Soundcraft MFXi12 Mixer
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Soundcraft MFXi Soundcraft's MFXi mixers are compact and ideally equipped for live sound applications including fixed installations, houses of worship and portable PA.
8, 12 and 20 mono input MFXi mixers are empowered by built-in 24-bit Lexicon processing, delivering 32 stunning reverb, delay and chorus effects (see opening page). All MFXi mixers include 2 stereo input channels along with a 2-track record output and a 2-track replay input which allows interval music to be easily played from CD, MP3 or other music source.
For increased versatility, each model in the MFXi range has two subgroups as well as a main stereo mix, making control of groups of channels much easier to manage. These are supplemented by 2 Auxiliary busses which can be used for effects sends or to provide a foldback monitor mix for artists.
The MFXi consoles use vertically mounted PCBs which are secured with nutted pots for extra strength, stability and easy servicing. Well-spaced controls provide easy access at those critical control moments, enhanced by clear legending which highlights linked or associated functions.
Sound quality is assured by Soundcrafts now-legendary GB30 mic preamp and the use of professional condenser microphones is facilitated by the provision of globally switched +48V phantom power. New circuit designs have improved audio quality, and lowered the overall noise floor of the console and FX sections. An integral universal power supply negates the need for an external power module.
Rack ears are included with 12 channel consoles.
- Built-in Lexicon 24-bit effects
- Precision GB30 mic pre-amps
- True, professional +48V phantom power for condenser microphones
- 2 Group busses
- Stereo Mix output
- 8, 12 or 20 mono Mic inputs, all with 2 stereo line inputs
- Up to 28 inputs to mix
- Aux sends, globally switchable pre or post-fade
- FX send
- Universal internal power supply
- Optional rack ears (standard on 12 channel consoles)
The addition of a Kensington lock slot on MFXi/MPMi consoles provides a welcome level of security in installations.
MFXi - MPMi: The Differences
MFXi input channels feature an FX send to the internal Lexicon effects processor, along with 2 Aux sends for use with external processors, or to create a monitor mix. MFXi consoles include an additional stereo return to mix with its own level control.
With no internal Lexicon effects, MPMi input channels replace the FX send with a third Aux send for operators preferring to use external effects.
8 12 20
Mono Input Module
A gold-plated balanced female XLR connector accepts balanced or unbalanced mic signals. At -127dbu EIN the mic amp is extremely quiet and transparent with excellent overload characteristics.
A balanced 1/4" jack for connecting balanced or unbalanced electronic instruments, such as keyboards.
Used for patching in compressors or additional EQ or for other signal processors. It can also be used for recording to multi-track recorders if necessary.
A rotary gain control on each input alters the gain of the input signal, from +5 to +60dB (Line Inputs have -15dB attenuation). Linear circuitry within the preamp delivers smooth gain control over the entire gain range.
Equalisation is split into three bands. The shelving HF control provides 15dB of cut or boost (gain adjustment) for frequencies above 12kHz. A swept mid frequency control enables frequencies from 150Hz to 3.5kHz to be adjusted with up to 15dB of cut or boost at the selected frequency. Signals below 80Hz can be adjusted with the LF control, which features 15dB of gain adjustment (cut or boost).
Two (MFXi) or three (MPMi) Aux sends for sending separate monitor mixes in live applications, or for use with external effects. In the Master Section, each Aux bus has its own master level control and AFL. Aux 1 is fixed pre-fade, Aux 2 is switchable pre or post-fade, and Aux 3 (FX on MFXi) is set post-fade.
For sending signal to the internal 24-bit Lexicon effects.
Pan, Muting, PFL and Routing
The Pan control positions each channel's signal across the stereo image, with an illuminated Mute switch to cut the signal completely. A PFL button solos the signal for monitoring. The mono channels can be routed to either the main Mix outputs or the Sub Groups via the Mix/Grp switch.
Faders and Metering
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