KORG M50-88 Details top
M50
Performance Workstation
Performance;
Portability; Price
Weighing in at
just fifteen pounds is the fiery new KORG M50, ready to take on all
contenders! Incredible new sounds; fat & juicy combis, splits
and layers; a plethora of ace effects; dynamic Drum Tracks; enhanced
poly-arpeggiators; classic sequencing tools, a solid, confident
keybed; up-to-date SD storage; companion editing software and our
famous TouchView interactive display - it all adds up to an
invigorating and sexy keyboard instrument that could only come from
KORG.
There’s One for
Everyone
Over twenty years of
category-defining workstation expertise beats in the heart of the M50
Music Workstation. Just as the M3 borrowed elements from the
legendary OASYS, the M50 captures all the sonic firepower of the M3,
distilled into a performance instrument that is second to none. In a
word, the M50 just may be the keyboard you’ve been waiting for.
Both 73* and 61 note versions are available, sporting a new
semi-weighted Natural Touch keyboard. This new fast and responsive
synthesizer keybed facilitates expressive and dynamic performing.
Tipping the scales at a mere 46 pounds, the seriously portable 88 key
version features our top-of-the-line RH3 Graded Hammer Action, and
provides a satisfying performance experience for the piano purist!
* 73-key version
to be available in a few months.
A Natural
Performer
Made to be played,
the M50 is inviting and comfortable. The TouchView screen is
intuitive and interactive, allowing the uniquely angled front panel
to remain refined and uncluttered. The buttons themselves are rock
solid, backlit and rounded for visibility ease-of-use under any
playing conditions. In addition to Korg’s four-way joystick and
multi-function knobs, the M50 offers four Chord Triggers that provide
a flexible and fun way to play chords and trigger arp patterns. A ten
key numeric keypad allows on-demand instant access to sounds, combis
and other parameter/values.

Elegant,
intuitive touchscreen Control surface with
4 Chord Trigger buttons
Hundreds of drum
track patterns, and over a thousand arpeggiator patterns –
including chord grooves, picking-patterns, and more - are instantly
available to add punch and pizzazz to your M50 performance, and to
provide hours of inspiration.
Perfectly Shaped
Sounds
M50 is packed with
over 600 individual sound programs, each one created by Korg’s
renowned international voicing team. With a robust 256 MB of sample
data* - recorded in exacting studio conditions - the acoustic
instruments are delivered with authenticity and realism, providing
rich, natural articulation; synth sounds can be bombastic and
aggressive, lush and enveloping, or pure and delicate. But first and
foremost, the M50 remains a keyboard cornerstone for any musician.
The remarkable piano offers three layers of stereo switching and an
additional resonance layer for faithful and natural reproduction of
the piano’s entire dynamic range.
*
(uncompressed 16-bit linear equivalent)
In addition to the
grand pianos, a myriad of other piano and keyboard mainstays are
included – from a mono piano for pumping it out live on stage, to
the ever in-demand vintage Korg SG-1 Sampling Grand. The electric
pianos are responsive, dynamic and expressive, with all the tine and
hammer-slap you can muster. The new clavs feature all the classic
settings with wide dynamic response, and there are even string and
flute sounds taken from the tape-driven keyboards of days gone by.
Korg’s REMS pickup/amp/cabinet modeling technology provides that
finishing touch. All the classics are there at your finger-tips; with
spot-on programs that are a blast to play!
Need
to quickly tweak a sound to your liking? No problem, Tone Adjust
allows simple access to the most important parameters and
characteristics of a sound without having to dive deeply into
programming. Available in Program, Combi and Sequencer modes, you can
get done what you need to with a minimum of fuss and effort.
Mix & Match
In addition to the
individual programs, a combination (or “combi”) allows up to 16
sound programs to be stacked, split, layered and zoned across the
keyboard; or set to individual MIDI channels. Nearly 400 of these
combis come preloaded offering up tasty blends and splits for live
performance. All of the preloaded sounds are completely editable, and
there is plenty of room on-board (640 Programs, 512 Combinations) for
all the sounds that you edit, modify, or create on your own.

16-part
Combination main page
Effect-ive Energy
The generous effect
section of the M50 brings your sounds to life. Five insert effects
and two master effects can be assigned and routed at will, with a
total effect to add that final polish. From spacious and luxurious
reverbs to space-warping modulation types, the effects can not only
embellish a sound after the fact, they can be part of the sound
programming itself - adding unique and defining sonic elements.
D-mod (Dynamic Modulation) even allows realtime control of various
parameter effects as part of your performance, and effect parameters
can be sync’d to the two common LFOs or a MIDI Clock source to
further integrate the effects into the overall sound. Over 170
top-quality effects are available, including Korg’s proprietary
REMS modeling effects. Each program – whether alone, in a combi, or
assigned to a sequencer track – is equipped with its own three-band
EQ for that final tone shaping.

5 stereo
Insert effects 2 Master
and 1 Total effect
Let There Be
Drums!
It don’t mean a
thing if it ain’t got that swing - and the M50’s got it! We’ve
squeezed in over 1,600 drum and percussion samples that can be laid
out into full “drumkit” programs. Ready and waiting are 32
drumkits, with room for 48 more of your own. But there’s more! In
addition to drumkits, the drum track feature hosts some 670 drum
grooves that you can jam along to, or use to kick-start and inspire
your own song ideas. In fact, each program has a matching drum track
pre-assigned to get you started. BAM!

4-way
switching drumkits Drum
Track for every program
Arpeggiation
Maximus
The arpeggiator has
been a staple on Korg keyboards since the 1980s, and the M50 more
than delivers on that heritage! In addition to the ubiquitous up,
down and random patterns you’d expect, the dual polyphonic
arpeggiators on the M50 can serve up cascading chords, groovin’
bass lines, chord-driven picking patterns and punchy accents to spice
up your performance and set your musical ideas on fire. In the
Sequencer and Combi modes, both arpeggiators can run simultaneously,
each addressing different timbres, creating powerful possibilities
such as one running drum grooves and one running bass patterns – or
even using velocity to switch between patterns on the same sound!

Dual
arpeggiator setup page Graphic polyphonic
arpeggiator editor
Rapid Results
Sequencing
Korg wrote the book
on workstations, and the M50 delivers every chapter! The on-board
sequencer is the core of your music production studio. Over 200,000
notes can be recorded on 16 MIDI tracks and up to 128 songs. Enhanced
480 ppq resolution captures your performance with pinpoint accuracy –
whether you play in realtime or step notes in one at a time. A
plethora of advanced, yet easy-to-use editing features are available
to help you sculpt your song into its final form. Song Templates
designed for a variety of musical genres allow you to get started
quickly, with sounds and effects all selected and routed for you. Or
try Korg’s unique RPPR (Realtime Pattern Play/Recording) function,
calling up any of the 671 drum patterns to get started, and assigning
shorter patterns and phrases to individual keys; you can even loop
each track to build the perfect groove before the inspiration runs
out! Sequence individual sections of the song separately, and then
use the Cue List function to assemble and tryout different
arrangements – you’ll be remix ready! And since you never know
when inspiration will strike, the one-touch record (Auto Song Setup)
feature transfers all your current settings into a new song and
starts the sequencer, capturing your ideas as the foundation of a new
song.

Main sequencer page
Mixing page

Individual
track looping
Track editing commands

Event
edit screen
Cue List
Enhanced
Definition Synthesis (EDS)
Our most advanced
hardware engine ever, Korg’s Enhanced Definition Synthesis is the
musical heart of both the M50 and the M3. Each individual voice can
lay claim to up to two stereo oscillators, four filters, two amp
sections, five Low Frequency Oscillators (LFO), and five time-variant
Envelope Generators (EG).
On the technical
side, each stereo oscillator can achieve four-way velocity switching,
crossfading, or layering. This allows a single voice to use up to
eight stereo multisamples to ensure a dynamic and expressive sound.
Each voice also has access to up to four multi-mode (High Pass, Band
Pass, Band Reject, Low-pass) filters; two filters per oscillator
running side by side, stacked or in series – as well as a superb
24dB mode. Even the amp section can add to the shape and texture of
the sound with a drive circuit to add a harder, rougher edge, and a
low boost to fatten up that big bottom.

4-way
switching stereo oscillators
multi-mode filters
The Envelope
Generators provide changes in the sound over time, and the advanced
Key Tracking changes the sound based on the note played – for
example; notes played higher on the keyboard will sustain less, be
brighter, and have both faster and shallower vibratos than notes
played lower on the keyboard - adding a staggering level of nuanced
control to balance your sound over the entire keyboard range. At each
step of the EG, you can specify the shape and type of curve used to
move between points, allowing unparalleled expression and accuracy.
The five Low Frequency Oscillators access 18 different waveforms.
Starting Phase and Amplitude Shift parameters offer even more
detailed control for zeroing in on that perfect modulation.

Amp
Envelope Generator
Multi-waveform LFOs
And when all that is
not enough, Korg’s Alternate Modulation Source (AMS) provides a
matrix of over fifty modulation sources that be mixed, summed and
added to a variety of parameters, providing exactly the result you
want. In short, the Korg M50 provides a wealth of control over the
minute components that make a keyboard sound great. And while Korg’s
programming is legendary, the EDS synth engine makes the M50 a sound
designer’s dream.
Plug-In
Performance
Your new M50
includes both stand-alone and plug-in sound editing software for more
detailed graphic editing on your computer, and connects directly via
USB. The plug-in version allows you to edit the M50’s sounds from
inside any DAW (VST, Audio Units, and RTAS formats), allowing your
edits and changes to be part of the song file, and without having to
switch applications to tweak a sound. The M50 also uses convenient
SD cards for economical and reliable data storage.
M50
Editor running as a plug-in
KARMA Chameleon!
Stay tuned to
www.karma-lab.com
for exciting information about KARMA M50 software, allowing you to
enjoy all the benefits of KARMA technology with your M50. The
software runs on both Windows and Mac platforms, and will provide
your M50 with an added boost!

KARMA
software screens
Sounds. Easy.
The M50 is chock
full of sounds – and features. Yet Korg’s high-visibility 320 x
240 pixel resolution TouchView interface allows direct touch-screen
access to hundreds of parameters. Finding the
sounds you need is simple thanks to our organizing them by category,
as we do effects, drum patterns, arps and even waveforms. No
other keyboard in its class offers anything approaching this level of
elegance or intuitive ease-of-use. So take an M50 home today, and
make your music – on your M50!
KORG M50-88 Specs top
Synthesis Technology
EDS (Enhanced Definition Synthesis)
Tone Generator
256 Mbyte (when converted to 16-bit linear format)
1,077 Multisamples
1,609 Drum Samples
Maximum Polyphony
80 voices, 80 oscillators max, single mode
40 voices, 80 oscillators max, double mode*
* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Sounds
Programs
640 total locations, 608 preloaded
Combinations
512 total locations, 384 preloaded
Drumkits
48 total locations, 32 preloaded
GM
256 GM2 programs, 9 GM2 drum kits
Program Structure EDS
Oscillator
OSC1 (Single), OSC1+2 (Double)
Stereo multisamples are supported
4 velocity zones per oscillator, with switching, crossfades and layers.
Filters
Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
Driver
Per-voice nonlinear driver and low boost
EQ
Three bands, with sweepable mid
Modulation
For each voice: two envelope generators (Filter & Amp)
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Combination Structure
Up to sixteen timbres
For each Timbre: keyboard and velocity split/layer/crossfade
INT, OFF, EXT and EX2 MIDI status settings
3-band EQ with sweepable mid
Pitch/Transpose
Use OSC1, 2 or Both
Force Osc Mode (PRG, MONO, LEGATO, POLY)
Portamento and Bend range settings
Controller filters
Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
Stereo and mono drum samples
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
Exclusive keygroups
Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
Effects
5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
2 effect control busses, 2 effect common LFOs
170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
Effects Presets: Up to 32 per Effect
3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
Sequencer
16-track MIDI sequencer with 480 ppq resolution
128 Songs, 20 Cue Lists, 210,000 notes (max)
Tempo: 40.00 – 300.00 BPM (1/100 resolution)
16 preset/16 user Template Songs
522 preset patterns, 100 user patterns (per Song)
Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
Standard MIDI File (SMF) format 0 and 1 available
Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record-ready” status
Dual Polyphonic Arpeggiator
Two arpeggiators, useable simultaneously
(Combination, Sequencer modes)
5 preset arpeggio patterns; 216 user arpeggio patterns (200 preloaded)
RPPR (Realtime Pattern Play/Recording)
A set of 100 patterns are available per Song
Drum Track
671 preset patterns/1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified.
Program selection, 3-band EQ and effect bussing available
Audio Outputs
L/MONO, R - 1/4" TS (Mono), unbalanced
Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Interface
MIDI
IN, OUT
Computer
USB type B connector (for MIDI interface, USB 2.0 supported)
System Requirements
Computer with the KORG USB-MIDI Driver
Windows
Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).
Macintosh
Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported).
Please use the latest Korg USB/MIDI driver.
M50 Editor/Plug-In Editor
Windows
Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended.)
Macintosh
Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Options
XVP-10
EXP/VOL Pedal
EXP-2
Foot Controller
DS-1H
Damper Pedal (supports half-damping)
PS-1
Pedal Switch
General
Keyboard
61-key, 73-key versions use a new semi-weighted Natural Touch keyboard
88-key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with 4-zone graded action response)
Controllers
Joystick, [SW1], [SW2]
Display
5.7 inch TouchView™ GUI, 320 x 240 dot
Control Inputs
Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
Common specifications
Frequency response: 20 Hz–20 kHz, +/-1.0 dB, 10 k Ohms load
THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)
Included Accessories
Three-Pronged IECC13 Power Cable
(Model D8B5518003B)
Owner’s Manual (M50 Operation Guide)
CD-ROM (M50 Parameter Guide (PDF)
Voice Name List (PDF)
KORG MIDI driver
M50 Editor stand alone and plug-in versions
Dimensions
M50-61:
40.43"(W) x 7.47"(D) x 4.17"(H)
M50-73:
46.90” (W) x 7.47” (D) x 4.17” (H)
M50-88:
55.47” (W) x 12.91” (D) x 5.94” (H)
Weight
M50-61: 14.9 lbs
M50-73: 17.6 lbs
M50-88: 45.86 lbs
Current Consumption
35 Watts
Trademark Notes
*Mac and Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
*Windows XP and Windows VISTA are registered trademark of Microsoft Corporation in the United States and other countries.
*VST and ASIO are trademarks of Steinberg Media Technologies GmbH.
*The Audio Units logo and the Audio Units symbol are trademarks of Apple Computer, Inc.
*RTAS is a trademark or registered trademark of Avid Technology, Inc., or its subsidiaries or divisions.