Korg Kronos 88 Key Music Workstation
KRONOS88
This is the ultimate in Korg workstations and you'll quickly wonder how you ever did without the Korg Kronos 88 Key Music Workstation. Nine individual synthesis engines come together in harmony to produce unbelievable music. Keyboard features RH3 graded hammer action for superior and authentic piano playing experience. Precision controls, large 8" TouchView display and on-board sequencer put this workstation firmly in control of any home studio.
Details
KRONOS
MUSIC WORKSTATION
KRONOS Highlights
- 9 Sound engines, each offering a unique
sound-creation technology (see list below)
- 16-part Combis allow all engines to function
together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high.
- Available with
61,
73 or
88 keys. The 73 and 88 key
models feature Korg’s finest RH3 Graded Hammer Action. The 61 key model borrows
the responsive synth action from the Korg M3-61.
- Comprehensive interface, based around a new large 8”
TFT TouchView™ display
- Virtual Memory Technology (VMT), aided by a fast SSD
(Solid State Disk) provides high polyphony and massive, ultra-long, and unlooped
samples; offering unheard of performance from a hardware instrument
- Smooth Sound Transition: this often-requested
feature allows held or sustained notes to keep sounding when changing sounds or
modes.
- Set List mode: Organize the Programs, Combis,
and Songs you need to perform your set in a single, easy-to-select screen –
including performance notes!
- Use up to 16 premium-quality effects at once;
individual effects rival dedicated units
- 12 Insert effects
- 2 Master effects
- 2 Total effects
- On-board sequencer offers 16 MIDI tracks + 16 audio
tracks (24-bit, 48kHz recording quality)
- Open Sampling System – Instant sampling and
resampling from any mode: Program, Combination or Sequencer.
- Sophisticated KARMA® technology generates infinitely
variable performance-driven phrases, musical effects, and backing tracks to
catalyze your creativity
- Expanded Drum Track for play-along grooves and
inspiration
- Signature sounds created with guidance from world
class musicians
The Game Has Been Changed
KRONOS is more than a new instrument. It is a milestone in synthesis and
workstation evolution; one that embodies fresh ideas and breakthrough
technologies. KRONOS brings together multiple sound engines working in harmony
and new interactive performance features that reflect the way musicians play.
Most importantly, KRONOS provides a seemingly inexhaustible supply of
breathtaking, spectacular sounds. Prepare to be amazed.
Nine Engines; a Universe of Sound
KRONOS unites nine individual synthesis engines in a single instrument, each
providing the finest sound creation techniques available. Together, they
represent not only the rich legacy of Korg, but the history of the electronic
keyboard industry itself. Dig into the classic sounds of timeless instruments
that are still loved to this day. Enjoy unique sounds that once startled the
world. Venture into new sonic territory with sounds that have become possible
now.
The Next-Generation Instrument for Live, Production, and Sound Design
The KRONOS Music Workstation is the single instrument designed for live performing musicians; for artists creating in a studio or computer-based production environment; and for musicians and sound designers seeking the ultimate synthesizer. In creating KRONOS, we have listened to many musicians and have heard their requests. And KRONOS delivers.
LIVE – for the performing keyboard player
KRONOS provides the absolute finest in keyboard sounds; accurate and responsive to the player's technique. The expansive control surface offers joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and of course our improved resolution color TouchView™ display. New additions include our easy-to-use Set List mode for song-specific and gig-ready sound selection, and our Smooth Sound Transition feature. Plus, we’ve included our finest RH3 keybed on both the 73 and 88 key models for a solid performance; the 61 key enjoys the responsive action shared with the Korg M3-61.
PRODUCTION – satisfying the producer, music director, and musician
For many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today’s media rich world. For these creative leaders, Korg has equipped the KRONOS Music Workstation’s sequencer with 16-track MIDI tracks plus 16 audio tracks, our Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Of course, KRONOS is equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA, the Drum Track, and the sequencer’s RPPR to greatly speed up and enrich the music creation process.
SYNTHESIS – programming joy for the enthusiast and sound designer
In addition to being Korg’s premier workstation, KRONOS has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. KRONOS rekindles Korg’s founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard! A variety of exclusive Korg technologies drive the synth engines to provide astounding results – VMT (Virtual Memory Technology); CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA® and more!
SpecsSystem]
System: KRONOS
Keyboard:
88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted
[Tone Generator]
Synthesis Types: 9
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
Maximum Polyphony*1*2:
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
*1 Maximum polyphony depends on the kind of synthesis engines and the number
of effects being used.
*2 KRONOS dynamically allocates voices to multiple synthesis engines when they
are used simultaneously.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
Number of Programs/Combinations/Drumkits:
1,664 user memory programs
(1510 or more [760 or more HD-1+750 or more EXi] come preloaded)
1,792 user memory combinations
(448 or more come preloaded)
152 user memory drumkits
(77 or more come preloaded)
256 GM Level2 preset programs+ 9 GM Level2 drum preset programs
Preset PCM:
314 MB (ROM 1,505 multisamples, 1388
Build-in Expansion PCM Libraries:
EXs1 - ROM Expansion
EXs2 - Concert Grand Piano
EXs3 - Brass & Woodwinds
EXs4 - Vintage Keyboards
EXs5 - ROM Expansion 2
EXs6 - SGX-1 German D Piano
EXs7 - SGX-1 Japanese C Piano
EXs8 - Rock Ambience Drums
EXs9 – Jazz Ambience Drums
Capacity of PCM RAM:
Approx. 1GB*4
*4 The memory available for RAM samples will change based on the use of
Expansion PCM libraries. About 273MB is available when shipped from the factory
(when loading the file named “PRELOAD.KSC”).
Wave Sequences:
374 user memory, 160 or more preload
[SGX-1 Program]
Premium Piano:
PCM:
EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
Oscillator Control:
Damper Resonance, Damper Noise, Mechanical Noise, Note Release
[EP-1 Program]
MDS Electric Piano:
Electric Piano Model Types: 6
Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack
Brightness, Hammer Width
Panel Control:
Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity,
Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed),
Amp/Cabinet (On/Off, Drive)*5
*5 Each electric piano type has own amp/cabinet character.
Effect Types: 9
Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus,
Vintage
Flanger, Red Comp, VOX Wah
[HD-1 Program]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Structure:
Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their
own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Two completely separate drumkits.
Oscillators:
VMT (Virtual Memory Technology) supported.
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Filters:
Two multi-mode filters per voices (low-pass, high-pass, band-pass and
band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver:
Per voice non-linear driver and low boost circuit
EQ:
Three bands, with sweepable mid
Modulation:
Three envelope generators, two LFOs per voice, common LFO, four key tracking
generators, AMS (Alternate Modulation Source), two AMS mixers
[EXi Program Common]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Modulation:
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,
2 Key Tracking Generators
EQ:
Three bands, with sweep-able mid
[AL-1 Program]
Oscillators:
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input:
Run real-time audio through the synthesis engine
Filters:
Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four
types of filter routings (single, serial, parallel and 24dB mode), MultiFilter
mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry
input, for creating a wide variety of unique filter types and effects)
Driver:
Per-voice non-linear driver and low boost circuit
Modulation:
Five Envelope generators, four per-voice LFOs, two AMS Mixers;
Per-voice Step Sequencer.
[CX-3 Program]
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
MS-20EX Program]
Oscillators:
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise
Generator
Audio Input:
Run real-time audio through the synthesis engine and ESP (External Signal
Processor)
Filters:
12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel:
Patchable audio and modulation, at audio rates
Patch Points:
Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP
Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger
In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source.
Modulation:
Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and-
Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and
4 AMS Mixers
[PolysixEX Program]
Oscillators:
VCO:
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves below
Filter:
24dB/octave Low Pass self-resonant filter
Effects:
Integrated Polysix Chorus, Phase, and Ensemble
Arpeggiator:
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2
additional per-voice LFOs, and 4 AMS Mixers
[Combination]
Number of Timbres:
Master Keyboard Functionality:
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or
external MIDI devices
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
[Drumkit]
System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with
crossfade functions)
[Sampling]
System:
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency:
16-bit/48 kHz stereo/mono sampling, maximum 512 MB memory
Sample Locations:
4,000 samples/1,000 multisamples (128 indexes per multisample)
Ripping:
Direct sampling (ripping) from audio CD (CD-DA)
Formats:
Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion);
SoundFont 2.0, AIFF, and WAVE formats
Editing:
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
[Effects]
Insert Effects: 12
Master Effects: 2
Total Effects: 2
Timbre EQ:
Effect Types: 185
Modulation:
Dynamic Modulation and Common LFO
Effects Control Busses:
Effect Presets: 783
Maximum 32 per 1 effect (Preset User)
[KARMA]
KARMA Modules:
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE):
2,048 presets, 1,536 Users (96 come Preload)
Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders
[1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA
Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control,
Tempo Synchronize, Auto RTC (Real Time Control) setup
[Drum Track]
Drum Track Patterns:
697 preset (common with the preset patterns of the MIDI sequencer)
[Sequencer/HDR]
Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track.
Number of Songs:
Resolution:
Tempo:
40.00 – 300.00 (1/100 BPM resolution)
Maximum memory:
400,000 MIDI events
or 300,000 audio events
MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,
Format:
Korg (KRONOS, OASYS) format, SMF formats 0 and 1.
Audio Tracks:
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Maximum single-file recording time
(mono):
Automation:
Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
RPPR (Realtime Pattern Play and Record):
[General]
Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function
(save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660
Level 1. *6
*6 Need to use with External USB CD Drive, etc.
Controllers:
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime
Knobs/KARMA, or Tone Adjust.
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control
Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower
Row), Sliders 1-8, Master Slider
KARMA Control:
On/Off, Latch, Chord Assign, module Control
Display:
TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable
brightness
Outputs:
L/MONO, R:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0
dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Individual 1-4:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum
Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Headphones:
1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when
load impedance is 33 ohms),
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
USB-B:
24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum
Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range:
95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
USB-B:
24-bit, 48 kHz, 2 channels
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI:
In, Out, Thru
Interface:
Two high-speed USB 2.0 A connectors (for external USB devices)
Disk Drives:
30 GB SSD (2.5”)
Power Consumption:
60 W
Dimensions: (W x D x H)
88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm
73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm
61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm
Weight:
88-key: 50.71 lbs. / 23.0 kg
73-key: 44.75 lbs. / 20.3 kg
61-key: 27.56 lbs. / 12.5 kg
Accessories:
AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver,
Manual PDF, etc.)
[Option]
XVP-10: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
*Sound processed with INFINITY.
*Developed under license of physical modeling patents (listed in
http://www.sondius-xg.com) owned by Stanford University, USA, and by Yamaha
Corporation.
*Appearance and specifications of this product are subject to change without
notice.
Overview
Announcing the Korg Kronos. The Korg Kronos is simply the ultimate in keyboard technology today. This instrument is destined
to be the heart of every decent home studio;a workstation unparalled. The Korg Kronos is a breakthrough in the combination of synthesis
and workstation technology. It enables nine individual synthesis engines to work in harmony and has new interactive performance features
that reflect the way musicians play. Most importantly, the Korg KRONOS provides an incredible array of spectacular sounds that will
amaze you.The Korg Kronos is available in three models: the Korg Kronos61, the Korg Kronos 73 and the Korg Kronos88. They all share
the same technology. The difference is the number of keys each model has. The Kronos 88 and the Kronos73 both offer a hammer action
keyboard that simulates a piano. The Kronos61 has a light (to the touch) spring based action. Perhaps the best part of all is that
Musicianbuy.com has put together several awesome package deals that will make getting one of these Kronos models irresistible!
Check the Kronos feature summary below:
Warranty Information: Tech Support 631-390-8737 (1 year parts and labor) Korg Website
Details
KRONOS
MUSIC WORKSTATION
KRONOS Highlights
- 9 Sound engines, each offering a unique
sound-creation technology (see list below)
- 16-part Combis allow all engines to function
together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high.
- Available with
61,
73 or
88 keys. The 73 and 88 key
models feature Korg’s finest RH3 Graded Hammer Action. The 61 key model borrows
the responsive synth action from the Korg M3-61.
- Comprehensive interface, based around a new large 8”
TFT TouchView™ display
- Virtual Memory Technology (VMT), aided by a fast SSD
(Solid State Disk) provides high polyphony and massive, ultra-long, and unlooped
samples; offering unheard of performance from a hardware instrument
- Smooth Sound Transition: this often-requested
feature allows held or sustained notes to keep sounding when changing sounds or
modes.
- Set List mode: Organize the Programs, Combis,
and Songs you need to perform your set in a single, easy-to-select screen –
including performance notes!
- Use up to 16 premium-quality effects at once;
individual effects rival dedicated units
- 12 Insert effects
- 2 Master effects
- 2 Total effects
- On-board sequencer offers 16 MIDI tracks + 16 audio
tracks (24-bit, 48kHz recording quality)
- Open Sampling System – Instant sampling and
resampling from any mode: Program, Combination or Sequencer.
- Sophisticated KARMA® technology generates infinitely
variable performance-driven phrases, musical effects, and backing tracks to
catalyze your creativity
- Expanded Drum Track for play-along grooves and
inspiration
- Signature sounds created with guidance from world
class musicians
The Game Has Been Changed
KRONOS is more than a new instrument. It is a milestone in synthesis and
workstation evolution; one that embodies fresh ideas and breakthrough
technologies. KRONOS brings together multiple sound engines working in harmony
and new interactive performance features that reflect the way musicians play.
Most importantly, KRONOS provides a seemingly inexhaustible supply of
breathtaking, spectacular sounds. Prepare to be amazed.
Nine Engines; a Universe of Sound
KRONOS unites nine individual synthesis engines in a single instrument, each
providing the finest sound creation techniques available. Together, they
represent not only the rich legacy of Korg, but the history of the electronic
keyboard industry itself. Dig into the classic sounds of timeless instruments
that are still loved to this day. Enjoy unique sounds that once startled the
world. Venture into new sonic territory with sounds that have become possible
now.
The Next-Generation Instrument for Live, Production, and Sound Design
The KRONOS Music Workstation is the single instrument designed for live performing musicians; for artists creating in a studio or computer-based production environment; and for musicians and sound designers seeking the ultimate synthesizer. In creating KRONOS, we have listened to many musicians and have heard their requests. And KRONOS delivers.
LIVE – for the performing keyboard player
KRONOS provides the absolute finest in keyboard sounds; accurate and responsive to the player's technique. The expansive control surface offers joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and of course our improved resolution color TouchView™ display. New additions include our easy-to-use Set List mode for song-specific and gig-ready sound selection, and our Smooth Sound Transition feature. Plus, we’ve included our finest RH3 keybed on both the 73 and 88 key models for a solid performance; the 61 key enjoys the responsive action shared with the Korg M3-61.
PRODUCTION – satisfying the producer, music director, and musician
For many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today’s media rich world. For these creative leaders, Korg has equipped the KRONOS Music Workstation’s sequencer with 16-track MIDI tracks plus 16 audio tracks, our Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Of course, KRONOS is equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA, the Drum Track, and the sequencer’s RPPR to greatly speed up and enrich the music creation process.
SYNTHESIS – programming joy for the enthusiast and sound designer
In addition to being Korg’s premier workstation, KRONOS has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. KRONOS rekindles Korg’s founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard! A variety of exclusive Korg technologies drive the synth engines to provide astounding results – VMT (Virtual Memory Technology); CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA® and more!
SpecsSystem]
System: KRONOS
Keyboard:
88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted
[Tone Generator]
Synthesis Types: 9
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
Maximum Polyphony*1*2:
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
*1 Maximum polyphony depends on the kind of synthesis engines and the number
of effects being used.
*2 KRONOS dynamically allocates voices to multiple synthesis engines when they
are used simultaneously.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
Number of Programs/Combinations/Drumkits:
1,664 user memory programs
(1510 or more [760 or more HD-1+750 or more EXi] come preloaded)
1,792 user memory combinations
(448 or more come preloaded)
152 user memory drumkits
(77 or more come preloaded)
256 GM Level2 preset programs+ 9 GM Level2 drum preset programs
Preset PCM:
314 MB (ROM 1,505 multisamples, 1388
Build-in Expansion PCM Libraries:
EXs1 - ROM Expansion
EXs2 - Concert Grand Piano
EXs3 - Brass & Woodwinds
EXs4 - Vintage Keyboards
EXs5 - ROM Expansion 2
EXs6 - SGX-1 German D Piano
EXs7 - SGX-1 Japanese C Piano
EXs8 - Rock Ambience Drums
EXs9 – Jazz Ambience Drums
Capacity of PCM RAM:
Approx. 1GB*4
*4 The memory available for RAM samples will change based on the use of
Expansion PCM libraries. About 273MB is available when shipped from the factory
(when loading the file named “PRELOAD.KSC”).
Wave Sequences:
374 user memory, 160 or more preload
[SGX-1 Program]
Premium Piano:
PCM:
EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
Oscillator Control:
Damper Resonance, Damper Noise, Mechanical Noise, Note Release
[EP-1 Program]
MDS Electric Piano:
Electric Piano Model Types: 6
Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack
Brightness, Hammer Width
Panel Control:
Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity,
Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed),
Amp/Cabinet (On/Off, Drive)*5
*5 Each electric piano type has own amp/cabinet character.
Effect Types: 9
Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus,
Vintage
Flanger, Red Comp, VOX Wah
[HD-1 Program]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Structure:
Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their
own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Two completely separate drumkits.
Oscillators:
VMT (Virtual Memory Technology) supported.
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Filters:
Two multi-mode filters per voices (low-pass, high-pass, band-pass and
band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver:
Per voice non-linear driver and low boost circuit
EQ:
Three bands, with sweepable mid
Modulation:
Three envelope generators, two LFOs per voice, common LFO, four key tracking
generators, AMS (Alternate Modulation Source), two AMS mixers
[EXi Program Common]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Modulation:
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,
2 Key Tracking Generators
EQ:
Three bands, with sweep-able mid
[AL-1 Program]
Oscillators:
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input:
Run real-time audio through the synthesis engine
Filters:
Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four
types of filter routings (single, serial, parallel and 24dB mode), MultiFilter
mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry
input, for creating a wide variety of unique filter types and effects)
Driver:
Per-voice non-linear driver and low boost circuit
Modulation:
Five Envelope generators, four per-voice LFOs, two AMS Mixers;
Per-voice Step Sequencer.
[CX-3 Program]
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
MS-20EX Program]
Oscillators:
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise
Generator
Audio Input:
Run real-time audio through the synthesis engine and ESP (External Signal
Processor)
Filters:
12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel:
Patchable audio and modulation, at audio rates
Patch Points:
Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP
Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger
In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source.
Modulation:
Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and-
Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and
4 AMS Mixers
[PolysixEX Program]
Oscillators:
VCO:
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves below
Filter:
24dB/octave Low Pass self-resonant filter
Effects:
Integrated Polysix Chorus, Phase, and Ensemble
Arpeggiator:
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2
additional per-voice LFOs, and 4 AMS Mixers
[Combination]
Number of Timbres:
Master Keyboard Functionality:
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or
external MIDI devices
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
[Drumkit]
System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with
crossfade functions)
[Sampling]
System:
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency:
16-bit/48 kHz stereo/mono sampling, maximum 512 MB memory
Sample Locations:
4,000 samples/1,000 multisamples (128 indexes per multisample)
Ripping:
Direct sampling (ripping) from audio CD (CD-DA)
Formats:
Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion);
SoundFont 2.0, AIFF, and WAVE formats
Editing:
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
[Effects]
Insert Effects: 12
Master Effects: 2
Total Effects: 2
Timbre EQ:
Effect Types: 185
Modulation:
Dynamic Modulation and Common LFO
Effects Control Busses:
Effect Presets: 783
Maximum 32 per 1 effect (Preset User)
[KARMA]
KARMA Modules:
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE):
2,048 presets, 1,536 Users (96 come Preload)
Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders
[1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA
Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control,
Tempo Synchronize, Auto RTC (Real Time Control) setup
[Drum Track]
Drum Track Patterns:
697 preset (common with the preset patterns of the MIDI sequencer)
[Sequencer/HDR]
Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track.
Number of Songs:
Resolution:
Tempo:
40.00 – 300.00 (1/100 BPM resolution)
Maximum memory:
400,000 MIDI events
or 300,000 audio events
MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,
Format:
Korg (KRONOS, OASYS) format, SMF formats 0 and 1.
Audio Tracks:
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Maximum single-file recording time
(mono):
Automation:
Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
RPPR (Realtime Pattern Play and Record):
[General]
Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function
(save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660
Level 1. *6
*6 Need to use with External USB CD Drive, etc.
Controllers:
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime
Knobs/KARMA, or Tone Adjust.
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control
Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower
Row), Sliders 1-8, Master Slider
KARMA Control:
On/Off, Latch, Chord Assign, module Control
Display:
TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable
brightness
Outputs:
L/MONO, R:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0
dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Individual 1-4:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum
Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Headphones:
1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when
load impedance is 33 ohms),
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
USB-B:
24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum
Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range:
95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
USB-B:
24-bit, 48 kHz, 2 channels
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI:
In, Out, Thru
Interface:
Two high-speed USB 2.0 A connectors (for external USB devices)
Disk Drives:
30 GB SSD (2.5”)
Power Consumption:
60 W
Dimensions: (W x D x H)
88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm
73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm
61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm
Weight:
88-key: 50.71 lbs. / 23.0 kg
73-key: 44.75 lbs. / 20.3 kg
61-key: 27.56 lbs. / 12.5 kg
Accessories:
AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver,
Manual PDF, etc.)
[Option]
XVP-10: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
*Sound processed with INFINITY.
*Developed under license of physical modeling patents (listed in
http://www.sondius-xg.com) owned by Stanford University, USA, and by Yamaha
Corporation.
*Appearance and specifications of this product are subject to change without
notice.
Details
KRONOS
MUSIC WORKSTATION
KRONOS Highlights
- 9 Sound engines, each offering a unique
sound-creation technology (see list below)
- 16-part Combis allow all engines to function
together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high.
- Available with
61,
73 or
88 keys. The 73 and 88 key
models feature Korg’s finest RH3 Graded Hammer Action. The 61 key model borrows
the responsive synth action from the Korg M3-61.
- Comprehensive interface, based around a new large 8”
TFT TouchView™ display
- Virtual Memory Technology (VMT), aided by a fast SSD
(Solid State Disk) provides high polyphony and massive, ultra-long, and unlooped
samples; offering unheard of performance from a hardware instrument
- Smooth Sound Transition: this often-requested
feature allows held or sustained notes to keep sounding when changing sounds or
modes.
- Set List mode: Organize the Programs, Combis,
and Songs you need to perform your set in a single, easy-to-select screen –
including performance notes!
- Use up to 16 premium-quality effects at once;
individual effects rival dedicated units
- 12 Insert effects
- 2 Master effects
- 2 Total effects
- On-board sequencer offers 16 MIDI tracks + 16 audio
tracks (24-bit, 48kHz recording quality)
- Open Sampling System – Instant sampling and
resampling from any mode: Program, Combination or Sequencer.
- Sophisticated KARMA® technology generates infinitely
variable performance-driven phrases, musical effects, and backing tracks to
catalyze your creativity
- Expanded Drum Track for play-along grooves and
inspiration
- Signature sounds created with guidance from world
class musicians
The Game Has Been Changed
KRONOS is more than a new instrument. It is a milestone in synthesis and
workstation evolution; one that embodies fresh ideas and breakthrough
technologies. KRONOS brings together multiple sound engines working in harmony
and new interactive performance features that reflect the way musicians play.
Most importantly, KRONOS provides a seemingly inexhaustible supply of
breathtaking, spectacular sounds. Prepare to be amazed.
Nine Engines; a Universe of Sound
KRONOS unites nine individual synthesis engines in a single instrument, each
providing the finest sound creation techniques available. Together, they
represent not only the rich legacy of Korg, but the history of the electronic
keyboard industry itself. Dig into the classic sounds of timeless instruments
that are still loved to this day. Enjoy unique sounds that once startled the
world. Venture into new sonic territory with sounds that have become possible
now.
The Next-Generation Instrument for Live, Production, and Sound Design
The KRONOS Music Workstation is the single instrument designed for live performing musicians; for artists creating in a studio or computer-based production environment; and for musicians and sound designers seeking the ultimate synthesizer. In creating KRONOS, we have listened to many musicians and have heard their requests. And KRONOS delivers.
LIVE – for the performing keyboard player
KRONOS provides the absolute finest in keyboard sounds; accurate and responsive to the player's technique. The expansive control surface offers joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and of course our improved resolution color TouchView™ display. New additions include our easy-to-use Set List mode for song-specific and gig-ready sound selection, and our Smooth Sound Transition feature. Plus, we’ve included our finest RH3 keybed on both the 73 and 88 key models for a solid performance; the 61 key enjoys the responsive action shared with the Korg M3-61.
PRODUCTION – satisfying the producer, music director, and musician
For many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today’s media rich world. For these creative leaders, Korg has equipped the KRONOS Music Workstation’s sequencer with 16-track MIDI tracks plus 16 audio tracks, our Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Of course, KRONOS is equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA, the Drum Track, and the sequencer’s RPPR to greatly speed up and enrich the music creation process.
SYNTHESIS – programming joy for the enthusiast and sound designer
In addition to being Korg’s premier workstation, KRONOS has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. KRONOS rekindles Korg’s founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard! A variety of exclusive Korg technologies drive the synth engines to provide astounding results – VMT (Virtual Memory Technology); CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA® and more!
SpecsSystem]
System: KRONOS
Keyboard:
88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted
[Tone Generator]
Synthesis Types: 9
SGX-1 Premium Piano (Acoustic Piano)
EP-1 MDS Electric Piano (Electric Piano)
HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
AL-1 Analog Synthesizer (Analog Modeling)
CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
STR-1 Plucked String (Physical Modeling)
MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX (CMT Analog Modeling)
PolysixEX (CMT Analog Modeling)
Maximum Polyphony*1*2:
SGX-1: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices
*1 Maximum polyphony depends on the kind of synthesis engines and the number
of effects being used.
*2 KRONOS dynamically allocates voices to multiple synthesis engines when they
are used simultaneously.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
Number of Programs/Combinations/Drumkits:
1,664 user memory programs
(1510 or more [760 or more HD-1+750 or more EXi] come preloaded)
1,792 user memory combinations
(448 or more come preloaded)
152 user memory drumkits
(77 or more come preloaded)
256 GM Level2 preset programs+ 9 GM Level2 drum preset programs
Preset PCM:
314 MB (ROM 1,505 multisamples, 1388
Build-in Expansion PCM Libraries:
EXs1 - ROM Expansion
EXs2 - Concert Grand Piano
EXs3 - Brass & Woodwinds
EXs4 - Vintage Keyboards
EXs5 - ROM Expansion 2
EXs6 - SGX-1 German D Piano
EXs7 - SGX-1 Japanese C Piano
EXs8 - Rock Ambience Drums
EXs9 – Jazz Ambience Drums
Capacity of PCM RAM:
Approx. 1GB*4
*4 The memory available for RAM samples will change based on the use of
Expansion PCM libraries. About 273MB is available when shipped from the factory
(when loading the file named “PRELOAD.KSC”).
Wave Sequences:
374 user memory, 160 or more preload
[SGX-1 Program]
Premium Piano:
PCM:
EXs6 - SGX-1 German D Piano; EXs7 - SGX-1 Japanese C Piano
Piano Type:
Oscillator Control:
Damper Resonance, Damper Noise, Mechanical Noise, Note Release
[EP-1 Program]
MDS Electric Piano:
Electric Piano Model Types: 6
Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control:
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack
Brightness, Hammer Width
Panel Control:
Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity,
Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed),
Amp/Cabinet (On/Off, Drive)*5
*5 Each electric piano type has own amp/cabinet character.
Effect Types: 9
Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus,
Vintage
Flanger, Red Comp, VOX Wah
[HD-1 Program]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Structure:
Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their
own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Two completely separate drumkits.
Oscillators:
VMT (Virtual Memory Technology) supported.
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Filters:
Two multi-mode filters per voices (low-pass, high-pass, band-pass and
band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver:
Per voice non-linear driver and low boost circuit
EQ:
Three bands, with sweepable mid
Modulation:
Three envelope generators, two LFOs per voice, common LFO, four key tracking
generators, AMS (Alternate Modulation Source), two AMS mixers
[EXi Program Common]
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
Modulation:
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,
2 Key Tracking Generators
EQ:
Three bands, with sweep-able mid
[AL-1 Program]
Oscillators:
OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input:
Run real-time audio through the synthesis engine
Filters:
Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four
types of filter routings (single, serial, parallel and 24dB mode), MultiFilter
mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry
input, for creating a wide variety of unique filter types and effects)
Driver:
Per-voice non-linear driver and low boost circuit
Modulation:
Five Envelope generators, four per-voice LFOs, two AMS Mixers;
Per-voice Step Sequencer.
[CX-3 Program]
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
Tonewheel Organ Modeling:
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click,
wheel brake
EX Mode:
Four additional, user-specified drawbars, and expanded percussion.
Internal Effects:
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control:
Controlled via nine front-panel sliders (via Tone Adjust)
Split:
Upper, Lower (even in EX mode)
Modulation:
[STR-1 Program]
Physically Modeled String:
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics,
dual pickups, and more
String Excitation:
Three independent excitation sources can be used simultaneously: Pluck, Noise,
and PCM. 16 preset “pluck” types, with modulatable width and randomization.
Noise generator with saturation and dedicated lowpass filter
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity
zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can
either be used as an excitation signal, or layered with the output of the
string.
Excitation Filter:
Dedicated 2-pole multimode filter for shaping the string excitation; Filter can
be enabled/disabled separately for each excitation source. Low Pass, High Pass,
Band Pass, and Band Reject modes
Audio Input and Feedback:
Run real-time audio through the string, including feedback through effects.
Modeled feedback includes modulate-able instrument-to-amp distance and
orientation.
Filters:
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo
output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject
modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects
Modulation:
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking
generators, 4 AMS Mixers.
MS-20EX Program]
Oscillators:
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise
Generator
Audio Input:
Run real-time audio through the synthesis engine and ESP (External Signal
Processor)
Filters:
12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel:
Patchable audio and modulation, at audio rates
Patch Points:
Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP
Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger
In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source.
Modulation:
Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and-
Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and
4 AMS Mixers
[PolysixEX Program]
Oscillators:
VCO:
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves below
Filter:
24dB/octave Low Pass self-resonant filter
Effects:
Integrated Polysix Chorus, Phase, and Ensemble
Arpeggiator:
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation:
Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2
additional per-voice LFOs, and 4 AMS Mixers
[Combination]
Number of Timbres:
Master Keyboard Functionality:
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or
external MIDI devices
Advanced Vector Synthesis:
Control oscillator volumes and synthesis & effects parameters via the Vector
Joystick and the tempo-synchronized Vector Envelope.
[Drumkit]
System:
Assignable stereo/mono samples with 8 velocity zones per oscillator (with
crossfade functions)
[Sampling]
System:
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency:
16-bit/48 kHz stereo/mono sampling, maximum 512 MB memory
Sample Locations:
4,000 samples/1,000 multisamples (128 indexes per multisample)
Ripping:
Direct sampling (ripping) from audio CD (CD-DA)
Formats:
Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion);
SoundFont 2.0, AIFF, and WAVE formats
Editing:
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
[Effects]
Insert Effects: 12
Master Effects: 2
Total Effects: 2
Timbre EQ:
Effect Types: 185
Modulation:
Dynamic Modulation and Common LFO
Effects Control Busses:
Effect Presets: 783
Maximum 32 per 1 effect (Preset User)
[KARMA]
KARMA Modules:
One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE):
2,048 presets, 1,536 Users (96 come Preload)
Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders
[1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA
Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control,
Tempo Synchronize, Auto RTC (Real Time Control) setup
[Drum Track]
Drum Track Patterns:
697 preset (common with the preset patterns of the MIDI sequencer)
[Sequencer/HDR]
Tracks:
16-track MIDI sequencer + 16-track hard disk recorder + master track.
Number of Songs:
Resolution:
Tempo:
40.00 – 300.00 (1/100 BPM resolution)
Maximum memory:
400,000 MIDI events
or 300,000 audio events
MIDI Tracks:
16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,
Format:
Korg (KRONOS, OASYS) format, SMF formats 0 and 1.
Audio Tracks:
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Maximum single-file recording time
(mono):
Automation:
Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
RPPR (Realtime Pattern Play and Record):
[General]
Disk Mode:
Load, save, utility, audio CD burning, audio CD playback, data filer function
(save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660
Level 1. *6
*6 Need to use with External USB CD Drive, etc.
Controllers:
Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime
Knobs/KARMA, or Tone Adjust.
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control
Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower
Row), Sliders 1-8, Master Slider
KARMA Control:
On/Off, Latch, Chord Assign, module Control
Display:
TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable
brightness
Outputs:
L/MONO, R:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono (L/MONO Only), Nominal Level: +4.0
dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Individual 1-4:
1/4” Balanced; 170 ohms Stereo; 85 ohms Mono, Nominal Level: +4.0 dBu, Maximum
Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Headphones:
1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when
load impedance is 33 ohms),
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
USB-B:
24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Inputs:
Audio Inputs 1 and 2:
1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum
Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range:
95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
USB-B:
24-bit, 48 kHz, 2 channels
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI:
In, Out, Thru
Interface:
Two high-speed USB 2.0 A connectors (for external USB devices)
Disk Drives:
30 GB SSD (2.5”)
Power Consumption:
60 W
Dimensions: (W x D x H)
88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm
73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm
61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm
Weight:
88-key: 50.71 lbs. / 23.0 kg
73-key: 44.75 lbs. / 20.3 kg
61-key: 27.56 lbs. / 12.5 kg
Accessories:
AC cord, Quick Start Guide, Accessory DVD Disk (Restore Data, KORG USB Driver,
Manual PDF, etc.)
[Option]
XVP-10: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
*Sound processed with INFINITY.
*Developed under license of physical modeling patents (listed in
http://www.sondius-xg.com) owned by Stanford University, USA, and by Yamaha
Corporation.
*Appearance and specifications of this product are subject to change without
notice.
Availability: You might also like:
Customer Reviews:
Our Happy Customers "Hello Danny, Thank YOU for taking my order and *especially* for waiving off the additional charges on the couple of items I had replaced. You really made my day yesterday! I’m really excited about this purchase and have been very impressed with your services thus far. I do hope to come back to your Web site for additional purchases in the future and will highly recommend you to my friends! Once again, thank you SO MUCH and all the very best. Have a wonderful day and a great week! Best Regards, Wil."
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