Musicians Buy: Musical Instruments- pro audio gear
Free Shipping on Most Orders

View Cart   |    Log In   |    Track Order   |   Help

Need Help? Call  877-778-7845


Details 

Details

MG24/14FX, MG32/14FX, MIXING CONSOLES
Serious Capacity For Sound Reinforcement & Installations

If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.

24 or 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to your needs. All other features are the same. The MG24/14FX has 16 mono microphone/line channels while the MG32/14FX has 24. Both offer four stereo line channels in addition to the mono mic/line channels.

Low-noise, High-precision Mic Preamps With Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups.

Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance.

14 Buses In All For Flexible Signal Routing
In addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In both the MG24/14FX and MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors.

Insert I/O
All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required.

3-band Mid-sweep Channel EQ and HPF
The 3-band equalizers with a sweepable midband provided on all input channels are designed for exceptionally smooth, intuitive response that can help you to create cleaner, tighter mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX you have not one, but two high-performance digital signal processing stages, fed by separate effect buses, so you can enhance your mix with two separate effects at the same time. And the effects are provided by the very latest Yamaha DSP technology - you know you're getting the best. Each stage provides a selection of 16 professional - quality SPX digital effects, including reverb, delay, pitch change, chorus, phasing, vocal doubling, distortion, and more. Parameter controls that can be adjusted to tailor the effects to your sonic requirement are also provided and Tap delay makes it easy to produce tempo-synchronized delays.

Talkback Input
Communication capability is important for efficient setup as well as for keeping a show running smoothly. The MG24/14FX and MG32/14FX both feature a talkback system that allows the FOH engineer to communicate with the monitor engineer, performers, or other staff to keep the team operating at optimum efficiency.

Balanced XLR Stereo and Mono Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and mono outputs.

Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The MG24/14FX and MG32/14FX make this easier than ever with a built-in sweepable low-pass filter on the mono outputs.

MG32/14FX
Total Harmonic Distortion

Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)

Frequency Response

0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)

Input Hum & Noise*1

-128dB
20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB

Crosstalk

-70dB @ 1kHz

CH Input

Mic

24+1 (Input A 1 - 24, Talk Back: XLR)

Line

24 (Input B 1 - 24: TRS)

Stereo

2 (Ch 25 - 26, 27 - 28:TRS) * Ch25, 27:L (MONO)
2 (Ch 29 - 30, 31 - 32: TRS/RCA)

Insert I/O

24 (Ch 1 - 24: TRS T: Out, R: In, S: Gnd)

AUX

Send

6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)

Return

2 Stereo Sub In (L/MONO, R: TRS)

EFFECT

Send

2 (1, 2: TRS)

2TR

In

1 Stereo (L, R: RCA)

STEREO

Insert

1 Stereo (L, R: TRS)

GROUP

Insert

4 (1 - 4: TRS)

REC

Out

1 Stereo (L, R: RCA)

ST

Out

1 Stereo (L, R: XLR)

MONO

Out

1 (XLR)

ST SUB

Out

1 Stereo (L, R: TRS)

GROUP

Out

4 (1 - 4: TRS)

Phones

1 (TRS Stereo)

Phantom Power

+ 48 V

CH & ST Ch Input Gain Control

44 dB valiable

CH & ST High Pass Filter

80 Hz 12 dB/Octave

CH EQ (MONO)*2
-15 dB (Max.)

High

10 kHz (Shelving)

Mid

0.25-5 kHz (Peaking)

Low

100 Hz (Shelving)

CH EQ (STEREO)*2
-15 dB (Max.)

High

10 kHz (Shelving)

Hi-Mid

3 kHz (Peaking)

Low-Mid

800 Hz (Peaking)

Low

100 Hz (Shelving)

MONO Out Low Pass Filter

80 - 120 Hz 12dB/octave

Internal Digital Effect

SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)

Dimensions

Width

41.73"

Depth

21.25"

Height

5.90"

Weight

52.91 lbs.

Power Requirements

UL/CSA: 75 W 120 V/60 Hz

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
MG32/14FX INPUT CHARACTERISTICS
Connection PAD Gain Trim Actual Load Impedance For Use With Nominal Input Level *1 Connector In Mixer
Nominal Max. before Clip
CH INPUT [A, B] *7 0 -60 3 kΩ 50 - 600 Ω Mics
600 Ω Lines
-60 dB (0.775 mV) -40 dB (7.75 mV) A: XLR-3-31 type *10
B: Phone Jack (TRS) *10
26 -34 dB (15.5 mV) -14 dB (155 mV)
0 -16 -16 dB (123 mV) +4 dB (1.23 V)
26 +10 dB (2.45 V) +30 dB (24.5 V)
ST CH INPUT *8 *9 -34 10 kΩ 600 Ω Lines -34 dB (15.5 mV) -14 dB (155 mV) Phone Jack *8 *9 *7
RCA Pin Jack *9
10 +10 dB (2.45 V) +30 dB (24.5 V)
CH INSERT IN *7 10 kΩ 600 Ω Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS) *5
GROUP INSERT IN (1 - 4) 10 kΩ 600 Ω Lines 0 dB (0.775 V) +20 dB (7.75 V)
SUB IN (1, 2) [L, R] 10 kΩ 600 Ω Lines +4 dB (1.23 V) +24 dB (12.3 V) Phone Jack *4
TB IN 10 kΩ 50 - 600 Ω Mics -50 dB (2.45 mV) -30 dB (24.5 mV) XLR-3-31 type *11
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG32/14FX OUTPUT CHARACTERISTICS
Connection Actual Source Impedance For Use With Nominal Output Level *1 Connector In Mixer
Nominal Max. before Clip
ST OUT [L, R]
MONO OUT
150 Ω 600 Ω Lines +4 dB (1.23 V) +24 dB (12.3 V) XLR-3-32 type *2
GROUP OUT (1 - 4)
ST SUB OUT [L, R]
AUX OUT (1 - 6)
EFFECT OUT (1, 2)
150 Ω 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone Jack (TRS) *6
CH INSERT OUT *12
GROUP INSERT OUT (1 - 4)
ST INSERT OUT [L, R]
150 Ω 10 kΩ Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS) *5
REC OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
PHONES OUT 100 Ω 40 Ω Phones 30 mW 75 mW Stereo Phone Jack
*1 In these specifications, when dB represents a specific voltage,
0 dB is referenced to 0.775 Vrms.
*2 XLR type connectors are balanced.
*3 CH INPUT Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
*4 Phone Jacks are unbalanced.
*5 INSERT Phone Jacks (TRS) are unbalanced. [T: OUT, R: IN, S: GND]
*6 Phone Jacks (TRS) are impedance balanced. [T: HOT, R: COLD, S: GND]
*7 MG12/4: CH1 - CH4, MG16/4: CH1 - CH8, MG16/6FX: CH9 (L)/10 (R),
CH11 (L)/12 (R), MG24/14FX: CH1 - 16, MG32/14FX: CH1 - 24
*8 MG12/4: CH5 (L)/6 (R), CH7 (L)/8 (R), MG16/4: CH9 (L)/10 (R), CH11 (L)/12 (R),
MG16/6FX: CH13 (L)/14 (R), CH15 (L)/16 (R), MG24/14FX: CH17 (L)/18 (R),
CH19 (L)/20 (R), MG32/14FX: CH25 (L)/26 (R), CH27 (L)/28 (R)
*9 MG12/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/4: CH13 (L)/14 (R),
CH15 (L)/16 (R), MG24/14FX: CH21 (L)/22 (R), CH23 (L)/24 (R),
MG32/14FX: CH29 (L)/30 (R), CH31 (L)/32 (R)
*10 CH INPUT XLR type connectors and Phone Jacks (TRS) are balanced.
[T: HOT, R: COLD, S: GND]
*11 TB IN XLR type connector is unbalanced.
*12 MG24/14FX: CH1 - 16, MG32/14FX: CH1 - 24

Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.



Warranty Information:

Tech Support 714.522.9011 (Pianos -3Years parts and labor / Pro audio- 1 year parts and labor / Power amps/speakers- 3 years parts and labor / PSR keyboards- 1 year parts and 90 days on labor / Pro keyboards- 1 year parts and 1 year labor / Edrums- 1 year parts and 90 days on labor / Guitars/Acoustic- lifetime limited / Guitars/Electric- 1 year parts and 1 year labor) The P, N, YDP, PF, CP,DGX640(excluding P65 & YDP131) series digital pianos now have a limited warranty for 3 years parts and 3 years labor.Yamaha Website
PLEASE NOTE: We cannot ship Yamaha products outside the U.S. and its territories.

Yamaha Concert Sound System 8400Watts with MG32/14FX Console and Free Items

MSRP: $12296.00 You Save: $3746.00 (30%)!


Sale Price:$8550.00

 

Add to Cart

Free Financing



Contact Us for More Information

You might also like:

Customer Reviews:

No Review has been written on this item.
Write the first Review of this product!

Our Happy Customers

"Danny, I received my guitar (Martin SWDGT) on Wednesday and have been so busy playing I haven't had time to email you to tell you how much I like it. It is the fourth guitar I've owned and it is the finest. I appreciate receiving it so quickly. I also wanted to say how much I like your website and how easy it is for someone like me who is computer handicapped to get around on it. I'll be looking for another guitar in the future and I'm sure you'll be hearing from me again. Thanks so much, Randy"

What they're saying at BIZRATE