SOUNDCRAFT GB8 Details
Call us for pricing on Tourpack with flight case, spare PSU and Soundcraft lamps for this model
Augmenting the already highly successful GB4 console range is the new GB8 8-bus console. The GB4 has found many friends including the Cavern Club in Liverpool, and in use at the Bedford venue in South London.
Available in frame sizes from 16 to 48 channels, each with four full-function stereo channels and four stereo returns, the GB8 is designed for installations such as churches and performance venues, or for small touring sound systems. The dual-mode topology implemented to such success on the MH3 and MH4 desks allows the GB8 to be used on FOH or monitor duties, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three led meters that very closely emulate the ballistics of VU meters.
Four mute groups allow several channels to be muted simultaneously, while another unique facility is the limiter on both the Record and Alternate stereo outputs that makes it easier to create a stereo recording of the mix.
The console also features an output matrix with eleven feeds to four outputs, being fed from the group busses and main L, R and C (mono) outputs.
Although largely conventional in layout, the GB8 does have some unique mechanical features. The rugged steel chassis has a sloping rear connector panel so that it is easier to configure from the front of the desk, while the integral power supply has a link option for an external back-up PSU.
Both the GB4 and GB8 desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design, as you’d expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb’s, fitted to the steel chassis front panel with individually-nutted potentiometers.
The GB Series also shares the stylish looks of the MH4, MH3 and LX7ii consoles, continuing a strong family look and feel across the range.
New GB30 mic preamps and EQ section, designed by Soundcraft co-founder Graham Blyth, owe their design heritage to the MH 3 and MH4 consoles
• New high performance 4-band GB30 EQ
• 4 stereo inputs handle mic or line inputs with 48V and mic amps on each input
• Dual mode operation means console can easily be configured from FOH to Monitor with touch of a button
• 11 true busses including 8 subgroups, left, right and center
• 8 auxiliary sends with flexible pre/post switching
• 4 mute groups
• 11 x 4 matrix allows 4 separate sub-mixes of left, right, center and group outputs
• Internal power supply WITH external PSU link option!
• Direct outputs on every mono channel
• New True VU overbridge monitors left, right and center plus 4 segment LED’s on each input and 12 segment output meters
• Highly stylized design borrowed from the MH Series consoles
MONO INPUT MODULE
Mic Input
A balanced XLR connector accepts balanced or unbalanced mic
signals.
Line Input
A balanced 1/4" jack accepts balanced or unbalanced line level
sources, such as keyboards.
+48 Phantom Power
Phantom power is individually switchable on every channel, with front
panel LED indication of status.
Phase Reverse
Phase reverse is individually switchable on every channel.
Input Stage
Precision, low noise mic preamps deliver continuously variable gain
between 5dB and 60dB. A Peak LED indicates internal signal levels in
excess of +18dBu.
High Pass Filter
A steep 18dB per Octave High Pass Filter is included straight after the
preamp to reduce low frequency rumble on stage and clean up vocal
performances.
Insert
A pre-fade, pre-EQ (but post-HPF) insert point is provided for patching
in Limiters, Graphic Equalisers or other signal processors. It may also
be used for recording.
Direct Output
A direct output is also available on every mono channel with individual
pre/post fader switching situated on the rear panel. This allows the
direct outputs to be equally useful for effects send applications or
multitrack tape feeds.
EQ Section
GB4 and GB8 incorporate the GB30 4-band equaliser section - based
on that used in the high-end MH Series. Both the HF and LF shelving
sections have steeper slopes than usual which substantially reduces
mid frequency harshness in the HF band and muddiness in the LF. This
increase in “cleanliness” of response is further enhanced by an element
of undershoot and overshoot in the boost/cut response. It has two
swept mid frequencies carefully selected for optimum control during
live performances. All bands provide 15dB of cut or boost. The Low
frequency equaliser response shelves at 80Hz. The swept Lo Mid control
operates between 80Hz and 1.9kHz. The swept Hi Mid control operates
at frequencies between 550Hz and 13kHz. The fixed High frequency
equaliser response shelves at 13kHz.
EQ Switch
The EQ section can be bypassed using the EQ switch, allowing
comparison of treated and untreated sounds without having to reset
controls.
Auxiliary Sends
The GB4 has 8 flexible Auxiliary sends which allow the choice of either
monitor or effects orientated mixes. Auxes 1-4 are pre-fader and, in
normal operation, are routed to the rotary Aux masters 1-4. In SWAP
mode, they are routed to Group faders 1-4 and Group meters 1-4, ideal
for monitor mixing applications. Auxes 5 to 8 are pre/post switchable -
globally assigned selectable per Aux bus from the Master Section.
The GB8’s 8 Auxiliary sends (Fig. 1) are globally selectable per Aux bus
between pre/post fade. The Auxes are routed to rotary Aux masters,
which all feature SWAP mode.
Level Control and Routing
On the GB4, the signal on each fader can be routed to the L-R mix (via
the Pan control), the C (mono) bus and Groups 1&2 and 3&4. On the
GB8, the signal can additionally be routed to Groups 5&6 and 7&8
Pan
Turning the pan control full left or right enables odd or even groups or
the left or right Mix bus to be accessed individually.
Solo/PFL
Each channel can be soloed pre-fader, post-EQ to check levels. PFL
status is indicated via a front panel LED.
100mm Fader
Professional grade, 100mm faders provide accurate, consistent control
of audio levels and have superb cut-off performance.
Metering
A 4-segment LED display on each fader strip provides an instant
reference for the signal level on that channel.
STEREO INPUT MODULE
GB4 has two stereo inputs which allow connection of stereo sources, or
use as sophisticated effects returns. GB8 has four stereo inputs. The
stereo input channels share all features with the mono input channels,
with the exception of the following:
Connections
Each channel is equipped with both balanced jack and XLR pairs. The
left or right input can be selected, if required, as a single, mono source
to be routed to both paths. Alternatively both the left and right signals
can be mono-summed.
EQ Section
The equaliser section provides 15dB of cut or boost at each of
4-bands: a HF shelf at 13kHz; Hi-Mid at 2.5kHz; Lo-Mid at 450Hz; and
a LF shelf at 80Hz.
GROUP SECTION
Group Outputs
Each Group has an impedance-balanced XLR output
connector, allowing long cable runs on stage.
Insert Points
Pre-fade insert points are provided on jack
connectors, for the connection of Limiters, Graphic
Equalisers or other signal processors.
Group Metering
GB4 has four 12-segment peak reading bargraph
meters which display Group (or Aux 1-4 in SWAP
mode) output levels.
Matrix Assignment
Four rotary controls per Group allow individual
assignment to Matrices 1-4.
Matrix Masters
The level at each Matrix output (balanced jack) on
the rear panel is controlled by a rotary control, with
a button for AFL.
Auxiliary Masters
The level at each Auxiliary output (balanced jack)
on the rear panel is controlled by a rotary control
with a button for AFL.
Group/Aux SWAP
GB4 has four push buttons which swap the
functions of Auxiliary 1-4 master rotary controls
and Group master faders. NB: The 12-segment
peak reading bargraph meters always display the
signal selected to the Group faders, i.e. Groups in
normal operation, or Auxes when used in SWAP
mode.
Routing
The signal on each Group fader can be routed to
either the L-R mix (via the Pan control) or to the C
(mono) bus.
100mm Group Faders
The Group faders provide 10dB of extra gain above
the zero mark, whilst still ensuring smooth
operation. Each Group is also equipped with AFL.
MASTER SECTION
Connections
L-R mix and C (mono) bus outputs appear on
balanced XLR with jack insert points. The L-R mix is
also provided on two pairs of balanced jack
outputs and one pair of RCA/phono outputs. A
balanced XLR input allows a talkback mic to be
connected. Two control room outputs for engineer
monitoring are available on impedance balanced
1/4" jacks.
2TRK Inputs
A pair of unbalanced -10dBv phono connectors
labelled “2TRK In” allow pre-show music to be
replayed.
Rec/Alt Output
GB4 has a single Rec/Alt section. Outputs are
provided on impedance balanced 1/4" jacks and
unbalanced -10dBv phono connectors. They
provide a post-fade send from the L-R mix. The C
(mono) bus may be added and/or the mix can be
mono summed. A rotary control governs level and
a switchable limiter is rovided.
Talkback Section
Once connected, the engineer’s talkback mic can
be routed to all Groups and/or Aux 1-2, 3-4, 5-6 &
7-8. A rotary control governs talkback level.
Stereo Returns
GB4 has two stereo returns - provided for use with
effects units, or as simple stereo instrument
inputs. The rotary controls govern level. Ste Ret 1
and 2 can be routed to Groups 1/2 and 3/4
respectively, or the main L-R mix.
CONTROL ROOM SECTION
The control room section allows the engineer to
monitor either the 2-track return, the C (Mono)
Bus, or the Mix via the control room outputs or
headphones. A headphone jack is provided for use
with headphones with impedances of 100 Ohms
or greater. Both the control room and 2-track
return levels can be altered using the associated
controls. It is also possible to replace the Mix
output signal with the 2-track return by pressing “2
TRK TO MIX”. This allows easy playing of pre-show
music at a single button press, without having to
make any alterations to the band’s settings.
Metering
Three 12-segment Peak reading bargraph meters
display L-R mix and C (mono) bus output levels
when the appropriate control room selection is
made. If any input or Auxiliary master is soloed
then the PFL/AFL LED illuminates, and the master
meters show PFL/AFL levels instead.
Matrix Assignment
Any of the four Group masters, Left, Right and C
(mono) buses can be routed to any of the four
matrix outputs via individual rotary controls.
100mm Master Faders
Mix and C (Mono) Output levels are controlled by
custom-built 100mm long throw faders. The Mix
outputs may be routed to the C (Mono) bus should
only a mono PA be required, or an induction loop
need to be fed.
PSU Indicators
A green LED illuminates if the console is powered
up, showing the status of the +/-17v voltage rails.
Integral Power Supply
The console is fitted with a high-efficiency SMPS
design (Switched Mode Power Supply) unit that
makes for cooler operation and lighter weight. The
PSU is capable of accepting a wide range of AC
input voltages without any internal or external
switch changes.
THE GB8 OUTPUTS & MASTER SECTION HAVE THE SAME
FEATURES AS THE GB4, PLUS THE FOLLOWING
PERFORMANCE ENHANCEMENTS.
GROUP SECTION
Group Metering
GB8 has 8 12-segment peak reading bargraph meters which display
Group (or Aux 1-8 in SWAP mode) output levels.
Group/Aux SWAP
GB8 has eight push buttons which swap the functions of Auxiliary 1-8
master rotary controls and Group master faders. NB: The 12-segment
peak reading bargraph meters always display the signal selected to the
Group faders, i.e. Groups in normal operation, or Auxes when used in
SWAP mode.
MASTER SECTION
Rec/Alt Output
GB8 features separate Record and Alternate output sections. Outputs
are provided on impedance balanced 1/4" jacks and unbalanced
-10dBv phono onnectors. They provide a post-fade send from the L-R
mix. The C (mono) bus may be added and/or the mix can be mono
summed. A rotary control governs level and a switchable limiter is
provided.
Talkback Section
GB8 additionally features a 1kHz oscillator with identical routing to the
talkback.
Stereo Returns
GB8 has four stereo returns - provided for use with effects units, or as
simple stereo instrument inputs. The rotary controls govern level. Ste
Ret 1, 2, 3 and 4 can be routed to Groups 1/2, 3/4, 5/6 and 7/8
respectively, or the main L-R mix.
Soundcraft GB8 24 Channel
DBX 266XL DUAL COMPRESSOR GATE
AUDIO TECHNICA MB1K VOCAL MIC
