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SOUNDCRAFT E-12 DetailsSonic integrity through designThe emphasis with the Spirit E Series is very firmly on quality audio performance, with an easy to understand control surface uncluttered by unnecessary facilities. Mic and line inputs are provided on balanced XLR and 1/4" jack connectors for optimum performance, with the main stereo outputs on balanced XLRs for better integration with other professional equipment. There are also insert points on every mono channel and the mix outputs for external signal processing. Catering for today’s stereo environment With so many stereo sources needing simultaneous connection and mixing, we’ve given you a mixer that can cope. The ES model has ten full-function stereo inputs with 3 band EQ as well as four mono mic/line inputs, so you’ll have all the inputs you need without constant re-patching. You’ll also be able to plug in record turntables so you can include DJ production in your mix. Rack mounting options Through additional rack ears, the E Series can be quickly transformed into a rack-mounted desk suitable for use on the road or in custom furniture. All four mixers in the range occupy just 9U of standard rack space. Comprehensive monitoring control Because levels are constantly changing throughout the signal path – from the preamp stage, through filtering and EQ – the Spirit E Series provides peak LEDs on all input channels. These monitoring LEDs are fed from multiple points in the circuit path to ensure nothing gets overlooked. The main stereo mix has two 10-segment LED meters, with a SOLO indicator to show whether any solo channels or aux masters are being monitored. With all this information instantly available, efficient control is easy to maintain. They also employ proportional illumination to show signal levels when approaching
peaks. This feature allows you to maximise the quality of any signal by utilising
all of the available headroom. TECHNICAL SPECS: Mic Input A balanced female XLR connector accepts balanced or unbalanced mic signals. At -128dbu EIN the mic amp is extremely quiet and transparent. Line Input A balanced 1/4" jack for connecting balanced or unbalanced electronic instruments, such as keyboards. Insert Used for patching in compressors or additional EQ or for other signal processors. It can also be used for recording to multitrack recorders if necessary. Gain A rotary gain control on each input alters the gain of the input signal, from +5 to +60dB. Linear circuitry within the preamp delivers smooth gain control over the entire gain range. EQ Section Equalisation is split into three bands. The HF control provides 15dB of cut or boost (gain adjustment) for frequencies above 12kHz. Two swept mid frequency controls enable frequencies from 140Hz to 3kHz to be adjusted, offering 15dB of cut or boost at the selected frequency. Signals below 80Hz can be adjusted with the LF control, which features ±15dB of gain adjustment (cut or boost). Auxiliary Section For sending separate monitor mixes in live applications or for use with FX units, two aux sends on each input channel cater for all requirements. Each Aux bus can be globally switched to be pre or post fade on the master section. Pan, Muting, and SOLO The pan control positions each channel’s signal across the stereo image, with a mute button to cut the signal completely. A SOLO button solos the signal for monitoring. Faders and Metering Each mono channel features a smooth 100mm fader, and a peak level LED indicating
signal levels in excess of +17dBu. Input Connectors The stereo inputs are connected via balanced 1/4" jack inputs delivering optimum performance with other professional audio equipment. EQ Section Equalisation on the stereo channel strip is simpler than the EQ featured on the mono channels. There are two controls, adjusting HF signals at 12kHz and LF signals at 80Hz by ±15dB. Auxiliary Section With 2 aux sends on the stereo input channels, the signal can be sent pre-fade or post-fade according to master selection, for use in a monitor mix or for effects processing. Bal, Muting, and PFL The balance control adjusts the amount of the signal sent to the left and right busses. Mute and SOLO buttons operate as on the mono input channels, cutting or soloing the stereo channel. With SOLO pressed, the prefade signal is fed to the headphones, control room output and meters. Faders and Metering Each stereo channel features a smooth 100mm fader, and a peak level LED indicating signal levels in excess of +17dBu. STEREO INPUT (ES Model) The full-function stereo input on the ES has the same line input gain, auxiliary and fader controls as the standard E Series stereo input, but has an enhanced connectivity set and EQ section. ES Stereo Input Connections Each stereo input has a balanced 1/4" jack for connecting line level balanced or unbalanced electronic instruments, such as keyboards. Stereo inputs 1-2 also feature RIAA-equalised inputs on RCA Phono connectors for turntable inputs. Stereo inputs 3-6 also have parallel unbalanced RCA Phono inputs for line level signals. EQ Section Equalisation is split into three bands. The HF control provides 15dB of cut
or boost (gain adjustment) for frequencies above 12kHz. A Mid control offers
15dB of cut or boost at a frequency of 600Hz. Signals below 80Hz can be adjusted
with the LF control, which features ±15dB of gain adjustment (cut or
boost). Phantom Power Global control over phantom power is offered via a push button. When active, an LED will illuminate. 2-Track Inputs and Outputs 2-track recorder playback inputs and record sends are on unbalanced RCA phonos. MONITOR PLAYBACK routes the playback signal to your monitoring or to the headphones, replacing any existing monitoring signals. PLAYBACK TO MIX routes the playback signal directly to the main mix, replacing any signal that may be present. Monitor Output and Mix Insert Available on balanced 1/4" jacks. Mix Outputs and Mono Sum The main left and right mix outputs are provided on balanced XLR connectors. Playback Level The playback gain control adjusts the level from the 2-track playback inputs. Monitor & Phones Level Levels sent to the monitor output and headphones can be adjusted using these two rotary controls. And when a pair of headphones are plugged into the phones socket at the bottom right of the mixer, the monitor outputs are still operational for simultaneous listening by a performer and engineer. Faders and Metering Controlling the overall stereo mix level are two 100mm faders, with two 10-segment
3-colour LED peak-reading bargraph meters monitoring the mix right and mix left
outputs. These meters normally follow the current monitor selection, so if any
PFL or AFL is pressed, the meters will switch to monitor this and the Solo AFL/PFL
LED will light.
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SOUNDCRAFT E12 12 CH MIXER
