YAMAHA STAGEPAS500 Details
For Singers
The built-in high-quality reverb is indispensable for
great vocal sound, and on the STAGEPAS 500
system the LIMIT/COMP switch can help to deliver
smooth, punchy vocal sound.
For Instrumentalists
The STAGEPAS mixer has more than enough input
capability to directly handle a range of instruments
from electric-acoustic guitars to electronic
keyboards
For Speech
The "SPEECH" mode optimizes the system settings
for maximum clarity with speech. Of course,
background music from a CD player or other source
can be mixed in with the spoken performance.
Dual 250-Watt amplifier
Two 250-watt power amplifier can fill surprisingly large
clubs or rooms, or project your sound over a
considerable distance outdoors. The class-D power
amplifier has been painstakingly designed to deliver
superior sound quality as well as reliability in a
remarkably compact unit.
Versatile 10-channel Mixer with
Monitor and Record Outputs
If there are more members in your band than the
STAGEPAS 300’s 8 input channels can handle, or you
simply have a lot of sources to mix, the STAGEPAS 500
gives you 10 input channels in all: four mono
microphone/line inputs and three stereo line inputs.
The additional stereo channel can used for either a
stereo or mono source. In addition to the main speaker
outputs the mixer has line outputs that can be used to
connect additional powered speakers for monitoring,
and to send the mixer's output to a recording device.
Phantom Power for High-performance
Condenser Microphones
The STAGEPAS 500 mixer features switchable phantom
power for the four mono microphone/line inputs. This
lets you use high-performance phantom-powered
condenser microphones in situations where you want
the extended, natural response they provide.
Built-in Channel Compression/Limiting
Channels 1 and 2 feature LIMIT/COMP switches that
let you apply either limiting or compression to those
channels. Limiting can be useful to prevent input
overload and distortion with sources that have a wide
dynamic range, while compression can add punch to
vocals, bass, guitar, and other sources while moothing
out the sound and helping it to “ride” better in the mix.
2-band Channel EQ and Reverb
Like the STAGEPAS 300 mixer, the STAGEPAS 500
mixer has 2-band EQ controls on each channel, as well
as REVERB switches on channels 1 through 4.
Versatile 10-channel Mixer with
Monitor and Record Outputs
If there are more members in your band than the
STAGEPAS 300’s 8 input channels can handle, or you
simply have a lot of sources to mix, the STAGEPAS 500
gives you 10 input channels in all: four mono
microphone/line inputs and three stereo line inputs.
The additional stereo channel can used for either a
stereo or mono source. In addition to the main speaker
outputs the mixer has line outputs that can be used to
connect additional powered speakers for monitoring,
and to send the mixer's output to a recording device.
Phantom Power for High-performance
Condenser Microphones
The STAGEPAS 500 mixer features switchable phantom
power for the four mono microphone/line inputs. This
lets you use high-performance phantom-powered
condenser microphones in situations where you want
the extended, natural response they provide.
Built-in Channel Compression/Limiting
Channels 1 and 2 feature LIMIT/COMP switches that
let you apply either limiting or compression to those
channels. Limiting can be useful to prevent input
overload and distortion with sources that have a wide
dynamic range, while compression can add punch to
vocals, bass, guitar, and other sources while smoothing
out the sound and helping it to “ride” better in the mix.
2-band Channel EQ and Reverb
Like the STAGEPAS 300 mixer, the STAGEPAS 500
mixer has 2-band EQ controls on each channel, as well
as REVERB switches on channels 1 through 4.
A separate REVERB level control adjusts the reverb mix.
Other Features
• XLR and phone-jack inputs on mono channels, and
phone-jack and RCA pin- jack inputs on stereo
channels allow connection to a wide range of sources.
• MIC/LINE switches select microphone or line level
input matching for channels 1 through 4.
• Auto Limiter prevents overload damage to power
amplifier and speakers.
• LED output level meter.
• Speaker cables supplied.
• Optional BMS-10A Mic Stand Adaptor for the mixer unit.
• The STAGEPAS 500 speakers can be stand mounted
without standard speaker stand adapters.
YAMAHA STAGEPAS500 Specs
General Specifications
Output Power (Maximum)
250 W + 250 W (±10 %)/4Ω @ 10 % THD at 1 kHz (SPEAKERS L/R)
Output Power (RMS)
200 W + 200 W/4Ω @ 1 % THD at 1 kHz (SPEAKERS L/R)
Maximum Output Level
116 dB (1 m)
Frequency Response (Nomimal output level @ 1 kHz)
-3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz
(MUSIC/SPEECH=MUSIC) (MONITOR OUT)
-3 dB, 0 dB, +1 dB @ 80 Hz-20 kHz
(MUSIC/SPEECH = SPEECH) (REC OUT)
-3dB, 0dB, +1 dB @ 20 Hz-20 kHz, 1 W Output
(MUSIC/SPEECH=MUSIC, without Speaker EQ) (SPEAKERS L/R)
Total Harmonic Distortion
0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal
(MONITOR OUT, REC OUT)
Hum & Noise (Equivalent Input Noise, Rs = 150Ω, MIC/LINE = MIC)
-106 dBu (CH1/2)
-112 dBu (CH3/4)
-65 dBu Residual output noise (SPEAKERS L/R)
Crosstalk (1 kHz)
-70 dB between input channels
Power Consumption
65 W
Weight
24 kg (Speaker x 2 + Powered Mixer)
Dimensions (W x H x D mm)
342 x 545 x 298 (speaker x 1)
330 x 12 x 175 (Mixer)
Phantom power Switch
ON / OFF (CH1-4)
LIMIT/COMP Switch
ON = Comp, OFF = Limit (CH1/2)
Input Channel Equalization
±15 dB
HIGH 10 kHz shelving
LOW 100 Hz shelving
Enclosure
2 way bass-reflex type, Polypropylene, Black
Crossover Frequency
4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)
Frequency Range
55 Hz-20 kHz (-10 dB)
Speaker Unit
LF: 10" (25 cm) Cone
HF: 1" (2.54cm) Compression Driver
YAMAHA Stagepas500 
ONSTAGE SS7730B SPEAKER STAND
