YAMAHA MG8-2FX Details
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Yamaha is no newcomer to mixing console design. You’ll find Yamaha consoles in some of the most respected live venues and production studios in the world. In fact, Yamaha has been innovating, leading, and in many ways defining the development of modern mixing consoles for more than 30 years.
And now we are proud to introduce the Yamaha MG-series mixing consoles, featuring eight models ranging in size from a small 8-channel/2-bus unit right up to a very flexible 32-channel/14-bus type with an impressive selection of built-in effects. No matter what your application – from production to sound reinforcement – there’s a Yamaha MG mixer that will give you everything need … and more. There have been no compromises. These mixers are built for great sound, total control, and superior reliability. In fact, they undergo the same rigorous quality and reliability tests as our world-class PM-series mixing consoles. But, by taking full advantage of the latest Yamaha technology and manufacturing techniques, we have been able to pack these superlative mixers with more value than you’ll find anywhere else. In short, they offer extraordinary performance and mixing power at remarkable prices.
If you need a high-performance analog mixer for music production or sound reinforcement, the Yamaha MG Series is the first – and last – place you should look.
MG10/2, MG8/2FX
Just the Basics ... With Class
If you simply need to mix a few sources to stereo - but insist on the finest audio quality available - the MG10/2 or MG8/2FX is probably the way to go. They're compact and convenient to use, but won't compromise your signal in any way. With an optional adaptor the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access. And the MG8/2FX's built-in effects can take your music to a new dimension. For demo and music production, small sound reinforcement applications, or simply as a super utility mixer for any application, you can't lose with these compact performers.
INPUT SECTION
8 or 10 Input Channels
The MG10/2 features a total of 10 input channels: two mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability. The MG8/2FX has two mono microphone/line inputs and three stereo line inputs, two with mono microphone input capability. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input. A Variety of Input Connectors Balanced XLR connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.
A Variety of Input Connectors
Balanced XLR connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.
Four Low-noise, High-precision Mic Preamps
The microphone preamps provided on the two mono channels and two of the four stereo channels would be worth the price of the entire mixer if packaged separately. These are highperformance head amplifiers that will bring out the best in any dynamic or condenser microphone.
Phantom Power
So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four high-performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels.
Insert I/O
so you can add compressors or EQ for vocals, a noise gate on a guitar channel, or other extra signal processing to individual channels as required.
3-band Channel EQ & HPF
Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.
MASTER SECTION
One or Two Aux Sends & Stereo Aux Return
These mixers are also fully equipped to handle external effects and monitor systems. Use the post-fader auxiliary send on the MG8/2FX or the two sends on the MG10/2 in conjunction with the stereo auxiliary returns to add reverb, delay, or other external effects to the mix, and the pre-fader sends to feed a separate mix to your monitor system.
Stereo, Control Room, Rec, and Headphone Outputs
In addition to the main L and R phone-jack stereo outputs, these versatile mixers also offer phone-jack control room, pin-jack recording, and stereo phonejack headphone outputs. You have plenty of outputs for a wide range of applications - monitoring, master recorder feed, etc.
12-segment Meters for Accurate Visual Monitoring
Output level monitoring is made accurate and easy with high-visibility 12-segment level meters.
EASE OF USE
Compact, Portable Design
Weighing in at a mere 1.8 kg (MG8/2FX), this mixer can easily be carried just about anywhere. You get topquality mixing performance in the rehearsal studio, club, outdoors … wherever you need it.
Optional Mic Stand Mount
What could be more convenient than having your mixer mounted on a microphone stand for freedom of placement and easy access? With the optional BMS-10A Mic Stand Adaptor you can do just that, and have your sonic control center within easy reach all the time. This can be particularly handy when using the mixer as a drum sub-mixer or as a cue box in a recording situation.
Easy Operation and High Reliability
All switches and controls used in these mixers have been chosen for smooth, reliable operation as well as easy visual confirmation
MG8/2FX Effects:
1. REVERB HALL 1
2. REVERB HALL 2
3. REVERB ROOM 1
4. REVERB ROOM 2
5. REVERB STAGE 1
6. REVERB STAGE 2
7. REVERB PLATE
8. DRUM AMBIENCE
9. KARAOKE ECHO
10. VOCAL ECHO
11. CHORUS 1
12. CHORUS 2
13. FLANGER
14. PHASER
15. AUTO WAH
16. DISTORTION
| |
MG8/2FX |
MG12/4FX |
| Total Harmonic Distortion |
Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT) *3 |
| Frequency Response |
-3, 0, +1 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT) |
| Input Hum & Noise*1 |
-128 dBu Equivalent Input Noise/-100 dBu Residual Output Noise, 20 Hz – 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input sensitivity=-60 dB *3 |
| Crosstalk |
-70dB @ 1kHz |
| CH Input |
Mic |
4 (Ch 1 – 2, 3/4, 5/6: XLR) |
6 (Ch 1 – 4, 5/6, 7/8: XLR) |
| Line |
2 (Ch 1 – 2: TRS:Phone) |
4 (Ch 1 – 4: TRS:Phone) |
| Stereo |
2 (Ch 3 – 4, 5 – 6: TRS:Phone) * Ch3, 5: L (MONO)
1 (Ch 7 – 8: TRS:Phone/RCA:Pin) |
2 (Ch 5 – 6, 7 – 8: TRS:Phone) * Ch5, 7: L (MONO)
2 (Ch 9 – 10, 11 – 12: TRS:Phone/RCA:Pin) |
| Insert I/O |
2 (Ch 1 – 2: TRS:Phone = T: Out, R: In, S: Gnd) |
4 (Ch 1 – 4: TRS:Phone = T: Out, R: In, S: Gnd) |
| AUX |
Send |
1 (Effect / AUX) |
1 (Post-Pre selectable: TRS:Phone) |
| Return |
1 Stereo (L/MONO, R: TRS:Phone) |
| EFFECT |
Send |
(Same as AUX Send) |
1 (TRS:Phone) |
| 2TR |
In |
1 Stereo (L, R: RCA:Pin) |
| REC |
Out |
1 Stereo (L, R: RCA) |
| ST |
Out |
1 Stereo (L, R: TRS:Phone) |
2 Stereo (L, R: 2 TRS:Phone & 2 XLR) |
| C/R |
Out |
1 Stereo (L, R: TRS:Phone) |
| GROUP |
Out |
- |
2 (1, 2: TRS:Phone) |
| Phones |
1 (TRS:Phone Stereo) |
| Phantom Power |
+ 48 V |
| CH & ST Ch Input Gain Control |
44 dB variable |
| CH & ST High Pass Filter |
80 Hz 12 dB/Octave |
CH EQ (MONO)*2
±15 dB (Max.) |
High |
10 kHz (Shelving) |
| Mid |
2.5 kHz (Peaking) |
| Low |
100 Hz (Shelving) |
CH EQ (STEREO)*2
±15 dB (Max.) |
High |
10 kHz (Shelving) |
| Hi-Mid |
- |
| Mid |
2.5 kHz (Peaking) |
| Low-Mid |
- |
| Low |
100 Hz (Shelving) |
| Graphic Equalizer |
- |
| Internal Digital Effect |
16 Programs: Parameter Control |
| Dimensions |
Width |
9.88" |
12.67" |
| Depth |
11.41" |
16.40" |
| Height |
2.55" |
4.25" |
| Weight |
4.0 pds. |
11.02 pds. |
| Power Requirements*4 |
20 W 120 V/60 Hz
20 W 220 V/50, 60 Hz
20 W 220 V/50, 60 Hz
20 W 240 V/50 Hz |
30 W 120 V/60 Hz
30 W 220 V/50, 60 Hz
30 W 220 V/50, 60 Hz
30 W 240 V/50 Hz |
*1Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
*3 (CH,12): MG10/2, (CH1-4): MG12/4, (CH1-8): MG16/4, MG16/6FX.
*4 Power Supply Adaptor PA-10 (MG10/2,MG8/2FX), PA-20 (MG12/4,MG16/4,MG12/4FX), PA-30 (MG16/6FX).
MG8/2 INPUT CHARACTERISTICS
Connection Gain Trim Actual Load
Impedance For Use With Nominal Input Level *1 Connector In Mixer
Nominal Max. before Clip
CH IN MIC (1 – 2) -60 3 kΩ 50 – 600 Ω Mics -60 dBu (0.775 mV) -40 dBu (7.75 mV) XLR-3-31 type *2
-16 -16 dBu (123 mV) +4 dBu (1.23 V)
CH IN LINE (1 – 2) -34 10 kΩ 600 Ω Lines -34 dBu (15.5 mV) -14 dBu (155 mV) Phone Jack (TRS) *3
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH MIC IN
(CH 3 – 4, 5 – 6) -60 3 kΩ 50 – 600 Ω Mics -60 dBu (0.775 mV) -40 dBu (7.75 mV) XLR-3-31 type *2
-16 -16 dBu (123 mV) -10 dBu (245 mV)
ST CH LINE IN
(CH 3 – 4, 5 – 6) -34 10 kΩ 600 Ω Lines -34 dBu (15.5 mV) -14 dBu (155 mV) Phone Jack *4
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH INPUT
(CH 7 – 8, 9 – 10) 10 kΩ 600 Ω Lines -10 dBu (245 mV) +10 dBu (2.45 V) Phone Jack *4
RCA Pin Jack
CH INSERT IN (1 – 2) 10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS) *5
AUX RETURN [L, R] 10 kΩ 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack*4
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG8/2 OUTPUT CHARACTERISTICS
Connection Actual Source Impedance For Use With Nominal Output Level *1 Connector In Mixer
Nominal Max. before Clip
ST OUT [L, R] 150 Ω 10 kΩ Lines +4 dB (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)*6
EFFECT SEND 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS) )*6
CH INSERT OUT (1 – 2) 150 Ω 10 kΩ Lines 0 dBu u(0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)*3
2TR OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316mV) +10 dBV (3.16 V) RCA Pin Jack
C-R OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)*6
PHONES OUT 100 Ω 40 Ω Phones 3 mW 75 mW Stereo Phones Jack
Yamaha MG8/2FX 8 input mixer
