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Details 

Details

MG10/2 MIXING CONSOLE
Just the Basics - With Class
If you simply need to mix a few sources to stereo - but insist on the finest audio quality available - the MG10/2 is probably the way to go. It's compact and convenient to use, but won't compromise your signal in any way. With an optional adaptor, the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access. For demo and music production in your personal studio, for band rehearsal or small sound reinforcement applications, or simply as a super utility mixer for any application, you can't lose with the MG10/2.

10 Input Channels
The MG10/2 features a total of 10 input channels: two mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability.

Four Low-noise, High-precision Mic Preamps
The microphone preamps provided on the two mono channels and two of the four stereo channels would be worth the price of the entire mixer if packaged separately. These are high-performance head amplifiers that will bring out the best in any dynamic or condenser microphone.

Phantom Power
So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four of the MG10/2's high performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels.

Insert I/O
Mono input channels feature insert I/O patch points so you can add compressors, EQ, or other extra signal-processing to the channels as required.

3-band Channel EQ & HPF
Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable highpass filter that can be used to cut out unwanted low-frequency noise.

Two Aux Sends & Stereo Aux Return
The MG10/2 is also fully equipped to handle external effects and monitor systems. Use the post-fader auxiliary sends in conjunction with the stereo auxiliary returns to add reverb, delay, or other external effects to the mix, and the prefader sends to feed a separate mix to your monitor system.

Optional Mic Stand Mount
What could be more convenient than having your mixer mounted on a microphone stand for freedom of placement and easy access? With the optional BMS-10A Mic Stand Adaptor you can do just that, and have your sonic control center within easy reach all the time.

SPECS:
MG10/2
Total Harmonic Distortion

Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)

Frequency Response

0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)

Input Hum & Noise*1

-128 dB 20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input sensitivity=-60 dB

Crosstalk

-70 dB @ 1 kHz

CH Input

Mic

4 (Ch 1 - 2, 3/4, 5/6: XLR)

 

Line

2 (Ch 1 - 2: TRS)

Stereo

2 (Ch 3 - 4, 5 - 6: TRS) * Ch3, 5: L (MONO)
2 (Ch 7 - 8, 9 - 10: TRS/RCA)

Insert I/O

2 (Ch 1 - 2: TRS = T: Out, R: In, S: Gnd)

AUX

Send

2 (1/Pre, 2/Post: TRS)

Return

1 Stereo (L/MONO, R: TRS)

EFFECT

Send

-

2TR

In

1 Stereo (L, R: RCA)

REC

Out

1 Stereo (L, R: RCA)

ST

Out

1 Stereo (L, R: TRS)

C/R

Out

1 Stereo (L, R: TRS)

GROUP

Out

-

Phones

1 (TRS Stereo)

Phantom Power

+ 48 V

CH & ST Ch Input Gain Control

44 dB valiable

CH & ST High Pass Filter

80 Hz 12 dB/Octave

CH EQ (MONO)*2
-15 dB (Max.)

High

10 kHz (Shelving)

Mid

2.5 kHz (Peaking)

Low

100 Hz (Shelving)

CH EQ (STEREO)*2
-15 dB (Max.)

High

10 kHz (Shelving)

Hi-Mid

-

Mid

2.5 kHz (Peaking)

Low-Mid

-

Low

100 Hz (Shelving)

Graphic Equalizer

-

Internal Digital Effect

-

Dimensions

Width

10.19"

Depth

11.33"

Height

2.51"

Weight

4.18 lbs.

Power Requirements

U: 19 W 120 V/60 Hz

Other

Mic Stand Mountable

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
MG10/2 INPUT CHARACTERISTICS
Connection Gain Trim Actual Load
Impedance
For Use With Nominal Input Level *1 Connector In Mixer
Nominal Max. before Clip
CH IN MIC (1 - 2) -60 3 kΩ 50 - 600 Ω Mics -60 dB (0.775 mV) -40 dB (7.75 mV) XLR-3-31 type *2
-16 -16 dB (123 mV) +4 dB (1.23 V)
CH IN LINE (1 - 2) -34 10 kΩ 600 Ω Lines -34 dB (15.5 mV) -14 dB (155 mV) Phone Jack (TRS) *3
10 +10 dB (2.45 V) +30 dB (24.5 V)
ST CH MIC IN
(CH 3 - 4, 5 - 6)
-60 3 kΩ 50 - 600 Ω Mics -60 dB (0.775 mV) -40 dB (7.75 mV) XLR-3-31 type *2
-16 -16 dB (123 mV) -6 dB (388 mV)
ST CH LINE IN
(CH 3 - 4, 5 - 6)
-34 10 kΩ 600 Ω Lines -34 dB (15.5 mV) -14 dB (155 mV) Phone Jack *4
10 +10 dB (2.45 V) +30 dB (24.5 V)
ST CH INPUT
(CH 7 - 8, 9 - 10)
10 kΩ 600 Ω Lines -10 dB (245 mV) +10 dB (2.45 V) Phone Jack *4
RCA Pin Jack
CH INSERT IN (1 - 2) 10 kΩ 600 Ω Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS) *5
AUX RETURN [L, R] 10 kΩ 600 Ω Lines +4 dB (1.23 V) +24 dB (12.3 V) Phone Jack*5
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG10/2 OUTPUT CHARACTERISTICS
Connection Actual Source Impedance For Use With Nominal Output Level *1 Connector In Mixer
Nominal Max. before Clip
ST OUT [L, R] 150 Ω 10 kΩ Lines +4 dB (1.23 V) +24 dB (12.3 V) Phone Jack (TRS)*6
AUX SEND 150 Ω 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone Jack (TRS) )*6
CH INSERT OUT (1 - 2) 150 Ω 10 kΩ Lines 0 dB (0.775 V) +20 dB (7.75 V) Phone Jack (TRS)*3
2TR OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (245 mV) +10 dBV (2.45 V) RCA Pin Jack
C-R OUT [L, R] 150 Ω 10 kΩ Lines +4 dB (1.23 V) +20 dB (7.75 V) Phone Jack (TRS)*5
PHONES OUT 100 Ω 40 Ω Phones 30 mW 75 mW Stereo Phones Jack
*1 In these specifications, when dB represents a specific voltage,
0 dB is referenced to 0.775 Vrms.
*2 XLR type connectors are balanced.
*3 CH INPUT Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
*4 Phone Jacks are unbalanced.
*5 INSERT Phone Jacks (TRS) are unbalanced. [T: OUT, R: IN, S: GND]
*6 Phone Jacks (TRS) are impedance balanced. [T: HOT, R: COLD, S: GND]
*7 MG12/4: CH1 - CH4, MG16/4: CH1 - CH8, MG16/6FX: CH9 (L)/10 (R),
CH11 (L)/12 (R), MG24/14FX: CH1 - 16, MG32/14FX: CH1 - 24
*8 MG12/4: CH5 (L)/6 (R), CH7 (L)/8 (R), MG16/4: CH9 (L)/10 (R), CH11 (L)/12 (R),
MG16/6FX: CH13 (L)/14 (R), CH15 (L)/16 (R), MG24/14FX: CH17 (L)/18 (R),
CH19 (L)/20 (R), MG32/14FX: CH25 (L)/26 (R), CH27 (L)/28 (R)
*9 MG12/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/4: CH13 (L)/14 (R),
CH15 (L)/16 (R), MG24/14FX: CH21 (L)/22 (R), CH23 (L)/24 (R),
MG32/14FX: CH29 (L)/30 (R), CH31 (L)/32 (R)
*10 CH INPUT XLR type connectors and Phone Jacks (TRS) are balanced.
[T: HOT, R: COLD, S: GND]
*11 TB IN XLR type connector is unbalanced.
*12 MG24/14FX: CH1 - 16, MG32/14FX: CH1 - 24

Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.

 

 



Warranty Information:

Tech Support 714.522.9011 (Pianos -3Years parts and labor / Pro audio- 1 year parts and labor / Power amps/speakers- 3 years parts and labor / PSR keyboards- 1 year parts and 90 days on labor / Pro keyboards- 1 year parts and 1 year labor / Edrums- 1 year parts and 90 days on labor / Guitars/Acoustic- lifetime limited / Guitars/Electric- 1 year parts and 1 year labor) The P, N, YDP, PF, CP,DGX640(excluding P65 & YDP131) series digital pianos now have a limited warranty for 3 years parts and 3 years labor.Yamaha Website
PLEASE NOTE: We cannot ship Yamaha products outside the U.S. and its territories.

Yamaha MG10/2 10 Input Mixer

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