MACKIE 808S Details
The PPM Series 808S features:
1200 real watts/
2 ohms from twin 600-watt FR Series High-Current power amps
Power amps
switchable as stereo mains or main plus monitor
8 mic/line channels with master phantom power
Stereo line inputs on channels 7 and 8
inserts on channels 1-6
Active
3-band EQ and stereo pan control on each channel
True stereo 9-band graphic EQ on mains
9-band graphic EQ on monitor
All PPM Series Powered Mixers feature:
Rugged
injection-molded chassis resists impacts that would destroy a rat-fur-covered wood box powered mixer. Built-in handle can be used by folks who don't have the foggiest idea of what injection molding is.
A real Mackie
mic/line mixer section! Based on our world-famous MicroSeries 1202-VLZ and enhanced with new mic preamps and about a gazillion ingenious extra features.
Rugged
, sealed rotary controls resist dust, moisture and other contamination.
Expensive, studio-grade, 9-band program equalizers for mains and monitor that utilize multiple summing amplifiers and precision infinite feedback band-pass filters, which yield superior linear-phase and combining properties. What this means is our graphic EQs are exceptionally low-noise, low-distortion, sound great, and don't suffer from any nasty phase-shift problems.
Level-setting control & LED on every PPM mixer channel-makes setting input levels a snap.
Mil-spec fiberglass circuit boards (instead of cheap phenolic) resist physical impact.
Amp routing switch assigns power amps to mains or mains + monitors.
Hefty 10,000µf storage capacitors for high peak power reserves.
Massive
toroid transformer for high current output.
Mega-cool
die-cast heat sink. 1-piece die-cast heat sink is custom-cast for maximum heat dissipation and minimum car upholstery destruction. Black coating improves efficiency by 15%. Running Man figure improves coolness-factor by 150%.
808S Technical Specifications
Mixer Section
Frequency Response
Mic Input to Main Mixer Output (Trim at 0 dB):
+0, –1 dB, 32 Hz to 20 kHz
+0, –3 dB, 16 Hz to 80 kHz
Mic Input to Power Amp Output @ rated power output:
+0, –1 dB, 32 Hz to 20 kHz
+0, –3 dB, 16 Hz to 55 kHz
Distortion
THD and SMPTE IMD; 20 Hz to 20 kHz
Mic Input to Main Mixer Output:
< 0.005% @ +4 dBu output
Mic Input to Power Amp Output:
< 0.15%, 250 mW to rated power
Common Mode Rejection Ration (CMRR)
60 dB @ 1 kHz, Trim @ 0 dB
Noise
20 Hz to 20 kHz BW (150 Ω source impedance)
Equivalent Input Noise (EIN): –127 dBu
Residual Output Noise:
Main Mixer, Monitor, & Effects outputs
Channel & Master levels off –95 dBu
Main Mixer Output Noise:
Master @ nominal (–10 dB), all channels off –92 dBu
Master & 1 input channel @ nominal
(–10 dB & –20 dB), Trim @ 0 dB –85 dBu
Crosstalk
Adjacent Inputs or Input to Output: –90 dB @ 1 kHz
Fader Off –90 dB @ 1 kHz
Break Switch Mute –80 dB @ 1 kHz
Input Level Trim Control Range
0 to –40 dB
Phantom Power
+15 Vdc
Equalization
Rumble Reduction: 75 Hz, –18 dB/octave
Channel EQ:
High ±15 dB @ 12 kHz
Mid ±12 dB @ 2.5 kHz
Low ±15 dB @ 80 Hz
Graphic EQ (9 bands):
Q = 1.414, ISO octave centers
±15 dB @ 63, 125, 250, 500 1 k, 2 k, 4 k, 8 k, 16 kHz
Main Mixer Section Rated Output
Main Mixer, Monitor, & Effects: +4 dBu
Maximum Main Mixer Section Output: +20 dBu
Maximum Input Levels
Mic Input: –20 dBu, Trim @ 0 dB (HI)
+20 dBu, Trim @ 40 dB (LOW)
Line Input: 0 dBu, Trim @ 0 dB (HI)
+40 dBu, Trim @ 40 dB (LOW)
Insert Input: +20 dBu
Stereo Line Input: +20 dBu
Tape Input: +20 dBu
Effects Return: +20 dBu
Power Amp In: +22 dBu
Input Sensitivity
Minimum Input Level to produce +4 dBu @ Main
Mixer Output
Mic Input: –68 dBu
Insert Input: –28 dBu
Line Input: –48 dBu
Stereo Line Input: –28 dBu
Tape Input: –18 dBu
Effects Return: –18 dBu
Maximum Voltage Gain
Mic Input to
Insert Output: 40 dB
Tape Output: 60 dB
Main Mixer Output: 72 dB
Line Input to
Insert Output: 20 dB
Tape Output: 20 dB
Main Mixer Output: 52 dB
Stereo Line Input to
Tape Output: 20 dB
Main Mixer Output: 32 dB
Tape Input to
Tape Output: 10 dB
Main Mixer Output: 22 dB
Effects Return to
Main Mixer Output: 22 dB
Monitor Output: 22 dB
Input Impedance
Mic Input: 3 kΩ, balanced
Insert Input: 10 kΩ, unbalanced
Line Input: 40 kΩ, balanced
Stereo Line Input: 10 kΩ, unbalanced
Tape Input: 10 kΩ, unbalanced
Effect Return: 10 kΩ, unbalanced
Power Amp In: 10 kΩ, unbalanced
Output Impedance
Main Mixer Output: 150 Ω
Insert Output: 150 Ω
Tape Output: 150 Ω
Monitor Output: 150 Ω
Effects Send: 150 Ω
Power Amp Out: 0.032 Ω @ 1 kHz
Digital Effects
Resolution: 16-bit, 2-channel
Sample Rate: 31.25 kHz
Bandwidth: 15.6 kHz
VU Meters
Main and Monitor
8 segments: Clip, +5, 0, –5, –10, –15, –20, –30
Power Amplifier Section
Maximum Power at 1% THD, midband,
both channels driven
600 watts per channel into 2 Ω
450 watts per channel into 4 Ω
300 watts per channel into 8 Ω
Continuous Sine Wave Average Output Power, both
channels driven (rated power)
340 watts per channel into 4 Ω from 40 Hz to 20 kHz, with no
more than 0.15% THD
240 watts per channel into 8 Ω from 40 Hz to 20 kHz, with no
more than 0.10% THD
Power Bandwidth
< 10 Hz to 30 kHz (+0, –1 dB) @ rated power into 4 Ω
Frequency Response
< 10 Hz to 30 kHz (+0, –1 dB)
< 10 Hz to 55 kHz (+0, –3 dB)
Distortion
THD, SMPTE IMD: < 0.10% @ 8 Ω
< 0.15% @ 4 Ω
Signal-to-Noise Ratio
> 105 dB below rated power into 8 Ω
Channel Separation
> 75 dB @ 1 kHz
Damping Factor
> 250 @ 1 kHz
Amp Input Impedance
10 kΩ unbalanced, 20 kΩ balanced
Input Sensitivity
1.76 volts (+7.1 dBu) for rated power into 4 ohms
Gain (Amp In to Speaker Out)
26.4 dB (21 V/V)
Maximum Input Level
9.75 volts (+22 dBu)
Rise Time
< 6.2 µs
Slew Rate
> 50 V/µs
High Frequency Overload and Latching:
No latch up at any frequency or level.
High Frequency Stability:
Unconditionally stable, driving any reactive or
capacitive load
Turn On Delay:
3 seconds
AC Power Requirements
United States: 120 Vac, 60 Hz
Europe: 240 Vac, 50 Hz
Japan: 100 Vac, 50/60 Hz
Korea: 220 Vac, 60 Hz
(Capable of operation from 75% to 110% of rated line
voltage)
Physical
Height: 11.7 inches (297 mm)
Width: 20.5 inches (521 mm)
Overall Depth: 13.0 inches (330 mm)
Weight: 36 pounds (16.3 kg)
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