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Yorkville MP6D-2 Powered Mixer 6 Channels Price: $703.20

MP6D2 - Mixer/Amp - 325w, 6 inputs

The MP6D2 six channel powered mixer solves problems! 325 Watts at 4 Ohms means that you get better than 160 Watts of power to each of your 8-ohm speakers. This means more power where you need it!

All important multiple clip indicators make getting a great sound a snap by detecting distortion throughout the signal path. Other features include six XLR inputs, four balanced 1/4" inputs, dual RCA inputs on Ch. 5 & 6 for use with CD/Tape players, effects-to-monitors knob, 9-band graphic EQ, phantom power, line outputs, monitor output, record output, and effects send jack. The compact format MP6D2 also features a rugged all plywood enclosure and metal chassis that makes it ready for the road. Feature for feature, the MP6D2 is the best value in it''s class!!

MicroMIX Series Overview The M1610 Wedge Mixer All Yorkville Box Mixers are built knowing they have to withstand a long worry free life on the road. Designed for the working musician, only high quality epoxy circuit boards coated with thick copper laminate and precision low noise components are used. Large heatsinks and variable speed DC fans ensure that the mixers keep their cool even under the most demanding live performance conditions. Of course MicroMIX mixers also come with Yorkville's standard two year unlimited transferable warranty in the USA and Canada, ensuring Yorkville mixers will continue to deliver the "Best Bang for the Box" night after night.

MicroMIX Series Characteristics

Yorkville's MicroMIX powered box mixers offer more power, more features and are more affordable than ever. Standard features include: All Yorkville Box Mixers feature 3/4" plywood construction covered with blue/black carpet (excluding rackmount version). Chassis are constructed of heavy metal to withstand all the rocking and rolling associated with life on the road while inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, 0.1-1% tolerance, low noise components. A large heatsink and a variable speed DC fan ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville's standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box".

*except MM4D


Yorkville PGM8 8CH Passive Mixer Price: $349.00

The Yorkville PGM8 delivers all of the essential features needed in aprofessional mixer in a convenient, ultra-compact package. High quality60mm faders throughout, fully featured input channel design, 24-bit digitaleffects, and break switch make the PGM8 the perfect mixer for live musicapplications and for small installs.




Yorkville PowerMax PM16-2 Mixer/Amp (4) 800 WATT AMPS Price: $2,699.00

PowerMAX16-2 - Mixer/Amp - 3200w, 16 inputs

Yorkville has set the standard for professionally featured high powered mixing consoles with the PowerMAX PM16-2. With four integrated amplifiers delivering 3200 watts, the Yorkville PowerMAX can drive virtually any medium or large club venue for a typical band with an ample powered stereo front-of-house mix and two additional powered monitor mixes. Built for maximum flexibility, the four 800-watt amplifiers in PowerMAX mixers can be assigned in any number of useful configurations using the integrated patch bay on the top panel.

Standard professional mixer features include mid-frequency sweep controls, switchable hi-pass filtering, two monitor sends, aux send, two effects sends, mute and solo switching with AFL/PFL select, stereo graphic EQ for mains, two monitor graphic EQs, and two integrated digital effects processors.

The PowerMAX PM16-2 includes twelve mono mic/line balanced channel inputs and two stereo line level channels (13-16). Mono channels one to six feature Yorkville's group-defeatable Channel Overload Protection circuit


Yorkville M810 Micromix Powered Mixer 2x 400 watts Price: $899.00

MicroMIX Series
M810 - Mixer/Amp - 2x 400w, 10 inputs

A new shape makes the M1610 and M810 the most versatile compact powered mixers on the market. The convenience, lighter weight and small footprint of a box mixer with the tilt-back visibility and channel control access of a desk mixer makes these new wedge mixers an ideal high power, high quality powered mixer solutions. High-powered high-efficiency class-H power amplifiers, newly designed input strips, on-board DSP and a new, more effective master EQ section and ten very useful and usable input channels complete the new wedge mixer packages.
The 800-watt M810 has two integrated 400-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specificall y for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQs at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls.

The M810 has 10 input channels. The first six channels have balanced XLR microphone and TRS balanced inputs, input trim control, three-band EQ, master volume and trim set light. The mono line inputs on channels 5 and 6 are pre-EQd for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. When the input trim level is properly set, users will have ample overall gain while taking full advantage of the new clip elimination circuit which makes it virtually impossible to distort the input of the microphone and instrument channels.

In addition to the 6 mono microphone channels, the M810 has two discrete stereo input channels (channel 7 & 8, 9 & 10) each with three-band EQ and stereo TRS balanced inputs. Both stereo channels have an additional XLR balanced microphone input, making for a total of 8 potential microphone inputs, or 6 mono microphone inputs and two stereo line inputs.

MicroMIX Series Overiew

Specifications
Number of Channels 10
Mono Channel EQ Low, Mid, High
Stereo Channel EQ Low, Mid, High
Channel Effects All Channels
Monitors Effects Yes
Balance Controls Ch. 7 - 10
Pan Controls Ch. 1 - 6
Channel Overload Protection Ch. 1 - 6
Inputs - XLR (bal) 8
Inputs - 1/4" 10
Inputs - RCA (unbal) 1 Pair
Mute Switches Global 1 - 8
Activity / Solo LED Trim Set Ch. 1 - 6
Clip /Mute LED All Channels
Phantom Power 48V + LED Indicator
Internal Effects Digital 16 Bit; 255 Effects
Auxiliary Sends Effect - Monitor
Effects Send Yes
Effects Return Internal
Effects Return to Main Yes
Effects Return to Monitor Yes
Reverb / Effects Footswitch Yes
Record Outputs Stereo RCA Pair
Max Gain to Line Out -Mic Input (dB) +84
Max Gain to Line Out -Line Input (dB) +82
Master EQ -1 (type /Channels /Range - dB) Graphic 9 band (160hz-6.3khz) +2 band Shelving
Monitor EQ -1 (type /Channels /Range - dB) Graphic 9 band (160hz-6.3khz) +2 band Shelving
Main Outputs ( Line Level) 2 x 1/4inch TRS
Main Amp Inputs (Line Level) 2 x 1/4inch TRS
Monitor Outputs (Line Level) 1 x 1/4inch TRS
Outputs - Amp A - 1/4" Jacks 2
Outputs - Amp A - Speakon 4-pin 1
Outputs - Amp B - 1/4" Jacks 2
Outputs - Amp B - Speakon 4-pin 1
Mixer - Signal to Noise Ratio (dB) 105
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB) 20 - 20,000
Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv) -119
Mixer THD (Main out w/ -10dB input) 0.01%
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz) 250
Amp A - Power Output @ 4 Ohms 400
Amp A - Power Output -other 400 @ 2 ohms
Amp B - Power Output @ 8 Ohms (0%1"THD, 1kHz) 250
Amp B - Power Output @ 4 Ohms 400
Amp B - Power Output -other 400 @ 2 ohms
THD - 1kHz (dB) 0.1%
THD - 20Hz-20kHz (dB) 0.5%
Hum and Noise (un / Aweight -dB) -101 / -107
Typical crosstalk -1 kHz (dB) better than -60db
Input Impedance - Bal/Unbal (Ohms) 20k / 10k ohms
Input Sesitivity (Vrms Sine) 1.4
CMRR @ 60Hz (min/typ) -37db / -60db
Max Votage Gain (dB) 29
Power Consumption (typ/max) 4.2A @ 60Hz / 2.2A @ 50Hz
Protection Thermal, Short Circuit, Impedance Overload
Cooling 2 x 80mm Fans
Transformer Type Toroidial
Finish Grey and Black Powder Coat
Chassis Construction Steel and Aluminum
Rackmount Yes (Kit Available)
Other Features Tiltback or Upright Wedge Angles
Dimensions (DWH, inches) 11.1 x 18.6 x 11
Dimensions (DWH, cm) 28 x 47 x 28
Weight (lbs/kg) 27 / 12

MicroMIX Series Overiew
For simple plug-and-play, nothing beats the Yorkville MicroMIX series. They offer high performance in complete, compact, flexible packages. Although simple, MicroMIX series mixer are not short on features. Ease-of-use and practical designs are at the center of the MicroMIX line of powered box mixers. Whatever you require, Yorkville has the right MicroMIX for you.
MicroMIX Series Features
Yorkville's MicroMIX powered box mixers offer more power, more features and are more affordable than ever. Standard features include:

scratch resistant front panels
metal phone jacks
graphic EQs*
built-in limiter
phantom power
onboard reverb/effects*
balanced XLR, 1/4" phone and dual RCA inputs
19" rackmount versions**
gold plated connectors
All Yorkville Box Mixers feature 3/4" plywood construction covered with blue/black carpet (excluding rackmount version). Chassis are constructed of heavy metal to withstand all the rocking and rolling associated with life on the road while inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, 0.1-1% tolerance, low noise components. A large heatsink and a variable speed DC fan (MP8DX) ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville's standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box".

*except MM4
**MM4R and MP8DR only




Yorkville MM5D Powered Mixer 2x 90 Watts Price: $249.00

MicroMIX Series Overview

The M1610 Wedge MixerAll Yorkville Box Mixers are built knowing they have to withstand a long worry free life on the road. Designed for the working musician, only high quality epoxy circuit boards coated with thick copper laminate and precision low noise components are used. Large heatsinks and variable speed DC fans ensure that the mixers keep their cool even under the most demanding live performance conditions. Of course MicroMIX mixers also come with Yorkville's standard two year unlimited transferable warranty in the USA and Canada, ensuring Yorkville mixers will continue to deliver the "Best Bang for the Box" night after night.

MicroMIX Series Characteristics

Yorkville's MicroMIX powered box mixers offer more power, more features and are more affordable than ever. Standard features include:

  • scratch resistant front panels
  • metal phone jacks
  • graphic EQs
  • built-in limiter
  • phantom power*
  • onboard reverb/effects
  • balanced XLR, 1/4" phone and dual RCA inputs
  • 19" rackmount kits available for M810-2 and M1610-2
  • gold plated connectors
Chassis are constructed of heavy metal to withstand all the rocking and rolling associated with life on the road while inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, 0.1-1% tolerance, low noise components. A large heatsink and a variable speed DC fan ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville's standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box".



*except MM5D

Yamaha EMX5014C Powered Mixer 500 Watts per Channel Price: $729.99

EMX5014C is a STEREO 7 band EQ, not a DUAL STEREO 7 band EQ.

A winning combination of superior sound quality, convenient mixing control, and reliability has made the Yamaha EMX Series the top choice for bands, personal studios, houses of worship, corporate and educational facilities. Compact packages, versatile input capabilities, plentiful power and top-quality, built-in signal processing are standard equipment. Yamaha brings a new member to its EMX family with the Winter NAMM introduction of the EMX5014C.

Like others in the EMX family, the EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section.

A total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications.

MIX, PROCESS AND DELIVER WITH THE EMX5014C
For sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output, and a separate graphic for the monitor output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar.

Onboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha's renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha's Club Series loudspeakers.

The EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience.

EMX5014C Specifications
Maximum Output power, 1kHz, THD+N0.5%
(both channels driven)8 ohm load-
(both channels driven)4 ohm load-
350W
500W
Input ConnectorsCH1-6
CH7/8,9/10
CH11/12,13/14 CH1-6: XLR and TRS Phone
XLR and 2 x TRS Phone
2 x Phone and 2 X RCA
EQ Mono Inputs low 100Hz Shelving
mid 250Hz-5kHz peaking (sweepable)
high 10kHz Shelving
EQ Stereo Inputs low 100Hz Shelving
mid 250Hz-5kHz peaking
high 10kHz Shelving
AUX sends 3 (1 Pre, 1 assignable Pre/Post, 1 Effect)
Phantom power 48V
Graphic EQ (ST out) 9-band
(63, 125, 250, 500, 1k, 2k, 4k, 8k, 16kHz)
Digital effects SPX digital multi-effector 24-bit AD/DA, 32-bit processor
(24bit AD/DA, 32bit Internal Processing)
16 programs
Reverb HallKaraoke Echo
Reverb Hall 2Vocal Echo
Reverb Room 1Chorus 1
Reverb Room 2Chorus 2
Reverb Stage 1Flanger
Reverb Stage 2Phaser
Reverb PlateAuto Wah
Drum AmbianceDistortion
Power Amp Mode ST L + ST R
Aux 1 + Mono
Aux 1 = Aux 2
Power select switch 500W / 250W / 75W
Metering 2 x 12 segment LED
YSProcessing Yes (switchable)
Stand-by switch Yes (ch 1-6)
Foot Switch Option Effect on/off
Dimensions (W x H x D) 444mm x 155mm x 493mm
(17 1/2" x 6 1/8" x 19 1/2")
Weight 10.5 kg (23 lbs)




Behringer PMP4000 Europower Mix Price: $499.99

Europower PMP4000

1600-Watt 16-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System

  • Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode)
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • Ultra-compact design at nearly half the weight of conventional powered mixers
  • 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output
  • Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
  • 8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
  • Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
  • Voice Canceller function removes singers voice from recordings for karaoke applications
  • Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  • Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
  • Adjustable stereo CD/Tape input for connecting external signal sources
  • Multi-functional stereo Preamp outputs for added flexibility
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.

What is Class-D Technology?

Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps dont need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.

When used in conjunction with switching-mode power supplies, which dont require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.

Massive Mono or Stunning Stereo

Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.

Classic Control, State-of-the-Art Sound

Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.

Built-in Digital Effects Processor

The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case youre pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear youve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.

Changing the Channels

The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.

A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.

The Ins and Outs

Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.

CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output " connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.

Small, Simple, Superb

Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, its easier than ever to lend exceptional sound quality to all kinds of public performances.

 




Yorkville M608 Powered Mixer 2x 300 Watts Price: $719.20

MicroMIX Series Overview

The M1610 Wedge Mixer All Yorkville Box Mixers are built knowing they have to withstand a long worry free life on the road. Designed for the working musician, only high quality epoxy circuit boards coated with thick copper laminate and precision low noise components are used. Large heatsinks and variable speed DC fans ensure that the mixers keep their cool even under the most demanding live performance conditions. Of course MicroMIX mixers also come with Yorkville's standard two year unlimited transferable warranty in the USA and Canada, ensuring Yorkville mixers will continue to deliver the "Best Bang for the Box" night after night.

MicroMIX Series Characteristics

Yorkville's MicroMIX powered box mixers offer more power, more features and are more affordable than ever. Standard features include:

  • scratch resistant front panels
  • metal phone jacks
  • graphic EQs
  • built-in limiter
  • phantom power*
  • onboard reverb/effects
  • balanced XLR, 1/4" phone and dual RCA inputs
  • 19" rackmount kits available for M810-2 and M1610-2
  • gold plated connectors
Chassis are constructed of heavy metal to withstand all the rocking and rolling associated with life on the road while inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, 0.1-1% tolerance, low noise components. A large heatsink and a variable speed DC fan ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville's standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box".


*except MM5D

Yamaha Powered Mixer EMX212S Price: $369.99

The lowest-powered model in the series offers a pair of 200-watt amplifiers per channel that should be more than sufficient for small-to-medium size venues.

Experienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMXseries powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone, instrument, and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that's nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound.

Great Yamaha Sound
Yamaha is a leader in the field of professional live sound for a very good reason: we deliver the sound and performance that the pros demand. The EMX-series powered mixers are no exception. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe.
One-knob Compression on Mono Channels(EMX312SC & EMX512SC)
All four monaural mic/line channels on the EMX312SC and EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need.

SPX Digital Effects
The EMX212S, EMX312SC, and EMX512SC all feature a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation.

Built-in Graphic EQ
Graphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material.

Stand-by Mode
When you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break.

Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment.

12 Inputs
All three mixers in this series offer a total of 12 input channels - four for monaural microphone (incl. Phantom Power) or line input, plus four pairs that can function either as monaural microphone inputs or stereo line inputs - providing you with a versatile mix of input capabilities for a wide range of applications. If you need only microphone inputs you can use up to eight mic channels. Or if, for example, you want to play recorded background music during breaks (that's one stereo channel), and you have a keyboard player with a stereo-output keyboard (that's one more stereo channel), you still have six mic/line inputs. If you use all four stereo pairs to handle stereo line sources you have four channels available for mono mic or line input. This is a very versatile system that can adapt to your needs.

High Power For Main and Monitor Speakers
These powered mixers certainly don't skimp on power. From the EMX212S with 200 watts per channel to the EMX512SC with a solid 500 watts per channel, there's a power configuration to suit any application and venue. All models also feature a power mode switch that lets you use the two power channels as a stereo amplifier, or you can use one of the channels for the main speaker(s) and the other to drive monitors with a separate monitor mix set up via the channel MONITOR controls.

Yamaha Speaker Processing
Yamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced low-frequency output.

Durable, Lightweight Design
The EMX powered mixers offer the ideal combination of outstanding sound performance and easy handling. They're lightweight — only 10 kilograms (22lbs.) — and feature conveniently located handles for maximum carrying comfort. They're also built tough to withstand the rigors of use on the road.

GENERAL SPECIFICATIONS

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Peavey PVI4B Powered Mixer Price: $179.99

Summer NAMM: Two PVi™ Powered Mixers Make Debut

These new rugged, powered mixers from Peavey are remarkably easy to use and feature both XLR and ¼” inputs on each channel, as well as rotary controls to adjust level, reverb, treble and bass (a single tone knob on the PVi 4B) and additional equalization on the master section. Power amplifier ratings are 150 watts RMS into 4 ohms on the PVi 8B and 100 watts RMS into 4 ohms on the PVi 4B.

The PVi 8B features a master effects section with echo, reverb and level adjustments, while both models include a master level and Tape In/Tape Out section. PVi powered mixers are built solid with a steel chassis in a sturdy wooden cabinet enclosure with tough vinyl covering and protective corners.

The PV Series product line includes every link in the audio chain, from loudspeakers, mixers and power amplifiers to processors, cables, microphones and accessories.

The Peavey PVi 8B and PVi 4B will be available from authorized Peavey retailers in Q4 2006.

PVi 8B · 150 watts into 4-ohm (2 x 8 ohm) speakers · Eight balanced microphone inputs · Eight ¼” TRS inputs · Tape/CD input w/level · Five-band master graphic EQ · Master effects: echo and delay with level · Treble, bass, reverb and level on each channel · Line Out for connection to external amplifiers · Return input for connection of external effects processors · Record Out · RF interference protection on all inputs · 27.5 lbs.

PVi 4B · 100 watts into 4-ohm (2x8 ohm) speakers · Four balanced microphone inputs · Four ¼” TRS inputs · Tape/CD input w/ level · Tone, reverb and level on each channel · Line Out for connection to external amplifiers · Record Out · RF interference protection on all inputs · 18 lbs.






 




Peavey PVI8B Powered Mixer Price: $268.00

Summer NAMM: Two PVi Powered Mixers Make Debut

These new rugged, powered mixers from Peavey are remarkably easy to use and feature both XLR and inputs on each channel, as well as rotary controls to adjust level, reverb, treble and bass (a single tone knob on the PVi 4B) and additional equalization on the master section. Power amplifier ratings are 150 watts RMS into 4 ohms on the PVi 8B and 100 watts RMS into 4 ohms on the PVi 4B.

The PVi 8B features a master effects section with echo, reverb and level adjustments, while both models include a master level and Tape In/Tape Out section. PVi powered mixers are built solid with a steel chassis in a sturdy wooden cabinet enclosure with tough vinyl covering and protective corners.

The PV Series product line includes every link in the audio chain, from loudspeakers, mixers and power amplifiers to processors, cables, microphones and accessories.

The Peavey PVi 8B and PVi 4B will be available from authorized Peavey retailers in Q4 2006.

PVi 8B 150 watts into 4-ohm (2 x 8 ohm) speakers Eight balanced microphone inputs Eight TRS inputs Tape/CD input w/level Five-band master graphic EQ Master effects: echo and delay with level Treble, bass, reverb and level on each channel Line Out for connection to external amplifiers Return input for connection of external effects processors Record Out RF interference protection on all inputs 27.5 lbs.

PVi 4B 100 watts into 4-ohm (2x8 ohm) speakers Four balanced microphone inputs Four TRS inputs Tape/CD input w/ level Tone, reverb and level on each channel Line Out for connection to external amplifiers Record Out RF interference protection on all inputs 18 lbs.







Peavey XR8300 Powered Mixer Price: $599.99

XR® 8300

They feature new improved low noise mic preamps, multi point clip sampling and a new subsonic filter to prevent low frequency power robbing. New graphic equalizers have multi-Q bandwidth to allow some filters to perform feedback control while others perform tone control and have Peavey's patented FLS (Feedback Locating System).

Features
8 improved, low-noise mic preamps
10 line inputs
48 Volt phantom power, 3 band EQ, monitor send and effects send on each channel
25 dB pad on ch 1-6
Signal and Clip indicator on each channel
Dual Main or Main/Mon power amp mode switch
dedicated 7 band Graphic for mains and monitors with FLS
DDT speaker protection
DSP based effects with parameter control
channel mute switch
rugged plastic case
300W/channel @ 4 ohms

 




Peavey PV5300 Powered Mixer 200 Watts Price: $199.99

Peavey PV5300 300 Watt 5-Channel Powered Live Sound Mixer With Five-Band Graphic EQ XLR And 1/4" Inputs Footswitchable Reverb Onboard 1/4", RCA And 1/8" Mini Jacks And A Reserved RCA or 1/8" Media Input PV 5300 Features Peavey PV5300 200 Watt 5-Channel Powered Live Sound Mixer 200 watts of power FLS Feedback Locating System Onboard digital reverb with master level Combination XLR and 1/4" input jacks on channels 1-4 RCA, 1/8" media input jacks on channel 5 Five-band graphic EQ Master mute for channels 1-4 Footswitchable effects defeat RCA output for recording LED meter bridge Power amp subsonic filtering 15 lbs. (6.8 kg)

  • Peavey PV5300 200 Watt 5-Channel Powered Live Sound Mixer
  • 200 watts of power
  • FLS Feedback Locating System
  • Onboard digital reverb with master level
  • Combination XLR and 1/4" input jacks on channels 1-4



Behringer PMP2000 Europower 800 Watt 10 Channel Powered Mixer Price: $349.99

Introducing the Powerful PMP2000 from BEHRINGER

The PMP2000 powered mixer delivers more power, better sound at less weight!

The PMP2000 mixer delivers 800 Watts of massive power and incredible performance through new-generation amplifier technology, crystal-clear sound plus an ultra-compact and lightweight design. The 24-bit stereo FX processor, IMP mic preamps and more round off this impressive package of power features.

Get massive power and great sound in a lightweight package!

* Ultra-compact 2 x 350-Watt stereo powered mixer (800 Watt bridged mode)
* Ultra-Low Noise ULN design, high headroom and ultra-transparent audio
* 10-channel mixer section features 6 mono and 3 stereo channels plus separate CD/Tape inputs
* Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
* 9 high-quality IMP "Invisible" Mic Preamps with switchable +48 V phantom power for condenser microphones
* Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
* Dual 9-band graphic EQ allows precise frequency correction of monitor and main outputs
* Selectable stereo (main L/R) or double mono (main/monitor) amplifier operation mode
* Multi-functional stereo Preamp outputs and stereo Power amp inputs for added flexibility
* High-quality components and exceptionally rugged construction ensure long life
* Conceived and designed by BEHRINGER Germany

Behringer PMP2000 Spec Sheet

 




Behringer PMP6000 Powered Mixer Price: $599.99

Behringer Europower PMP6000 1600-Watt 20-Channel Powered Mixer

The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.

  • Ultra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • Ultra-compact design at nearly half the weight of conventional powered mixers
  • 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output
  • 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
  • 12 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
  • Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
  • Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
  • Voice Canceller function removes singers voice from recordings for karaoke applications
  • Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  • Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
  • Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input
  • Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
  • Adjustable stereo 2-Track input for connecting external line sources
  • Multi-functional stereo Preamp outputs for added flexibility
  • Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  • High-quality components and exceptionally rugged construction ensure long life
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.

 

What is Class-D Technology?

Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps dont need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.

When used in conjunction with switching-mode power supplies, which dont require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.

Massive Mono or Stunning Stereo

Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.

Classic Control, State-of-the-Art Sound

Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.

Built-in Digital Effects Processor

The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case youre pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear youve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.

Changing the Channels

The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.

A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.

The Ins and Outs

Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.

CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output " connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.

Small, Simple, Superb

Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, its easier than ever to lend exceptional sound quality to all kinds of public performances

 




Yamaha EMX512SC Powered Mixer Price: $569.99

For larger venues and audiences, or if you plan to use it for outdoor sound, the EMX512SC with a pair of whopping 500-watt amplifiers to ensure that your music or message comes across with full impact.

Experienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMXseries powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone, instrument, and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that's nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound.

Great Yamaha Sound
Yamaha is a leader in the field of professional live sound for a very good reason: we deliver the sound and performance that the pros demand. The EMX-series powered mixers are no exception. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe.
One-knob Compression on Mono Channels(EMX312SC & EMX512SC)
All four monaural mic/line channels on the EMX312SC and EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need.

SPX Digital Effects
The EMX212S, EMX312SC, and EMX512SC all feature a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation.

Built-in Graphic EQ
Graphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material.

Stand-by Mode
When you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break.

Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment.

12 Inputs
All three mixers in this series offer a total of 12 input channels - four for monaural microphone (incl. Phantom Power) or line input, plus four pairs that can function either as monaural microphone inputs or stereo line inputs - providing you with a versatile mix of input capabilities for a wide range of applications. If you need only microphone inputs you can use up to eight mic channels. Or if, for example, you want to play recorded background music during breaks (that's one stereo channel), and you have a keyboard player with a stereo-output keyboard (that's one more stereo channel), you still have six mic/line inputs. If you use all four stereo pairs to handle stereo line sources you have four channels available for mono mic or line input. This is a very versatile system that can adapt to your needs.

High Power For Main and Monitor Speakers
These powered mixers certainly don't skimp on power. From the EMX212S with 200 watts per channel to the EMX512SC with a solid 500 watts per channel, there's a power configuration to suit any application and venue. All models also feature a power mode switch that lets you use the two power channels as a stereo amplifier, or you can use one of the channels for the main speaker(s) and the other to drive monitors with a separate monitor mix set up via the channel MONITOR controls.

Yamaha Speaker Processing
Yamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced low-frequency output.

Durable, Lightweight Design
The EMX powered mixers offer the ideal combination of outstanding sound performance and easy handling. They're lightweight — only 10 kilograms (22lbs.) — and feature conveniently located handles for maximum carrying comfort. They're also built tough to withstand the rigors of use on the road.

GENERAL SPECIFICATIONS

 

EMX212S

EMX312SC

EMX512SC

Maximum Output Power
@ 0.5 % THD at 1 kHz

220 W/4 O
130 W/8 O (UA)
130 W/8 O (H)

300 W/4 O
190 W/8 O (UA)
180 W/8 O (H)

500 W/4 O
350 W/8 O (UA)
320 W/8 O (H)

Frequency Response

-3, 0, 1 dB
20 Hz-20 kHz, ref to the nominal output level @ 1 kHz

Total Harmonic Distortion

Less than 0.5 % (THD+N)
+14 dB @ 20 Hz, 1 kHz, 20 kHz, GAIN control: all nominal

Hum & Noise*1

Equivalent Input Noise, -115 dBu, Rs = 150 O CH 1-4 MIC/LINE: MIC

Crosstalk @ 1 kHz

-65 dB

Input Connectors

CH 1-4: XLR and Phone
CH 5/6, 7/8: XLR and Phone
CH 9/10, 11/12: XLR and Pin

EQ

HIGH, MID, LOW

Phantom Power

15 V

Graphic Equalizer

7 Band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz): Main (Stereo) and Monitor

Digital Effects

SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs

Power Amp. Mode

Main L/R, Main (L+R)/Monitor

Foot Switch

Effect On/Off

Dimensions (W x D x H)

442 x 274 x 286 mm (17-3/8" x 10-3/4" x 11-1/4")

Weight

10 kg (22 lbs.)

Power Requirements/Consumption

U/C: 120 V 60 Hz, 270 W
H: 230 V 50 Hz, 270 W
A: 240 V 50 Hz, 270 W

U/C: 120 V 60 Hz, 400 W
H: 230 V 50 Hz, 400 W
A: 240 V 50 Hz, 400 W

U/C: 120 V 60 Hz, 450 W
H: 230 V 50 Hz, 450 W
A: 240 V 50 Hz, 450 W

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.

INPUT CHARACTERISTICS

Input Terminals

MIC/LINE

Actual Load Impedance

For Use With Nominal

Input level

Sensitivity *2

Position

Max. before clip

CH INPUT 1-4

XLR
*3

MIC

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

LINE

-30 dBu
(21.8 mV)

-5 dBu
(436 mV)

+15 dBu
(4.36 V)

Phone
*4

MIC

6 KO

600 O

-50 dBu
(2.18 mV)

-25 dBu
(43.6 mV)

-5 dBu
(436 mV)

LINE

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

CH INPUT 5/6, 7/8

XLR
*3

-

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

Phone
*5

-

10 KO

600 O Lines

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

CH INPUT 9/10, 11/12

XLR
*3

-

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

RCA
Pin

-

10 KO

600 O Lines

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

*1 0 dBu is referenced to 0.775 Vrms.
*2 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum level. (All level controls are at
maximum position.)
*3 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*5 Phone Jacks are unbalanced.

OUTPUT CHARACTERISTICS

Output Terminals

Actual Source Impedance

For Use With Nominal

 

Output level

Connector

Nominal

Max. before clip

SPEAKER OUT
[A1, A2, B1, B2]

0.1 O

4 O Speakers

EMX512SC

125 W

500 W

[A1, B1] SPEAKON

EMX312SC

75 W

300 W

[A2, B2] Phone Jack *2

EMX212S

50 W

200 W

 

MAIN OUT [L, R]

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

EFFECT OUT

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

MONITOR OUT

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

REC OUT [L, R]

600 O

10 kO Lines

-

-10 dBV (316 mV)

+10 dBV (3.16 V)

RCA Pin Jack

*1 0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*2 Phone Jacks are unbalanced.



 

EMX212S

EMX312SC

EMX512SC

Maximum Output Power
@ 0.5 % THD at 1 kHz

220 W/4 O
130 W/8 O (UA)
130 W/8 O (H)

300 W/4 O
190 W/8 O (UA)
180 W/8 O (H)

500 W/4 O
350 W/8 O (UA)
320 W/8 O (H)

Frequency Response

-3, 0, 1 dB
20 Hz-20 kHz, ref to the nominal output level @ 1 kHz

Total Harmonic Distortion

Less than 0.5 % (THD+N)
+14 dB @ 20 Hz, 1 kHz, 20 kHz, GAIN control: all nominal

Hum & Noise*1

Equivalent Input Noise, -115 dBu, Rs = 150 O CH 1-4 MIC/LINE: MIC

Crosstalk @ 1 kHz

-65 dB

Input Connectors

CH 1-4: XLR and Phone
CH 5/6, 7/8: XLR and Phone
CH 9/10, 11/12: XLR and Pin

EQ

HIGH, MID, LOW

Phantom Power

15 V

Graphic Equalizer

7 Band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz): Main (Stereo) and Monitor

Digital Effects

SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs

Power Amp. Mode

Main L/R, Main (L+R)/Monitor

Foot Switch

Effect On/Off

Dimensions (W x D x H)

442 x 274 x 286 mm (17-3/8" x 10-3/4" x 11-1/4")

Weight

10 kg (22 lbs.)

Power Requirements/Consumption

U/C: 120 V 60 Hz, 270 W
H: 230 V 50 Hz, 270 W
A: 240 V 50 Hz, 270 W

U/C: 120 V 60 Hz, 400 W
H: 230 V 50 Hz, 400 W
A: 240 V 50 Hz, 400 W

U/C: 120 V 60 Hz, 450 W
H: 230 V 50 Hz, 450 W
A: 240 V 50 Hz, 450 W

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.

INPUT CHARACTERISTICS

Input Terminals

MIC/LINE

Actual Load Impedance

For Use With Nominal

Input level

Sensitivity *2

Position

Max. before clip

CH INPUT 1-4

XLR
*3

MIC

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

LINE

-30 dBu
(21.8 mV)

-5 dBu
(436 mV)

+15 dBu
(4.36 V)

Phone
*4

MIC

6 KO

600 O

-50 dBu
(2.18 mV)

-25 dBu
(43.6 mV)

-5 dBu
(436 mV)

LINE

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

CH INPUT 5/6, 7/8

XLR
*3

-

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

Phone
*5

-

10 KO

600 O Lines

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

CH INPUT 9/10, 11/12

XLR
*3

-

2 kO

50-600 O Mics

-60 dBu
(0.69 mV)

-35 dBu
(13.8 mV)

-15 dBu
(138 mV)

RCA
Pin

-

10 KO

600 O Lines

-20 dBu
(69.0 mV)

+5 dBu
(1.38 V)

+25 dBu
(13.8 V)

*1 0 dBu is referenced to 0.775 Vrms.
*2 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum level. (All level controls are at
maximum position.)
*3 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND)
*5 Phone Jacks are unbalanced.

OUTPUT CHARACTERISTICS

Output Terminals

Actual Source Impedance

For Use With Nominal

 

Output level

Connector

Nominal

Max. before clip

SPEAKER OUT
[A1, A2, B1, B2]

0.1 O

4 O Speakers

EMX512SC

125 W

500 W

[A1, B1] SPEAKON

EMX312SC

75 W

300 W

[A2, B2] Phone Jack *2

EMX212S

50 W

200 W

 

MAIN OUT [L, R]

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

EFFECT OUT

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

MONITOR OUT

600 O

10 kO Lines

-

+4 dBu (1.23 V)

+20 dBu (7.75 V)

Phone Jack *2

REC OUT [L, R]

600 O

10 kO Lines

-

-10 dBV (316 mV)

+10 dBV (3.16 V)

RCA Pin Jack

*1 0 dBu is referenced to 0.775 Vrms. 0 dBV is referenced to 1 Vrms.
*2 Phone Jacks are unbalanced.



Number of Channels 8
Mono Channel EQ Low, Mid, High
Stereo Channel EQ Low, High
Channel Effects All Channels
Monitors Effects Yes
Balance Controls Ch. 5 - 8
Pan Controls Ch. 1 - 4
Channel Overload Protection No
Inputs - XLR (bal) 6
Inputs - 1/4" 8
Inputs - RCA (unbal) 1 pair
Mute Switches Global 1 - 6
Activity / Solo LED No
Clip /Mute LED All Channels
Phantom Power 48V + LED Indicator
Internal Effects 24 Bit stereo, 16 Effects with Parameter Pot
Auxiliary Sends Effect - Monitor
Effects Send Yes
Effects Return Internal
Effects Return to Main Yes
Effects Return to Monitor Yes
Reverb / Effects Footswitch Yes
Record Outputs Stereo RCA Pair
Max Gain to Line Out -Mic Input (dB) 84
Max Gain to Line Out -Line Input (dB) 82
Master EQ -1 (type /Channels /Range - dB) Graphic 9 band (160hz - 6.3khz) +2 band Shelving
Monitor EQ -1 (type /Channels /Range - dB) Graphic 9 band (160hz - 6.3khz) +2 band Shelving
Main Outputs ( Line Level) 2 x 1/4inch TRS
Main Amp Inputs (Line Level) 2 x 1/4inch TRS
Monitor Outputs (Line Level) 1 x 1/4inch TRS
Outputs - Amp A - 1/4" Jacks 2
Outputs - Amp A - Speakon 4-pin 1
Outputs - Amp B - 1/4" Jacks 2
Outputs - Amp B - Speakon 4-pin 1
Mixer - Signal to Noise Ratio (dB) 105
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB) 20 - 20,000
Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv) -119
Mixer THD (Main out w/ -10dB input) 0.01
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz) 250
Amp A - Power Output @ 4 Ohms 300
Amp A - Power Output -other 200 @ 2 ohms
Amp B - Power Output @ 8 Ohms (0%1"THD, 1kHz) 250
Amp B - Power Output @ 4 Ohms 300
Amp B - Power Output -other 200 @ 2 ohms
THD - 1kHz (dB) 0.01
THD - 20Hz-20kHz (dB) 0.5
Hum and Noise (un / Aweight -dB) -101 / -107
Typical crosstalk -1 kHz (dB) better than -60db
Input Impedance - Bal/Unbal (Ohms) 20k / 10k ohms
Input Sesitivity (Vrms Sine) 1.4
CMRR @ 60Hz (min/typ) -37db / -60db
Max Votage Gain (dB) 29
Power Consumption (typ/max) 200VA / 600VA
Protection Thermal, Short Circuit, Impedance Overload
Cooling 1 x 92mm Fan
Transformer Type SMPS
Finish Grey and Black Powder Coat
Chassis Construction Steel and Aluminum
Rackmount No
Other Features Tiltback or Upright Wedge Angles
Dimensions (DWH, inches) 10.0 x 15.5 x 10.5
Dimensions (DWH, cm) 25.4 x 39.4 x 26.7
Weight (lbs/kg) 16 / 7.2
* Specifications subject to change without notice


Number of Channels 5
Mono Channel EQ 2 band shelving
Channel Effects Yes
Inputs - XLR (bal) Ch. 1 - 5
Inputs - 1/4" Ch. 1 - 5
Inputs - RCA (unbal) Tape/CD in
Internal Effects 16 Digital Effects: reverb, echo, chorus, flange
Effects Send No
Effects Return No
Effects Return to Main Yes
Effects Return to Monitor No
Record Outputs Stereo RCA with level control
Max Gain to Line Out -Mic Input (dB) 84dB
Max Gain to Line Out -Line Input (dB) 70dB
Main Outputs ( Line Level) No
Outputs - Amp A - 1/4" Jacks 1
Outputs - Amp A - Speakon 4-pin 1
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB) 40Hz - 20,000Hz
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz) 2 x 60 watts
Amp A - Power Output @ 4 Ohms 2 x 90 watts
THD - 1kHz (dB) less than 0.1%
Typical crosstalk -1 kHz (dB) less than 60dB
Power Consumption (typ/max) 1.0 A @ 120VAC / 0.5 A @ 230VAC
Protection Clip limiter, thermal shutdown
Cooling Passive heatsink and internal Fan
Dimensions (DWH, inches) 9 x 17.75 x 6
Dimensions (DWH, cm) 22.85 x 45 x 15.25
Weight (lbs/kg) 19.2 / 9.7
* Specifications subject to change without notice


Number of Channels 16
Channel Inserts 7 to 12
Mono Channel EQ (ch.1 to 12) High, Mid, Mid Sweep, Low
Stereo Channel EQ (ch.13 to 16) High, High Mid, Low Mid, Low
Channel Effects All Channels
Monitors Effects Yes
Balance Controls 13 to 16
Pan Controls 1 to 12
Channel Overload Protection 1 to 12
Inputs - XLR (bal) Ch. 1 - 12
Inputs - 1/4" Ch. 1 - 16
Inputs - RCA (unbal) 2 Stereo Sets
Solo Switches All Channels, Mon1, Mon2, EFX Returns
Mute Switches All Channels
Hi Pass Switches Channels 1 to 12
Activity / Solo LED All Channels
Clip /Mute LED All Channels
Phantom Power 48 V + LED indicator
VU Meter 2 x 12 LEDs with Floating Peak
Headphone Monitor Features Level, AFL/PFL Switch, 1/4 inch Stereo
Internal Effects 2 x 24 Bit stereo, 16 Effects with Parameter Pot
Auxiliary Sends 1 TRS
Effects Send 2 (1 Internal , 1 Internal/External)
Effects Return 2 stereo pairs on 1/4 inputs
Effects Return to Main Yes
Effects Return to Monitor Yes
Reverb / Effects Footswitch Yes
Record Outputs 1 Stereo RCA
Max Gain to Line Out -Mic Input (dB) 72
Max Gain to Line Out -Line Input (dB) 56
Master EQ -1 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Monitor EQ -1 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Monitor EQ -2 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Main Outputs ( Line Level) Amp A/B (1/4 inch TRS)
Main Amp Inputs (Line Level) Amp A/B (1/4 inch TRS)
Monitor Outputs (Line Level) Mon 1/2 (1/4 inch TRS)
Monitor Amp Inputs (Line Level) Amp C/D (1/4 inch TRS)
Outputs - Amp A - 1/4" Jacks 2
Outputs - Amp A - Speakon 4-pin 1
Outputs - Amp B - 1/4" Jacks 2
Outputs - Amp B - Speakon 4-pin 1
Outputs - Amp C - 1/4" Jacks 2
Outputs - Amp C - Speakon 4-pin 1
Outputs - Amp D - 1/4" Jacks 2
Outputs - Amp D - Speakon 4-pin 1
Mixer - Signal to Noise Ratio (dB) greater than 100
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB) 20 Hz - 20,000 Hz
Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv) -117 (@ 150 Ohms (dBv))
Mixer THD (Main out w/ -10dB input) less than 0.03%
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp A - Power Output @ 4 Ohms 800
Amp B - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp B - Power Output @ 4 Ohms 800
Amp C - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp C - Power Output @ 4 Ohms 800
Amp D - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp D - Power Output @ 4 Ohms 800
THD - 1kHz (dB) 0.1%
THD - 20Hz-20kHz (dB) 0.5&
Hum and Noise (un / Aweight -dB) -103
Typical crosstalk -1 kHz (dB) less than -60
Input Impedance - Bal/Unbal (Ohms) 22,000 / 12,000
Input Sesitivity (Vrms Sine) 1.4 V
CMRR @ 60Hz (min/typ) 54 dB / 66 dB
Max Votage Gain (dB) 32
Power Consumption (typ/max) 660 VA / 1800 VA
Protection Thermal / Load / DC
Cooling 4x Variable Speed DC Fan
Transformer Type Toroidal
Finish Scratch Resistant Vinyl-Coated Aluminum
Console Lamp Connector 12V DC (BNC) Yes
Other Features Main Amp / Mon Amp Configuration Switch
Dimensions (DWH, inches) 19 x 25.8 x 5.2
Dimensions (DWH, cm) 48.3 x 65.5 x 13.2
Weight (lbs/kg) 48.5 / 21.9
* Specifications subject to change without notice



Yorkville PowerMax PM22-2 Mixer/Amp (4) 800 WATT AMPS Price: $2,899.00
PowerMAX22-2 - Mixer/Amp - 3200w, 22 inputs

Yorkville has set the standard for professionally featured high powered mixing consoles with the PowerMAX PM22-2. With four integrated amplifiers delivering 3200 watts, the Yorkville PowerMAX can drive virtually any medium or large club venue for a typical band with an ample powered stereo front-of-house mix and two additional powered monitor mixes. Built for maximum flexibility, the four 800-watt amplifiers in PowerMAX mixers can be assigned in any number of useful configurations using the integrated patch bay on the top panel.

Standard professional mixer features include mid-frequency sweep controls, switchable hi-pass filtering, two monitor sends, aux send, two effects sends, mute and solo switching with AFL/PFL select, stereo graphic EQ for mains, two monitor graphic EQs, and two integrated digital effects processors.

The PowerMAX PM22-2 includes eighteen mono mic/line balanced channel inputs and two stereo line level channels (19-22). Mono channels one through twelve feature Yorkville's group-defeatable Channel Overload Protection circuit.

Number of Channels 22
Channel Inserts 13 to 18
Mono Channel EQ (ch.1 to 18) High, Mid, Mid Sweep, Low
Stereo Channel EQ (ch.19 to 22) High, High Mid, Low Mid, Low
Channel Effects All Channels
Monitors Effects Yes
Balance Controls 19 to 22
Pan Controls 1 to 18
Channel Overload Protection 1 to 12
Inputs - XLR (bal) Ch. 1 - 18
Inputs - 1/4" Ch. 1 - 22
Inputs - RCA (unbal) 2 Stereo Sets
Solo Switches All Channels, Mon1, Mon2, EFX Returns
Mute Switches All Channels
Hi Pass Switches Channels 1 to 18
Activity / Solo LED All Channels
Clip /Mute LED All Channels
Phantom Power 48 V + LED indicator
VU Meter 2 x 12 LEDs with Floating Peak
Headphone Monitor Features Level, AFL/PFL Switch, 1/4 inch Stereo
Internal Effects 2 x 24 Bit stereo, 16 Effects with Parameter Pot
Auxiliary Sends 1 TRS
Effects Send 2 (1 Internal , 1 Internal/External)
Effects Return 2 stereo pairs on 1/4 inputs
Effects Return to Main Yes
Effects Return to Monitor Yes
Reverb / Effects Footswitch Yes
Record Outputs 1 Stereo RCA
Max Gain to Line Out -Mic Input (dB) 72
Max Gain to Line Out -Line Input (dB) 56
Master EQ -1 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Monitor EQ -1 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Monitor EQ -2 (type /Channels /Range - dB) Graphic / Stereo / 9 Band 63 Hz - 16,000 Hz
Main Outputs ( Line Level) Amp A/B (1/4 inch TRS)
Main Amp Inputs (Line Level) Amp A/B (1/4 inch TRS)
Monitor Outputs (Line Level) Mon 1/2 (1/4 inch TRS)
Monitor Amp Inputs (Line Level) Amp C/D (1/4 inch TRS)
Outputs - Amp A - 1/4" Jacks 2
Outputs - Amp A - Speakon 4-pin 1
Outputs - Amp B - 1/4" Jacks 2
Outputs - Amp B - Speakon 4-pin 1
Outputs - Amp C - 1/4" Jacks 2
Outputs - Amp C - Speakon 4-pin 1
Outputs - Amp D - 1/4" Jacks 2
Outputs - Amp D - Speakon 4-pin 1
Mixer - Signal to Noise Ratio (dB) greater than 100
Mixer - Frequency Response (Tone and EQ Flat,+/-2dB) 20 Hz - 20,000 Hz
Mixer - Input Referred Noise to line out, @ 150 Ohms (dBv) -117 (@ 150 Ohms (dBv))
Mixer THD (Main out w/ -10dB input) less than 0.03%
Amp A - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp A - Power Output @ 4 Ohms 800
Amp B - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp B - Power Output @ 4 Ohms 800
Amp C - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp C - Power Output @ 4 Ohms 800
Amp D - Power Output @ 8 Ohms (0%1"THD, 1kHz) 600
Amp D - Power Output @ 4 Ohms 800
THD - 1kHz (dB) 0.1%
THD - 20Hz-20kHz (dB) 0.5
Hum and Noise (un / Aweight -dB) -103
Typical crosstalk -1 kHz (dB) less than -60
Input Impedance - Bal/Unbal (Ohms) 22,000 / 12,000
Input Sesitivity (Vrms Sine) 1.4 V
CMRR @ 60Hz (min/typ) 54 dB / 66 dB
Max Votage Gain (dB) 32
Power Consumption (typ/max) 660 VA / 1800 VA
Protection Thermal / Load / DC
Cooling 4x Variable Speed DC Fan
Transformer Type Toroidal
Finish Scratch Resistant Vinyl-Coated Aluminum
Console Lamp Connector 12V DC (BNC) Yes
Other Features Main Amp / Mon Amp Configuration Switch
Dimensions (DWH, inches) 19 x 31 x 5.2
Dimensions (DWH, cm) 48.3 x 79.5 x 13.2
Weight (lbs/kg) 54.5 / 24.8
* Specifications subject to change without notice



Behringer PMP1000 Europower 500 Watt 12 Channel Powered Mixer Price: $379.99

The PMP1000 powered mixer delivers more power, better sound at less weight!

The PMP1000 mixer delivers 500 Watts of massive power and incredible performance through new-generation amplifier technology, crystal-clear sound plus an ultra-compact and lightweight design. The 24-bit stereo FX processor, IMP mic preamps, Voice Canceller and more round off this impressive package of power features.

Get massive power and great sound in a lightweight package!




Behringer PMP930M Europower 900 Watt 6 Channel Powered Mixer Price: $349.99

The PMP960M powered mixer delivers more power, better sound at less weight! The PMP960M mixer delivers 900 Watts of massive power and incredible performance through new-generation amplifier technology, crystal-clear sound plus an ultra-compact and lightweight design. The 24-bit stereo FX processor, IMP mic preamps, Voice Canceller and more round off this impressive package of power features. Get massive power and great sound in a lightweight package!

Ultra-compact 450-Watt dual mono powered mixer
Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
Mixer section features 6 mono channels plus separate tape returns
Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
6 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all channels
Dual 7-band graphic EQ allows precise frequency correction of monitor and main outputs
Voice Canceller function removes singer's voice from recordings for Karaoke applications
Selectable double mono (main/main, main/monitor) or bridged mono amplifier operation mode
Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
Standby switch mutes all input channels during breaks while background music is provided via tape inputs
Adjustable Aux input for connecting external signal sources
Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
Rack mount brackets included
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.

Massive mono or stunning stereo The difference between these two mixers is that the PMP980S gives you two stereo channels. If you make your beer money playing in a bluegrass band at a barbecue joint, you probably arent that interested in making a space-age, multi-dimensional mix. This is just one example of where the PMP960Ms six mono channels would be a perfect match.

However, if youre the brains behind a kraut-rock band with the wildest patches this side of Berlin, the two additional stereo channels on the PMP980S will provide the sonic latitude you need.

The PMP980S is also an excellent choice for a church, where vocals and stereo recordings share face time.

Classic control, state-of-the-art sound

Each of the mic inputs on the PMP980S and PMP960M contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics-just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do. Plus with dual 24-bit FX processors built right in, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb that you can apply two-at-a-time to any channel you like, as well as to the monitors and main output. No outboard gear needed!

These mixers come loaded with BEHRINGERs amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you-or the audience-go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.

The Ins and Outs

The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.

In the bottom right corner of the mixer, youll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors. The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix.

The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.

In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album youve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.

Channel your inner sound guru

Youll be operating this mixer like its second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange; PAN in black (only PMP980S); LEVEL in white. Theres also a switchable PAD and CLIP LED per channel.

Once youve set the levels on individual channels, its easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics. This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.

The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one.

Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit.

The POWER AMP switch toggles between the PMP980Ss three operating modes: stereo, mono and bridge (the power outputs of A and B on the back panel are added and provided at OUTPUT B).

Directly below, youll find the SPEAKER PROCESSING switch that activates a filter, adapting the mixer to your loudspeakers. If your speakers have a limited frequency response in the bass range, the PMP980S can adapt itself to them.

Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

Small, simple, superb

Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, affordable mixers for the job. Theyre easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.




Behringer PMP980S Europower 900 Watt 10 Channel Powered Mixer Price: $399.99

The PMP980S powered mixer delivers more power, better sound at less weight! The PMP980S mixer delivers 900 Watts of massive power and incredible performance through new-generation amplifier technology, crystal-clear sound plus an ultra-compact and lightweight design. 24-bit stereo FX processors, IMP mic preamps, Voice Canceller and more round off this impressive package of power features. Get massive power and great sound in a lightweight package!

Ultra-compact 2 x 450-Watt stereo powered mixer
Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
10-channel mixer section features 6 mono and 2 stereo channels plus separate tape returns
2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
8 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
Voice Canceller function removes singer's voice from recordings for Karaoke applications
Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
Standby switch mutes all input channels during breaks while background music is provided via tape inputs
Adjustable stereo Aux input for connecting external signal sources
Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
Rack mount brackets included
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.

Massive mono or stunning stereo The difference between these two mixers is that the PMP980S gives you two stereo channels. If you make your beer money playing in a bluegrass band at a barbecue joint, you probably arent that interested in making a space-age, multi-dimensional mix. This is just one example of where the PMP960Ms six mono channels would be a perfect match.

However, if youre the brains behind a kraut-rock band with the wildest patches this side of Berlin, the two additional stereo channels on the PMP980S will provide the sonic latitude you need.

The PMP980S is also an excellent choice for a church, where vocals and stereo recordings share face time.

Classic control, state-of-the-art sound

Each of the mic inputs on the PMP980S and PMP960M contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics-just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do. Plus with dual 24-bit FX processors built right in, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb that you can apply two-at-a-time to any channel you like, as well as to the monitors and main output. No outboard gear needed!

These mixers come loaded with BEHRINGERs amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you-or the audience-go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.

The Ins and Outs

The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.

In the bottom right corner of the mixer, youll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors. The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix.

The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.

In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album youve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.

Channel your inner sound guru

Youll be operating this mixer like its second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange; PAN in black (only PMP980S); LEVEL in white. Theres also a switchable PAD and CLIP LED per channel.

Once youve set the levels on individual channels, its easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics. This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.

The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one.

Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit.

The POWER AMP switch toggles between the PMP980Ss three operating modes: stereo, mono and bridge (the power outputs of A and B on the back panel are added and provided at OUTPUT B).

Directly below, youll find the SPEAKER PROCESSING switch that activates a filter, adapting the mixer to your loudspeakers. If your speakers have a limited frequency response in the bass range, the PMP980S can adapt itself to them.

Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

Small, simple, superb

Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, affordable mixers for the job. Theyre easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.




Yamaha RK5014 Rack Mount for EMX5014C Mixer Price: $50.00

Yamaha RK5014 Rack Mount for EMX5014

 




Yorkville Speaker Cable 25' 18 Ga 1/4" TO 1/4" Plug Connectors Price: $14.95

Yorkville Speaker Cable 25' 18 Ga 1/4"

Standard Series Speaker cables use 18 gauge conductors, -inch connectors and a flexible rubber jacketing to provide simple, cost effective speaker connectivity. Manufactured in North America and covered by a limited lifetime warranty, Yorkville Standard Series Speaker cables are ideal for medium duty PA applications, short cable runs and connectivity between heads and cabinets.




Yorkville SC25R Speaker Cable 25 FT 12 Gauge 1/4 TO/1/4 Connectors Price: $27.99

Yorkville SC-25R/12 Round 12 Gauge Speaker With G&H ENDS-25 Feet

Standard Series Speaker cables use 12 gauge conductors, -inch connectors and a flexible rubber jacketing to provide simple, cost effective speaker connectivity. Manufactured in North America and covered by a limited lifetime warranty, Yorkville Standard Series Speaker cables are ideal for medium duty PA applications, short cable runs and connectivity between heads and cabinets.
  • 12 Gauge Annealed Copper Two Conductor Wire
  • -inch Neutrik Connectors
  • Contacts Nickel Plated for Added durability and Efficient Signal Transfer
  • Rugged Flexible Rubber Jacket
  • RoHS Compliant Lead Free Solder
  • Manufactured in North America
  • Limited Lifetime Warranty



Yorkville SC5 Speaker Cable 5 Ft 18 Gauge With 1/4 To/1/4 Connectors Price: $7.99
5 feet 18 gauge HPN - " to "

Standard Series Speaker cables use 18 gauge conductors, -inch connectors and a flexible rubber jacketing to provide simple, cost effective speaker connectivity. Manufactured in North America and covered by a limited lifetime warranty, Yorkville Standard Series Speaker cables are ideal for medium duty PA applications, short cable runs and connectivity between heads and cabinets.

18 Gauge Annealed Copper Two Conductor Wire

-inch Neutrik Connectors

Contacts Nickel Plated for Added durability and Efficient Signal Transfer

Rugged Flexible Rubber Jacket

RoHS Compliant Lead Free Solder

Manufactured in North America

Limited Lifetime Warranty

Details

Connector 1 " -M

Connector 2 " -M

Length 5 foot




Yorkville Speaker Cable 50' 18GA Price: $22.39

SC050 = 50' 18 gauge HPN - " to "

Standard Series Speaker cables use 18 gauge conductors, -inch connectors and a flexible rubber jacketing to provide simple, cost effective speaker connectivity. Manufactured in North America and covered by a limited lifetime warranty, Yorkville Standard Series Speaker cables are ideal for medium duty PA applications, short cable runs and connectivity between heads and cabinets.