering reverb tailored specifically for acoustic guitar. And if it's more low-end you crave, the AC-60 even gives you a Subwoofer output.
A Marvel of Convenience The dual-channel AC-60 offers both a Guitar channel and a Mic/Line channel with Phantom Power. This makes it the perfect companion for coffeehouses and small club gigs. The Guitar channel gives you a choice between piezo and magnetic pickup inputs, plus powerful Anti-Feedback controls. Rounding out this package is a Mute switch for silent tuning and a Stereo Line Out for connection to mixing consoles and PA systems.
Compact stereo acoustic amplifier with pure, natural tone and excellent projection
2-Channel design: Guitar input and Mic/Line input with Phantom Power
Stereo 30-watt/dual 6.5-inch speaker configuration loud enough for club gigs and small PA applications
Onboard DSP delivers lush stereo/multi-band chorus, newly developed "wide" chorus and delay/reverb with footswitch control
Built-in Auto Anti-Feedback controls allow for maximum volume without feedback
Convenient Mute switch for silent tuning on stage
Stereo Line Out for PA and recording applications; Subwoofer output
Built-in tilt stand offers better acoustic projection; can also be mounted on commercially available speaker stands
CHORUS (GUITAR Channel, MIC/LINE Channel), ANTI-FEEDBACK, MUTE, POWER
GUITAR Channel Input Jack (1/4-inch phone type), MIC/LINE Input Jack (XLR type, 1/4-inch phone type), AUX IN Jacks (RCA phono type, 1/4-inch phone type), DI/TUNER OUT Jack (1/4-inch TRS phone type), LINE OUT Jacks (XLR type, 1/4-inch phone type), SUB WOOFER OUT Jack (1/4-inch phone type), PHONES Jack (1/4-inch TRS phone type), FOOT SWITCH Jack (1/4-inch TRS phone type)
AC 117/230/240 V
Owner's Manual, Soft Case
Foot Switch: BOSS FS-5U, BOSS FS-5L (Mute On/Off), Connection Cable: PCS-31
I play a thru-body Jackson Kelly (explorer) through this amp for searing tones and biting rythym standard set-up w S.D. jazz in neck position and P.A.F. 59er in the bridge. I really dig it, 'cause my fave tone is the Stooges Raw Power craziness.(overdriven w a distortion pedal, you see) It gets clean silly when I roll off the volume to almost mute even with a distortion pedal in the line, still activated. SUPER PORTABLE, with a pocket for tuner, and another larger pocket for cords and maybe two stompboxes.Of course, it's built more for acoustic. Which it handles well. (I own a Martin-Clapton B-Nera). So there Rock On !!!!Peace! Let's always talk it out, instead.
- mankato wanatanabe (2/26/2007)
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