Roland is proud to announce the new flagship V-Synth GT Synthesizer. The Roland team once again pushes the envelope with an instrument that combines the V-Synth's famous Elastic Audio Synthesis engine with revolutionary Articulative Phrase Synthesis technology and never-before-heard sounds in a rugged, road-ready chassis. The new V-Synth GT's expression and realism is second to none and is soon to become the de facto standard for discerning synth players everywhere.
By integrating a new dual core V-Synth engine, the V-Synth GT can combine Elastic Audio Synthesis, Vocal Designer Technology and AP Synthesis in real time. Roland's proprietary VariPhrase technology is also integrated into the V-Synth GT. Together with its analog-modeling engine, External Audio input, and digital sampling architecture, the V-Synth GT provides an incredibly wide and colorful foundation on which to capture, manipulate and create sounds.
The V-Synth GT is the first synthesizer in the world equipped with AP (Articulative Phrase) Synthesis. This revolutionary form of modeling creates the ever-changing behavior, nuance, and sound of an instrument as it's being played. AP Synthesis can utilize both acoustic and synth waves to create stunningly expressive results, and can be applied for realistic acoustic instrument simulation, as well as new sounds never heard before.
Multi Forms of Advanced Synthesis
By integrating a new dual core V-Synth engine, the V-Synth GT can combine Elastic Audio Synthesis, Vocal Designer technology, and AP-SYNTHESIS in real time. Roland's proprietary VariPhrase technology is also integrated into the V-Synth GT. Together with its analog-modeling engine, External Audio input, and digital sampling architecture, the V-Synth GT provides an incredibly wide and colorful foundation on which to capture, manipulate, and create sounds.
AP-SYNTHESIS
The V-Synth GT is the first synthesizer in the world equipped with AP (Articulative Phrase) SYNTHESIS. This revolutionary form of modeling recreates the ever-changing behavior, nuance, and sound of an instrument as it’s being played. The results are stunningly expressive and realistic, and can be applied to acoustic instrument simulation as well as new, never-before-heard sounds.
Speed Programming
Serious sound designers will love the complexity and editing depth the V-Synth GT, but there are many instances where musicians need fresh sounds fast — and that’s the beauty of Sound Shaper II. Based on the original Sound Shaper, this enhanced mode lets you chose a sound type, then it brings the most relevant parameters directly to the surface. You’ll be creating new sounds in seconds!
Futuristic Design
The V-Synth GT is a top-of-the-line instrument. No corners were cut in creating its futuristic yet friendly layout and design. New front-panel features include a color touch-screen with eight universal control knobs, and the addition of dedicated buttons and sliders to make access faster and easier. From top to bottom, front to back, this is an instrument that says “first class”.
Oscillator (envelope x 4 + LFO x 1) x 2, Modulator x 1, COSM (envelope x 2 + LFO x 1) x 2, TVA (envelope x 1 + LFO x 1) x 1, Multi Step Modulator x 1, Tone-FX x 1, AP-Synthesis (Articulative Phrase Synthesis) x 1 (*), Vocal Designer x 1 (*): * Usable on either upper or lower (not both)
Carrier: Oscillator x 2, Modulator x 1, COSM x 2, TVA x 1, Multi Step Modulator x 1, Vocoder: 4 types (Stereo, Mono, Vintage, Enhance), Formant: 7 types (Maximum)
Zones
Upper Tone: 16, Lower Tone: 16
Arpeggiator
Patterns: User programmable (supports use of control change messages), Motifs: 8 types, Tempo: 20--250 BPM
MIDI Parts
1
Maximum Polyphony
28 voices (varies according to the sound generator load)
320 x 240 dots backlit TFT full color touch screen
Controllers
Pitch Bend/Modulation Lever, Time Trip Pad, D Beam Controller (Twin Beam), Assignable Control Knobs (C1, C2), Assignable Switches (S1, S2), V-LINK Button
Connectors
Headphone Jack (Stereo 1/4 inch phone type), Main Output Jacks (L/MONO, R) (1/4 inch TRS phone type), Direct Output Jacks (L, R) (1/4 inch phone type), Input Jacks (L, R) (1/4 inch phone type), Mic Jack (1/4 inch phone type/XLR type, phantom power), Hold Pedal Jack, Control Pedal Jacks (1, 2), MIDI Connectors (IN, OUT, THRU), USB Connectors: COMPUTER (supports USB 2.0 file transfer, USB 1.1 USB MIDI, and USB Audio) MEMORY (supports USB 2.0 Flash Memory), Digital Audio Interface (24-bit, IEC60958): COAXIAL (IN, OUT) OPTICAL (IN, OUT), AC Inlet
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Keyboard Stand: KS-12, Pedal Switch: DP series, Footswitch: BOSS FS-5U, Expression Pedal: EV-5, USB Memory: M-UF128, Microphone: DR series
Size and Weight
V-Synth GT USB Driver Version 1.00 (MAC)
This is the latest driver for connecting the Roland V-Synth GT to a Macintosh computer running OS X.
V-Synth GT USB Driver Version 1.00 (PC)
This is the latest driver for connecting the Roland V-Synth GT to Microsoft(R) Windows Vista and XP.
V-Synth GT Librarian (Mac)
This program is an application that lets you manage the projects, patches, tones, and waves in the V-Synth GT's internal memory or USB memory by loading them into your computer, and rearranging and saving libraries of this data.
V-Synth GT Librarian for (PC)
This program is an application that lets you manage the projects, patches, tones, and waves in the V-Synth GT's internal memory or USB memory by loading them into your computer, and rearranging and saving libraries of this data.
How To Choose / Useful Information for Pro Keyboards
Click a question to see the answer.
Why a Pro Workstation keyboard vs.a Portable/Electronic/Arranger keyboard vs. a Synthesizer?
Pro keyboards have a multitude of other features like audio recording,
editing the sound to the most elemental part of the sound, a 16+ track sequencer
with detailed editing, a lot of synth sounds, they will run 4 to 18 simultaneous
higher quality effects like reverb, … and have no arranging or styles other than possibly
arpeggiators or drum patterns, . . A fully orchestrated sound/song can be accomplished
with a pro keyboard but it assumes you want to create each part or instrument sound in
a song much more closely (from scratch) than a portable ++
Portable/arranger type keyboards are more for fast songwriting,
for backing tracks when you play or for one person band with drum patterns,
bass, and other sounds with the accompaniment having different song style genres
(blues, swing, rock,...) with different patterns for the verse, chorus,...
of the song. The song styles and performances are very educational as well for
learning genres that you may be unfamiliar with. You can have many instruments
follow what your left hand plays in real time and chord recognition for
fast performing,
portables have more meat and potato sounds and fewer synthesizer sounds
Synthesizers- typically do not have workstation features
like sequencing, recording audio, having all types of sounds, . . .
but rather focus on doing a few or sounds extremely well which usually
are not acoustic or real world instruments but 'other worldly' sounds
with many ways to manipulate the sound.
What affects the price you will pay and what should you look for?
The level of realism and selection of the sounds-
each keyboard typically does some sounds better than others so decide
which main sounds are important to you and play each model (or listen to sound files)
you are interested in to find the one that sounds best to you. Does it have all the
sounds you are looking for to make a completed song?
Ease of use- hardware knobs, buttons,... amount and location and logically placed
Display size- touchscreen, color, icon based, easy to read, backlighting not too dark,...
Sequencer- depth of editing features, ease of use as you could spend most of your time here, linear recording only or pattern based recording as well, ...
Quality and number of effects- reverb, EQ per part, compressors, master FX, number of part insert FX, master/global FX, does it have enough DSP to finish a 16 track song without needing external processing
Audio recording/sampling -2 to 8 tracks or more- how easy is it to actually record and playback, does it have enough recording memory/time- re: roughly 10 meg a stereo minute, how is the recording backed up,..
Drums- does it have ‘easy to chain’ patterns or is the arpegiator easy to use, does it have pads on top of keyboard or none at all,...
The number of simultaneous notes the keyboard will play (polyphony)- important if you write denser arrangements or use instruments that use a lot of polyphony (piano,...)
Control computer software via hardware sliders, knobs,...
Computer control the keyboard with editor/librarian- as VST plug-in,
standalone, 100% editing, the visuals on a big
computer screen can shorten the learning curve (much more intuitive)
Operating system- is it intuitive or obtuse, ...
Maximum RAM memory- will determine possibly how much recording time is available
or how much room you will have for adding external samples/sounds
Connectors- # of audio outputs, balanced or unbalanced input,
data storage- memory card, jump drive, USB to computer connection
Please notice that almost every keyboard on our site has a sound file
you can play on your computer to hear for yourself.
What about speakers?
For home or studio use we prefer powered studio monitors
for the best audio quality without spending a lot and keep
the sound in stereo (versus a mono keyboard amp) which is much better with full orchestrations,...
All have headphone jacks if you prefer not to be heard.
For stage, keyboard amplifiers come in all sizes depending on the size of the venue
What accessories should I consider?
Stand- stabds come in many shapes and styles- X style, Z style, ...
Bench- consider a more sturdy 4 leg bench if you do not need portability,
X style if you do -- the wider the better.
Headphones- full size will be more comfortable and quieter
and may offer better quality audio
Pedals- most come with a sustain pedal, some have jacks for more control
- volume, expression, etc.
Bag or case- we recommend the manufacturer bags and cases first,
then Gator Cases and bags. Do you need wheels? Will only you be carrying it? Will it be on planes? (should have ATA rating)
Jump drive/Storage card for audio, midi ...
Computer interface if no USB connection- need multi-port midi,
how many channels of audio ...
Dust cover
Glossary
What is a Style?
combination of sounds like drums, bass and keys with rhythms and chord progressions
in a certain genre (rock, big band, jazz,…) which create backing tracks that you can play a lead part over
What are Song Sections?
these are divisions of a song that portable arranger keyboards identify as an intro, verses, choruses,
bridge, fills, outro,… with performed by musicians that reflect the mood/feeling of each of those sections that enable
faster song arranging
What is MIDI?
an
interface to connect a keyboard to the computer like USB port for printers. It
sends note and other data from the keyboard to the computer or vice versa.
Basically says play this note at this time at this volume level- it is not an
actual audio recording. It also makes it possible for one keyboard to play
another keyboard.
What is polyphony?
the number of
simultaneous notes that can be played, though if it’s a stereo sample/recording
each note can use 2 notes at once. Its important for anyone who plays a lot of
notes at the same time and holds down the sustain pedal. The earliest notes
played will cut out when the limit is exceeded. This can happen with pianos
with 32 note polyphony especially.
What is a sequencer?
a
recorder with 1 to 16 tracks usually so that multiple instruments can be played
back for fully orchestrated songs and can have elaborate editing capability.
Typically digital pianos have only 1 or 2 tracks for playing back a piano
performance and archiving another. These can be downloaded to the computer with
a midi interface
What is sampling/samples?
a short audio
recording of a note. For more realistic sound, digital pianos can be recorded
at different velocities so that when you strike a note harder, the timbre
changes for better realism
What are effects?
to modify and
enhance the sounds in the keyboard including non- piano sounds. e.g. - reverb
will put the piano in a small room or up to a large concert hall.
Don’t see the answer to your question?
Call us toll-free at 1 877 778 7845 and speak to our piano experts
Warranty Information:
Tech Support 323.890.3700 (1 year parts and 90 days
labor / 3 years on amplifiers)
Roland Website PLEASE NOTE: We
cannot ship Roland products outside the U.S. and its territories.
Other views of ROLAND VSYNTHGT (Click to enlarge):
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Telephone: 1-877-778-7845
Toll Free or 561-842-7451
Fax:
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