KORG M3-61 Details top
M3 Xpanded Details as of 9/12/08
XPand Your Potential
“That’s one giant step…”
With the most major upgrade in Korg history, the M3 has just leapfrogged to head of the class. The M3 XPanded Music Workstation / Sampler is now the “go-to” keyboard for all of your performance, keyboard and workstation sessions. This power-packed upgrade offers an updated ROM, three PCM Expansion volumes, DAW-derived editing tools, advanced KARMA implementation, plus enhanced TouchView functionality and features. All new M3s contain the XPanded feature set, and existing M3 owners can supercharge their instruments with this powerful upgrade free of charge!
This upgrade adds the following to any M3 instrument:
• Revised 256 MB ROM with new piano, additional tine and reed electric pianos, 4 new clavs, SG-1D and vintage tape-playback string and flutes
• 384meg from three new FREE PCM sample expansions – brass, woodwinds and luxury acoustic piano (loads into sample RAM)
Note: That brings to total soundset to a market-leading 640 MB of “ROM”
• Major sequencer upgrades including interactive Piano-Roll editing, graphic Track Overview arrange page, and completely integrated MIDI Sys. Ex. editing
• Interface enhancements with touch and drag faders, knobs and graphic velocity meters for Combi and Sequencer modes
• KARMA 2.2 including User GE support plus KARMA M3 editing software, quantized Scene Changes and Module triggering, seamless GE switching and more
•New drum patterns, FX presets and more sounds
Upgrade kits including a free USB stick for new units will be available in mid-October,
Units shipped by MusiciansBuy should have this kit in the box. Before that time, a free download of the upgrade/sample data is at ww.korg.comfor existing owners who can get an upgrade kit with free USB stick.
Get XPanded
In-Demand Sounds at Your Fingertips
Careful examination of the 256 Mbyte internal ROM has allowed Korg to embellish and add many new sounds – without sacrificing any existing ones. And, as always, Korg’s renowned team of programmers have used every inch of the M3 XPanded’s EDS (Enhanced Definition Synthesis) technology to create programs that use this new data to its fullest.
• We’ve added a new set of electric pianos – both reed and tine – sampled at four velocity levels for natural expression. These programs also use the M3 XPanded’s REMS amplifier circuit modeling effects for enhanced realism and authentic tone character.
• Also on board is a robust acoustic piano – sampled in stereo at three dynamic levels; and including damper resonance sample layers – has replaced the original M3 piano.
• At Korg, we’re always taking request, and one of the most requested sounds ever - the classic KORG SG-1D stage piano – has been added. This refined sampled piano sits nicely in the stage mix and remains popular in many musical genres
• Classic keyboards also include that funky Clav. Here it has been authentically recreated with all of the tab/pickup combinations (AC, AD, BC, BD), sampled at multiple velocity levels for a natural feel that really responds to your playing dynamics.
• Flute and string sounds taken from those mechanical nightmare tape-driven keyboards of days gone by are back, giving a truly vintage vibe to your music.
• Last but not least, another popular request has been added - a mono piano for playing live through a mono system with no cancellation or sonic loss.
Expansion PCM Libraries, Volumes 1 - 3
Originally planned as separate M3 options, all three volumes have been added to the M3 XPanded in their entirety, free of charge! Each one contains 128 Mbytes of finely sampled top-ranked instruments, for a total of 384 Mbytes of bonus data. The M3 XPanded features two volumes of Brass & Woodwind data, and an enormous 128 Mbyte Grand Piano that is absolutely superb.
• Brass & Woodwinds (EX-USB-PCM01/02): Derived from the expansive OASYS option library, these sounds were crafted to allow expression, articulation and natural sounding playability. Combined, they offer 128 new programs and 32 new combis ideal for a wide range of musical production – from pop and sweetening to full-out orchestra. All of the solo instrument “ornaments” have been captured as well – trills, falls, growls, staccato notes and more – all adding to the authenticity, especially during solo instrument performances. Each family of instruments includes enough variations for a full instrument range; Flutes, alto flutes, piccolos; trumpet, cornet, piccolo trumpet; clarinet, bass clarinet; etc.
• Concert Grand Piano (EX-USB-PCM03): Studio sampled using a traditional “minimum mic” set-up to preserve the natural stereo imaging, this concert grand has been captured at four dynamic levels, with additional samples for realistic sympathetic string resonance, ensuring a truly superb performance – even for the pedal heavy performer. With 128 Mbytes devoted simply to piano, the samples are long and natural sounding. Six programs and six combinations provide ample variety to work with nearly any musical genre and style.
The M3 can load one expansion volume at a time. Installing the EXB-M256 memory expansion will allow all three volumes to be loaded simultaneously, and still have 128 Mbytes available for user sampling. This will provide a total of 640 Mbytes of ready-to-use data. Combined with the program data in M3 Version 1.2, the player has instant access to 1,216 programs and 416 combis – and 32 vocoder programs!
EX-PCM “management” page
DAW – Derived Sequencer Editing
The M3 XPanded uses the TouchView display to its fullest! Three new screens have been added to the sequencer page, allowing you to view and manipulate data on-screen as graphic elements. Many users have learned this editing style from computer-based DAW (Digital Audio Workstation) software programs, and prefer the graphic convenience. Once again, Korg listens and delivers!
• Piano Roll Edit Screen: So called because individual data can appear as individual squares – similar to the holes in an old player piano roll. In this screen, elements such as note number, duration, velocity and more can be edited, deleted or created using intuitive “touch-drag” and draw operations.
Interactive Piano Roll Edit screen
• Track View Screen: Also new, this screen graphically shows all the data for a group of tracks, giving you an overview look at your music. As in the previous example, here too you can move, copy , paste, and delete measures using “touch-drag” techniques.
Track View overview screen
• MIDI SysEx Editing: Previously, all System Exclusive (SysEx) data simply showed up in the event edit screen as an undefined and inflexible data packet. With the M3 XPanded, SysEx events show up on screen using their native (M3 Exclusive) parameter names, so you can clearly identify each event - no secret decoder ring needed! This allows you to edit and work freely with these events, providing an exacting level of precision editing.
Native MIDI Sys. Ex. in Event Edit
KARMA Version 2.2 Takes Off
M3 XPanded users can now take more control of the KARMATM features. KARMA Version 2.2 adds new and musically useful features such as quantizing the timing of scene changes and module triggering. For the first time, you can switch GEs (Generated Effects) in realtime as KARMA is playing, with seamless transitions. Support for User GEs allows new Generated Effects to be loaded into the M3 XPanded, and users who purchase the KARMA M3* software (Mac or Windows) can edit and create their own Generated Effects on their computers, and store them in the M3 XPanded. Eight banks of 128 GE locations (1,024 total) are available.
*Produced by Karma-Lab (www.karma-lab.com); English Version Only
700 Effect Presets
Each of the effect algorithms in the M3 XPanded now come equipped with high-quality presets, created by professional sound designers and audio engineers. With 700 effect presets instantly accessible, M3 XPanded makes it easy to quickly get the right sound from any and all of the onboard effects.
Tons o’ Drums
M3 XPanded adds an additional 149 new and realistic drum grooves, bringing the total number of patterns to over 670. These professionally created patterns can be used to build tracks from, played back from keys using the RPPR (Realtime Pattern Play/Recording) feature, or used to enhance any live performance or song production session.
Touch –more TouchView
As if it wasn’t cool enough, the M3 XPanded’s color TouchView display now does even more. In the Sequencer and Combi modes, each track features a velocity meter, making it easy to quickly see which tracks/timbres are playing, and which one is playing which part. On screen knobs and sliders can by operated by simply touching one and dragging it to the correct value – a convenient time-saver! This is the same intuitive touch/drag operation featured in the new editing pages.
Color coded velocity meters
M3 Details
Key Product Features Summary |
- Spectacular sounds
- Best keybed on the market
- 522 drum tracks - each program has user programmable drum track
- Big touchscreen display with XY control
- 2nd generation Karma algorythmic programming
- Almost 100% control from plug-in or stand alone software in most sequencing programs (a first)
- 73 and 88 key keyboards accept the Radias hardware module also
- Flip top and removable sound module
- 8 sliders and knobs plus 8 drumpads
- 3 band EQ x 16 parts
- Dimensions
- M3-61 and Module:
40"(W) x 14.65"(D) x 4.76"(H) (module down)
40"(W) x 14.65"(D) x 6.73"(H) (module up)
- M3-73 and Module:
46.81” (W) x 14.60” (D) x 5.15” (H)(module down)
46.81” (W) x 14.60” (D) x 8.14” (H)(module up)
- M3-88 and Module:
56.10” (W) x 17.40” (D) x 5.15” (H)(module down)
56.10” (W) x 17.40” (D) x 8.14” (H)(module up)
- Weight
M3-61: 31.08 lbs (14.1 kg)
M3-73: 38.14 lbs (17.3 kg)
M3-88: 58.42 lbs (ß26.5 kg)
- Module: 10.58 lbs
Bottomline:
Exceptional sounds with drum patterns and the finest feeling keyboard
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The Next Coming of M
The Korg M3 heralds the third generation of Korg Workstations. The M1 started it all, first appearing in 1988 to bring the world a new concept called the “music workstation.” It went on to become the best selling workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.
Now Korg is poised to refine the
workstation category once again.
The M3 features a number of innovations distilled from the flagship OASYS including the new EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface. Adding innovations such as the new concept of “virtualized hardware” that allows an even closer integration with DAW systems, Drum Tracks which provide a instant groove to play along with, and the new "Korg Komponent System" concept that facilitates more flexible system construction, the M3 music workstation/sampler opens a new and exciting page in music making - it’s the workstation that rightfully deserves to wear the “M” that started it all.
Enhanced Definition Synthesis --- a new horizon of sound-making potential
The M3 features a newly developed “EDS” sound generating system based on a new chip design that was developed in parallel with the HD-1 engine from the flagship OASYS. It takes full advantage of the M3’s 256 Mbytes of PCM source material which is a veritable “best of” from the OASYS.
Program Main Page
Using Korg’s advanced voicing technology, the 1,028 multisamples, 1,606 drum samples, dual oscillators, four-level velocity switching/crossfading/layering, and stereo sampling allow for an enormous range of high-quality, detailed, and expressive sounds.
Oscillator Main Page
The filter section, a vital part of the sound-creation process, lets you simultaneously use two resonant filters for each oscillator, and can be configured in series or parallel. Four filter types are provided: low-pass, high-pass, band-pass, and band-reject.
Filter Main Page
The amp section features a driver circuit that gives the sound a sense of edge and character, along with low boost to help shake the walls when needed. Integrated 3-band EQ allows tonal sculpting without needing to go to the effects section. Detailed envelope generators, abundant modulation routings, plus the all-new AMS Mixers for advanced processing all combine to provide a level of sound shaping far beyond previous possibilities.
AMS Mixer Page
Effects
The all-important effect section provides up to five Insert effects, two Master effects, and one Total effect. In addition to great choruses, flangers, phasers, delays and reverbs, the 170 effect types include dynamic processing effects such as compressor and limiter, amp modeling and speaker simulation effects using Korg’s proprietary “REMS” modeling technology, and evocative effects like the Grain Shifter and Talking Modulator. The realism and quality of effects has been noticeably inproved with the new chip.
Insert Effects Setup Page
Master/Total Effects Routing Page
The M3 includes professional features that allow for many cool applications and routings. Dual Common LFOs allow multiple effects to use the same modulation source; an advanced Control Bus provides triggering input from external audio or internal timbres to effects such as compressor/limiters and the vocoder; and the audio inputs can be freely routed to various effect chains and then run to individual outputs allowing the M3 to be used as a 2-in/6-output effects processor.
Funky Drummer
A drumkit in the M3 can be created from ROM or RAM samples, mono or stereo, with up to four-way velocity switching and cross-fading for incredible realism.
Drumkit Main Page
Drumkit Velocity Split Page
Powerful sound shaping can occur here, with EQ, drive and low boost plus individual effects routing per key, delivering incredible results.
Drumkit Drive/EQ Page
New Drum Track
The M3 provides a new Drum Track function that adds a groove to each sound you play. Combined with KARMA it makes a Program a complete sonic adventure that is sure to inspire. You can select patterns from over 500 in internal memory and start them with a dedicated button, from a desired region of the keyboard or by playing a velocity that’s above a specified threshold.
Since the Drum Track uses MIDI data stored in a Pattern, it is easy for you to create your own in the Sequencer Mode, either recording them, importing them from SMF data or other user’s songs, or converting recorded KARMA data as MIDI events for further manipulation. Even sampled loops can be used! This is a powerful feature with uses ranging from creating music-production memos to inspirational jamming and realtime performance.
Drum Track Setup Page
Drum Track Program Page
Expanded Combination Mode
Combination Mode is where multiple Programs can be freely assigned as splits and layers across the keyboard, including velocity switching and cross-fading for complex and expressive sounds. Sounds can be delayed either by time or by tempo, even when you release a key, allowing you to create sophisticated rhythmic soundscapes and performance effects. Monophonic sounds can be forced to be polyphonic, or vice-versa, and you can select only one of the oscillators if desired. For the more adventurous musician, each timbre can even use a different scale or tuning!
The M3 allows for sixteen timbres at the same time, including a Drum Track, up to four KARMA Modules, multiple effects and much more. Each timbre has dedicated 3-band EQ for getting the perfect mix, and a powerful Tone Adjust setup for detailed in-context sound shaping.
Combination Mode Main Page
In addition to providing more sound elements, this means that Combis can be set up and saved as complete 16-part MIDI sequencing templates for use with an external sequencer and computer DAWs.
Great sounds
In the end it’s always about the sounds, and the M3 doesn’t disappoint. Korg’s acclaimed international voicing team delivers the goods once again: stunningly realistic imitative sounds, fat synth sounds, imaginative textures, evocative sound effects – it’s all here. The M3 comes loaded with 512 Programs, and room for a total of 1,664 user sounds (13 Banks plus GM). All sound locations are fully editable (except GM banks), so you are always free to tweak a sound if needed. Adding in the EXB-RADIAS option delivers 128 powerful MMT synthesis sounds. There are 32 drumkits provided, and room for a total of 144. As for the 16-part Combinations, 384 come preloaded, with room for a total of 1,792 (14 Banks).
All sounds (Programs and Combinations) are organized by Categories and Sub-Categories for easy searching and selection, making it easy to find and organize your sounds.
Second Generation KARMA
The second generation KARMA functionality that first appeared on the OASYS and received wide acclaim from artists and users world-wide is fully implemented in the M3. KARMA is the inspiring, real-time music generation system that can help you play everything from natural instrument gestures like intricate finger-picking, strumming and harp glissandos, to complex cascades of notes, dance-riffs, gated and chopping effects and “improvising” drum grooves. KARMA continues to set the standard by which all other arpeggiators, phrase players, and musical effect generators are judged. The inspiration that KARMA offers, coupled with the unheard-of phrase variability is second to none.
In Program Mode, one KARMA Generated Effect (GE) can be assigned to a single drum groove, melodic phrase, comping gated part or other musical effect. Eight sliders, eight switches, and eight scenes provide dedicated real-time control and the ability to store complete snapshots of your settings.
In Combi and Sequencer modes, KARMA’s power increases exponentially, with four KARMA Modules available simultaneously.
The Control Surface can access and manipulate each module individually on its own “Module Layer”. In addition to the four individual Module Layers, there is a Master Layer that can be mapped to parameters from any of the modules, even grouping them together – so one slider can control the swing feel of all four modules at the same time, or the rhythmic activity of two or three modules at once, to name a few. Each Module Layer has 8 Scenes that store the settings of the sliders and switches in 8 different snapshots, instantly recalling completely different settings for that layer.
The Master Layer’s 8 Scenes, in addition to storing the settings of the 16 sliders and switches for its parameters, also control which scene is selected for each module. You can control each layer’s scenes directly from the control surface, or from the innovative Scene Matrix Page, which also controls whether the Drum Track will play along in a given scene. With 8 Scenes in each Module, and 8 Master Scenes storing which of those scenes are selected at which time (a total of 40 scenes), the possibilities are mind-boggling.
The M3 has incredible control over each KARMA element yet has been refined to be even easier to use, thanks to 13 “Real-Time Control Models” (RTC Models). An RTC Model standardizes which parameters of a KARMA GE are available for real time control, and how they are assigned to the Control Surface. With multiple GEs sharing the same exact setup, what you learn while controlling one GE is consistent and applicable to the thousands of other included GEs as well.
Finally, the second generation KARMA provides a signature sonic effect called KARMA Wave-Sequencing that can change a sound’s waveforms rhythmically in realtime, along with everything else KARMA is doing, allowing each note to access a different waveform as it is generated. The results can resemble traditional wave-sequencing, or enter completely new realms of sound design.
Ultimate expressive power
The M3 is remarkable not only for the freshness of its sounds, but also for its outstanding new control environment. The color LCD of the M3 music workstation/sampler not only provides a touch-view GUI that ensures intuitive and easy operation, but it also operates as an X-Y Pad, allowing sound and effect parameters to be controlled in real-time by sliding your finger across or tapping on the screen – much like the innovative Korg KAOSS Pad. Further control is provided by a Motion function that lets you capture and play back your finger moves to shape your sound and performance in unique ways. The screen even changes colors in response to the movement of your finger for cool visual feedback to your performance.
The eight dynamic, velocity-sensitive pads give you a great way to play drum sounds or up to 8-note chords, either live or as triggers for the powerful KARMA function.
Each note in the chord retains the individual velocity so it can play back with all the nuance of your original performance, and can even be scaled across a full velocity range without “breaking” the dynamic relationship of each note.
Each note in the chord retains the individual velocity so it can play back with all the nuance of your original performance, and can even be scaled across a full velocity range without "breaking" the dynamic relationship of each note.
Pads 1-8 Assignment Page
The eight slider/eight switch control surface offers the same multi-functionality as on the OASYS: it can be used as a mixer, a set of expressive sound controls, an editing interface, a realtime KARMA performance interface, or to control external software and hardware synths and effects.
Control Surface Mixer Page
Control Surface Real Time Control Page
Control Surface Tone Adjust Page
Control Surface KARMA RT Control Page
There’s also a joystick, assignable Value slider, two switches and a ribbon controller that give you convenient ways to express subtle nuances of sound. A newly designed proprietary keyboard with refined aftertouch delivers superb feel and expression that’s better than ever before.
RADIAS inside
You can add an internal RADIAS analog modeling synthesizer sound generator board (one timbre, up to 24 voices), with on-screen integration of all its parameters and full integration with the M3’s effects, control surface and KARMA functionality.
EXB-RADIAS Main Page
This powerful MMT-based (Multiple Modeling Technology) synth engine features dual oscillators which combine to offer analog-modeled waves, DWGS (PCM) waves, noise, ring mod and more. Waveform modulation, Variable Phase Modulation (VPM), Unison voice thickening, PWM and cross-mod expand the sonic palette.
EXB-RADIAS Oscillator Main Page
Dual Filters can run in series, parallel, or side by side (individual for each oscillator). Filter1 features a resonant filter design covering 24 dB low pass, 12 dB low pass plus 12 dB high and band pass, with continuously variable “morphing” between these states. Filter2 offers 12dB versions of the low, high and band pass modes, plus a unique comb filter.
EXB-RADIAS Filter Page
Two LFOs and three ADSR envelopes shape the sound and add cyclic motion to nearly any voice parameter. Three 16-step Modulation Sequencers provide discrete values to a modulation parameter that change over time, either in stepped or smooth motion, and can loop over and over.
EXB-RADIAS Mod Sequencer Page
Internal or external audio can be run through the EXB-RADIAS to be gated and filtered using the internal synthesis and effects. Drive adds analog warmth, Punch brings increased definition to the attack of a sound, and 12-types of Wave Shaping provides dramatic timbral shaping – even offering virtual “pick-up” response.
The EXB-RADIAS offers the same vocoder as the RADIAS, offering 16 bands with individual control over level and panning. Formant Motion records the formant of a sung or spoken phrase so it can be recreated anytime.
EXB-RADIAS Vocoder Main Page
EXB-RADIAS Vocoder Page 2
And of course, all of KARMA’s generative features can be used with the RADIAS to provide even more options, including RADIAS Wave-Sequencing.
Open Sampling
The M3’s Open Sampling System lets you sample and resample in any mode to produce new remixed combinations of sounds and effects, or to capture full performances “In-Track” within the sequencer. Cutting-edge editing tools include Time Slice, Time Stretch, Crossfade Looping, Rate Change and Normalize.
An easy-to-use Auto-Setup function makes all the right sampling settings for you, with the press of a button. Stock sampling memory is 64 MB, and can be increased to 320 MB by adding the optional EXB-M256 memory expansion board. Samples in Korg native format, AIFF, WAV, Soundfont V2.0 and AKAI (S-1000/3000 with advanced Program parameter conversion) formats can be used, and internal samples can be exported as WAV or AIFF if needed.
Sampling can also be done to attached media, so USB memory sticks and hard drives can be used to extend memory size to resample a complete song as a WAV file to be burned to a USB CD-R/RW as an audio disc, or for moving to a computer for further editing and manipulation. Audio files on the media can even be edited directly to normalize, trim, and perform other essential editing tasks.
New High-Resolution Sequencer
The sequencer that’s at the heart of the M3’s song production is an intuitively-understandable 16-track design that holds up to 128 songs and 210,000 notes.
Sequencer Main Page
The new high timing resolution of 480 PPQ captures every nuance and detail of your performance. Three-band EQ per track provides detailed sound-shaping, as does the Tone Adjust sound “tweaking” function.
Sequencer EQ Page
The Cue List function that has been a popular feature ever since the now-classic TRITON series lets you create songs in sections, or play back completed songs as a medley.
Sequence Cue List Page
All the now-classic Korg features are included, such as our one-touch “Auto Song Setup” feature, which takes you from playing a Program or Combination to “ready-to-record” status in one easy step, automatically arming tracks and routing voices behind the scenes. All KARMA settings are also set up, so you can record every note and controller as they’re generated, and even edit them later.
Song Templates contain pre-assigned effect routings and program assignments, providing one more shortcut to help you capture your creative outbursts. The M3 comes with 16 of these Song Templates, plus another 16 you can custom-tailor to your own needs. Each Template Song also provides a number of rhythm patterns – including intro, fills and endings – that you can use to instantly create a rhythm track.
Individual track looping allows flexible manipulation of repeated phrases such as drum grooves against longer parts like melodies and solos.
Sequencer Play Loop Page
Advanced editing tools like variable quantization with selectable intensity and swing allow for nuanced adjustments to your recordings. Detailed event editing lets you work on your tracks with surgical precision, and a Compare function acts like an Undo for your last change to easily judge the effect of your edits.
Sequencer Event Edit Page
Realtime Pattern Play and Record (RPPR) can be used to assign sequenced Patterns to individual keys on the keyboard for an interactive performance, or to quickly build up tracks. You can record controller data, Sys. Ex., or even KARMA phrases and trigger them as you like.
Time-tested features that have been proven to aid in inspiration and song creation combine to deliver an intuitive and enjoyable songwriting experience – the M3 has it all!
Virtualized hardware
In addition to being a highly-developed music workstation, the M3 is also able to closely integrate with your computer. By connecting the M3 to your computer via USB and using the included stand-alone “M3 Editor” software, you can edit sounds and settings from your computer.
A plug-in version of “M3 Editor” is also provided, so you can use it from within your DAW as a plug-in instrument. The editor runs as a VST, AU or RTAS plug-in for maximum compatibility. For even more complete integration, Korg’s new “Virtualized Hardware” concept comes into play. When the optional EXB-FW FireWire board is installed, a single FireWire cable will convey both the M3’s MIDI and audio signals to the tracks of your DAW in which the plug-in is running. This means that you can construct a highly integrated environment that adds the reliability of hardware to your software music production system, adding additional power to your virtual world.
Four models
The M3 music workstation/sampler is available as a lineup of four models: 61-key, 73-key, and weighted 88-key models, as well as the module-only M3-M. The 61-key and 73-key models use a proprietary new semi-weighted synth action keyboard developed by Korg for great playing feel and expressive aftertouch response. The 88-key model features the RH3 (Real Weighted Hammer Action 3) keyboard that reproduces the playing sensation of a grand piano, in which the low range has a heavier feel, with the touch becoming lighter as you play upward on the keyboard, allowing superb response to fine movements of your fingers.
Korg Komponent System
The M3 music workstation/sampler introduces the new Korg Komponent System, featuring detachable keyboard and sound generator sections. The 61-key model lets you mount a RADIAS-R analog modeling synthesizer instead of the M3-M sound generator, the 73-key model lets you mount the M3-M together with a RADIAS-R analog modeling synthesizer, and the 88-key model supports the combination of M3-M and RADIAS-R or even mounting two M3-M units simultaneously. Of course you can detach the M3-M sound generator and use it as a sound module, giving you great flexibility for constructing the system you need whenever you want.
A rich array of input/output jacks
The M3 provides two analog and two digital (S/P DIF) inputs as standard. In addition to the main two-channel output (L/MONO, R), there are four independent outputs as well as two-channel digital output (24-bit optical S/P DIF), meeting the needs of professionals.
Two USB connectors are provided: a type-B USB connector for connection to your computer as a MIDI interface, and dual type-A connectors for connecting external storage media. USB 2.0 is supported to ensure high-speed transfer of large amounts of data.
The optional EXB-FW adds two Firewire ports for conveying both audio and MIDI to your computer, and for daisy-chaining the M3 in your Firewire-based studio setup.
Three pedal inputs are provided, including damper jack support for half-damper sensing. The footswitch and footpedal jacks can be assigned to wide choice of functions including modulation, sostenuto, Program advance, punch-in recording and much more.
KARMA (Kay Algorithmic Realtime Music Architecture) is a trademark representing patented technology licensed from Stephen Kay, Karma Lab LLC, www.karma-lab.com.
Sounds processed with INFINITY software.
Expansion - also includes EXB USB PCM sounds will be developed that will reside in RAM versus a physical card.
Keyboard Bed
Acclaimed by one reviewer as the finest synth action he has every played, vastly improved.
An additional 512 new sounds and 128 new Radias-infused Combis on korg.com
for FREE download . These great "bread-and-butter" sounds double the number of onboard
Programs to 1,024. The new collection covers classic keyboards, guitars, basses, brass and woodwinds,
synths and much more.. more information on the downloads tab.
KORG M3-61 Specs top
Synthesis Technology
EDS (Enhanced Definition Synthesis)
MMT (Multi Modeling Technology) sound generator can be added by installing the optional EXB-RADIAS
Tone Generator
256 Mbyte (when converted to 16-bit linear format)
1,032 Multisamples
1,606 Drum Samples
Maximum Polyphony
120 voices, 120 oscillators max, single mode
60 voices, 120 oscillators max, double mode*
* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Program Structure (EDS)
Oscillator
OSC1 (Single), OSC1+2 (Double)
Stereo multisamples are supported
4 velocity zones per oscillator, with switching, crossfades and layers.
Filters
Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
Driver
Per-voice nonlinear driver and low boost
EQ
Three bands, with sweepable mid
Modulation
For each voice: two envelope generators (Filter & Amp)
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Combination Structure
Up to sixteen timbres
For each Timbre: keyboard and velocity split/layer/crossfade
INT, OFF, EXT and EX2 MIDI status settings
3-band EQ with sweepable mid
Pitch/Transpose
Use OSC1, 2 or Both
Force Osc Mode (PRG, MONO, LEGATO, POLY)
Portamento and Bend range settings
Controller filters
Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
Stereo and mono drum samples
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
Exclusive keygroups
Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
Sampling
16-bit, linear, 48 kHz mono/stereo sampling
Resampling available (Open Sampling System)
64 Mbyte memory standard (expandable up to 320 Mbyte with EXB-M256 option)
Sampling time (RAM)
RAM1 (64 Mbytes standard) allows up to approximately 11 minutes 39 seconds of mono sampling or approximately 5 minutes 49 seconds of stereo sampling. 512 bytes are used by the system.
RAM2 (256 Mbytes when the EXB-M256 is installed) allows up to approximately 46 minutes 36 seconds of mono sampling or approximately 23 minutes 18 seconds of stereo sampling.
RAM1+RAM2 (Total 320 Mbytes) allows up to approximately 58 minutes 15 seconds of mono sampling or approximately 29 minutes 7 seconds of stereo sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)
Sampling time (MEDIA)
Maximum sampling time to a USB storage device is a maximum of approximately 80 minutes for one sample file, for either mono or stereo. This occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
1,000 Multisamples, 4,000 Samples, 128 indexes per sample
Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
Sample directly from audio CDs (CD-DA)
Time Stretch, Time Slice, Crossfade Loop, and other editing features
Effects
5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
2 effect control busses, 2 effect common LFOs
170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
Effects Presets: Up to 32 per Effect
AUX bus: Two internal buses for sampling and routing audio to the EXB-RADIAS
3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
X-Y control
X-Y MODE
The TouchView display can be used as an X-Y controller. Hold function provided.
X–Y MOTION function
X–Y Control finger movements can be recorded in realtime, and memorized for each Program, Combination, or Song.
Program mode
Oscillator volume, synth parameters, and effect parameters can be controlled.
Combination, Sequencer modes
Timbre/track volume, synth parameters, and effect parameters can be controlled.
Sounds
Programs
1,664 user locations, 640 preloaded (512 EDS+128 RADIAS) (with EXB-RADIAS option installed)
Combinations
1,792 user locations, 384 preloaded
Drumkits
144 user locations, 32 preloaded
GM
256 GM2 programs, 9 GM2 drum kits
Sequencer
16-track MIDI sequencer with 480 ppq resolution
128 Songs, 20 Cue Lists, 210,000 notes (max)
Tempo: 40.00 – 300.00 BPM (1/100 resolution)
16 preset/16 user Template Songs
522 preset patterns, 100 user patterns (per Song)
Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
Standard MIDI File (SMF) format 0 and 1 available
In-Track Sampling function
Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record-ready” status
RPPR (Realtime Pattern Play/Recording)
A set of 100 patterns are available per Song
Drum Track
522 preset patterns/1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified.
Program selection, 3-band EQ and effect bussing available
KARMA
One KARMA module available in Program Mode, four KARMA modules available in Combination and Sequencer Modes, plus Master Control module
2,093 preset GEs (Generated Effect)
Controllers: ON/OFF, LATCH, MODULE CONTROL, KARMA SLIDERS 1–8, KARMA SWITCHES 1–8, KARMA SCENES 1/5–4/8 (8 scenes).
KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup
Controllers
CONTROL ASSIGN
(T1–8, T9–16, INPUTS), REALTIME CONTROL, EXTERNAL, TONE ADJUST, KARMA
Control Surface (8 sliders, 8 switches)
8 Switches:
MIXER… PLAY/MUTE (SOLO)
REALTIME CONTROL= IFX1–5, MFX1, MFX2, TFX on/ off
EXTERNAL= External MIDI control*
TONE ADJUST= Control the Tone Adjust functions
KARMA= KARMA control
8 Sliders:
MIXER= Volume
REALTIME CONTROL= Realtime modulation
EXTERNAL= External MIDI control*
TONE ADJUST=Control the Tone Adjust functions
KARMA= KARMA control
* In External mode, the eight sliders, eight switches, and eight pads can be used as MIDI controllers, allowing you to control software synthesizers or DAW software via CC settings. 128 setups can be stored (102 are preloaded).
8 velocity-sensitive drum pads and chord triggers:
[KARMA ON/OFF]
[KARMA LATCH]
[CHORD ASSIGN]
[DRUM TRACK ON/OFF]
[PAD MODE] - selects velocity-sensitive or fixed-velocity operation
[KARMA MODULE CONTROL]
[RESET CONTROL]
X-Y Control (Display), Hold, Motion
Media
Load, Save, Utility, Make Audio CD, Play Audio CD
Data Filer functionality (Save and Load MIDI System Exclusive Data)
CD-ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD-DA), ISO9660 Level 1
WAVE file editing functionality
CD-ROM/R/RW can be used when a commercially-available USB drive is connected.
Audio Outputs
L/MONO, R - 1/4" TS (Mono), unbalanced
INDIVIDUAL-1, 2, 3, 4 - 1/4" TS (Mono), unbalanced
Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu, Load Impedance: 10 k Ohms or greater, Signal to noise ratio: 90 dBu (typical), Dynamic range: 91 dBu (typical)
S/P DIF (optical 24-bit, 48 kHz), S/P DIF IEC60958 EIAJCP-1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
(Optional) EXB-FW - 6 channels, 24-bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1–4
Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Audio Input
1, 2 - 1/4" TS (Mono), unbalanced
(level switch (MIC/LINE), level knob) - Input Impedance: 10 k Ohms, Headroom:12 dB, Input level range LINE: –29 dBu – +4 dBu or greater (typical),
Input level range MIC: –54 dBu –17 dBu or greater (typical), Source Impedance: 600 Ohms
S/P DIF (optical 24-bit, 48 kHz) IEC60958 EIAJCP-1201
(Optional) EXB-FW - 2 channels, 24-bit, 48 kHz Sample rate
Interface
MIDI
IN, OUT, THRU
Computer
2 USB type A hi-speed connectors, supporting 480 Mbps (for storage devices)
USB type B connector (for MIDI interface, USB 2.0 supported)
2 FireWire ports (when EXB-FW (separately sold option) installed)
Keyboard
TO KYBD (for connection to keyboard assembly unit)
System Requirements
Computer with the KORG USB-MIDI Driver
Windows
Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).
Macintosh
Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported).
M3 Editor/Plug-In Editor
Windows
Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Macintosh
Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Computer with the EXB-FW
Windows
Microsoft Windows XP Home Edition / Professional Service Pack 2, computer supports Windows XP with Firewire port.
Macintosh
Mac OS X 10.4 or later, Apple Macintosh with Firewire ports supports Mac OS X 10.4 (PowerPC/Intel-based supported).
Options
EXB-FW
2 in/6 out digital audio + MIDI FireWire Board
EXB-M256
256 Mbyte Sample Memory Expansion Board
EXB-RADIAS
24-voice, 4-part multitimbral RADIAS Synthesizer Board
EX-USB-PCM series
PCM Expansion USB Memory devices
XVP-10
EXP/VOL Pedal
EXP-2
Foot Controller
DS-1H
Damper Pedal (supports half-damping)
PS-1
Pedal Switch
General
Keyboard
61-key, 73-key semi-weighted synth action (Korg’s new keyboard design)
88-key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with 4-zone graded action response)
Controllers
Joystick, Ribbon Controller, [SW1], [SW2]
Interface
TO MODULE (for connection to M3-M tone generator module)
TO MODULE (second) (available on 73-key and 88-key)
Display
5.7 inch color TouchView™ GUI, 320 x 240 dot, X–Y control function
Control Inputs
Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
Common specifications
Frequency response: 20 Hz–20 kHz, +/-1.0 dB, 10 k Ohms load
THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)
Included Accessories
AC cord
Owner’s Manual (M3 Operation Guide)
CD-ROM (M3 Parameter Guide (PDF), Voice Name List (PDF), KORG MIDI driver,M3 Editor stand alone and plug-in versions)
Bracket (M3-M only)
- Module:
40"(W) x 14.65"(D) x 4.76"(H) (module down)
40"(W) x 14.65"(D) x 6.73"(H) (module up)
- M3-73 and Module:
46.81” (W) x 14.60” (D) x 5.15” (H)(module down)
46.81” (W) x 14.60” (D) x 8.14” (H)(module up)
- M3-88 and Module:
56.10” (W) x 17.40” (D) x 5.15” (H)(module down)
56.10” (W) x 17.40” (D) x 8.14” (H)(module up)
- Weight
M3-61: 31.08 lbs (14.1 kg)
M3-73: 38.14 lbs (17.3 kg)
M3-88: 58.42 lbs (ß26.5 kg)
- Module: 10.58 lbs
Current Consumption
35 W
Trademark Notes
*Mac, Mac logo and FireWire, FireWire logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
*Windows XP and Windows VISTA are registered trademark of Microsoft Corporation in the United States and other countries.
*VST and ASIO are trademarks of Steinberg Media Technologies GmbH.
*The Audio Units logo and the Audio Units symbol are trademarks of Apple Computer, Inc.
*RTAS is a trademark or registered trademark of Avid Technology, Inc., or its subsidiaries or divisions.
*KARMA (Kay Algorithmic Realtime Music Architecture) is a trademark representing patented technology licensed from Stephen Kay, Karma Lab LLC, www.karma-lab.com
*Sounds processed with INFINITY software.
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