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Mackie DigitalXBus DXB200 Digital Mixer

Mackie DigitalXBus DXB200 Digital Mixer  at MusiciansBuy!
DXB200

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MACKIE DXB200 Details

same model Reviewed in Mix magazine February 2005

Click here for more info on TI/Burr-Brown digitally controlled mic preamp

OVERVIEW

  • Dual touchscreen user interface with hardware faders,.. lining up with their software channel counterparts for the ultimate in intuitive usability- a manual is not required to start mixing! Touch EQ on channel 9 and the display pops up to use your finger to cut or boost EQ by any band, adjust compressor settings,… Pull up a display to see the back of the mixer to see all cards installed and i/o! Mouse control.

  • 64 channels with DSP at 96kHZ, 8 groups, 8 busses routable to any channel or output, 12 auxes, recallable mic preamp level

  • Reverb and delay effects included, 4-band parametric EQ and compressor/limiter/gate/expander on every channel; compatible with VST plug-in’s- runs select plug-in’s internal

  • Optional Firewire cards for direct connection to computers or multi-tracks for recording

  • Dual USB ports; 100 Base-T Ethernet for very fast transfers; LTC, MTC, MMC and Word Clock sync

  • Full automation with 100mm Penny and Giles motorized faders

  • Sets a new standard for speed of mixing and ease of use for a digital mixer in this price range

  • Includes (1) UAD-1 Powered Plug-In Card


Click here for a 3rd party custom console information for this mixer

COMPUTER, MEET CONSOLE.

It was inevitable, really. Thanks to their ever-advancing horsepower and convenience, computers have become central to modern audio production. Yet no affordable mixing console to date has been designed to integrate seamlessly with today’s varied audio and music production techniques—analog, digital or hybrid. So after more than two years of intense research and development at Mackie and SaneWave, we proudly introduce the digital desk of the future: the Mackie Digital X Bus High-Definition Digital Production Console.

A DIGITAL DESK WITHOUT COMPROMISE.

Developed to bring you features currently unmatched by digital consoles costing tens of thousands of dollars more, the X.200 and X.400 offer an upgradeable 192kHz-capable mix engine; dual 15" touch screens; 100mm Penny + Giles optical touch faders; onboard control of a variety of DAWs, including Pro Tools, Logic, and Nuendo; VST™ plug-in support; and streaming digital audio between the Digital X Bus and your Mac or PC via FireWire. Not to mention a full rear-panel card cage so you can configure the Digital X Bus’s I/O to suit your studio’s exact needs, now and in the future.

The Digital X Bus platform is available in two models—the X.200 and X.400—which share the basic feature set listed at right. For more on the differences between the two consoles, click here.

OH, BEAUTIFUL INTERFACE.

Because all the advanced technology in the world is useless if you can’t get to it quickly, we gave the Digital X Bus dual 15” touch screens—a first in this class of console. These touch screens put all major features and functions at your fingertips as “virtual” controls, with big, button-style graphics and a bare minimum of hierarchy (watch the demo). With advanced 5-wire technology and a proprietary tracking algorithm, the touch screens deliver incredibly accurate response. And they’re built tough too, with an operating life that’s rated at over 35 million finger pokes.

Of course, for fast adjustments, there are 24 rotary encoders (er, knobs), corresponding to the graphics on the screens directly above. And commonly used features such as mute, solo, pan, faders, and switches remain in hardware, just the way your fingers like. There’s also built-in USB ports so you can use your favorite mouse or PC keyboard, a smooth weighted jog wheel, and rock-solid transport buttons. This multi-control approach lowers the learning curve to the point that most users can start working from the moment the Digital X Bus boots—without the need for manual digging.


OPEN ARCHITECTURE & FULLY CONFIGURABLE I/O

The Digital X Bus’s “modular” hardware architecture provides access to internal components simply by removing the rear panel of the chassis. And the Digital X Bus's full rear-panel card cage allows you to configure the console's I/O exactly as you see fit, without having to pay for I/O connections you'll never use. So, as the need arises, you can opt to add more RAM, swap or add I/O cards, and basically customize the mixer to your individual tracking and mixing applications. Importantly, the Digital X Bus platform allows all sample-rate related components to be upgraded, so you wont be left behind if or when new audio standards emerge.

For more on the Digital X Bus's open architecture and available I/O Option cards, click here.

STREAMING FIREWIRE I/O

It’s the 21st Century, so we felt it was time for a console that could work seamlessly with FireWire-equipped Macs and PCs. When equipped with the optional FireWire card, the Digital X Bus can stream digital audio between any Mac OSX Core Audio or Windows XP and ASIO compatible DAW software. FireWire has the bandwidth to allow recording/playback of audio, effect send/returns, MIDI and control surface data streaming through a single connection, and the Digital X Bus supports the use of multiple FireWire cards simultaneously. So you can load up your laptop with the latest plug ins, for example, and stream away. See all supported DAW's.

VST PLUG-IN SUPPORT

Speaking of plug-ins, with the Digital X Bus’s extensive processing power, it is also the first digital console able to run select VST plug-ins internally. Currently, the Digital X Bus supports popular plug-ins from both Waves and Universal Audio (via the UAD-1 DSP card, included in the X.400 model). Better still, all plug-in windows are displayed right on the Digital X Bus’s built-in screens, just as they would be on your PC.

UNDER THE HOOD

When it came to the Digital X Bus’s internal processing, we rewrote the book—developing a proprietary architecture with the largest-capacity, highest-performance PCI-based Accelerator Card ever created for the pro audio market. This Accelerator Card employs a Field Programmable Gate Array (FPGA) chip to handle the conversion of integer to floating-point math. In simple terms, this means the Accelerator Card does the hard work so the Digital X Bus’s processor is free to handle the toughest of mixing applications while simultaneously running VST plug-ins. It also provides for extremely low total system latency from analog input to analog output.

• Professional digital production console with selectable operation up to 192kHz
• Dual 15 touch-screen graphic user interfaces plus mouse control
• Fully conifgure the I/O thanks to open architechture & I/O option cards
• Firewire I/O option for streaming audio to/from desktop or laptop computers
• Twenty-five 100mm Penny + Giles motorized optical touch-sensitive faders
• Full channel processing package including pre and post DSP inserts, parametric EQ and dynamics section
• Mackie Control Universal Layer with built-in control for Pro Tools, Logic, Nuendo, etc. See all
• Support for select VST plug-ins, including the use of the Universal Audio UAD-1 Card
• Full surround mixing and monitoring capabilities
• Floating insert points for accessing external processing equipment from any channel, aux, or bus
• Tape-style transport with memory location recall and weighted Jog/Shuttle wheel
• Comprehensive automation system with event editing and dynamic/scene automation
• LTC (SMPTE), MTC, MMC, and Word Clock sync
• Various metering options, including VU meter, full size meter bridge, and scalable metering ranges
• Full Control Room section including dual Phones, Talkback, Surround Level control and calibration to reference level
• Multiple USB 2.0 ports for connecting CD ROM drives, Flash drives, keyboard/mouse, or other add-ons
• Internal white & pink noise and variable tone generator with spectrum analyzer display

Introducing the dXb.

What should the digital desk of the future look like? What should it do? What could it do? Here at Mackie, we asked ourselves these questions and set out to design the DXB Digital Production Console. The result is not only the most powerful and versatile digital console in its class; it’s a console that delivers features previously found at more than five times its price.

SEE.
What’s most obvious about the Mackie DXB is its dual touch-screens. These screens are really the heart of the mixer and its main interface. They display all the things you’d expect from a top-of-the-line digital desk, like levels, routing, dynamics processing, surround panning and effects. But what’s not evident until you use the dXb is how well they do so. It’s the “little” things, like transparent windows, incredibly elegant yet intuitive graphics, and immense flexibility that really sets this console interface apart.


TOUCH.

Everything about the dXb—from its touchscreen user interface to its 100mm Penny + Giles optical faders—has been designed for the precise response and intuitive operation more commonly associated with analog buttons and switches, not “virtual” ones. So this may be the first digital desk that doesn’t require an owner’s manual to use (we still include one, mind you). Everything works just as you’d expect, with no function that isn’t completely natural and logical as you get to work. And both the touchscreens and the mouse can be used simultaneously, so you can use the control that works best for the task at hand.

BELIEVE.
What’s so different about the dXb? Plenty. Like selectable 192k operation. Streaming audio via FireWire I/O cards. The ability to route any input to any output. Dynamics and EQ processing on every channel. Powerful surround mixing. The ability to run select VST plug-ins internally. A full card cage on the rear panel for massive expandability. Integrated Mackie Control Universal mode for seamless control of Pro Tools, Logic and many other DAW applications. And that’s just scratching the surface. We designed the dXb to not only meet your needs now, but for years into the future.

Mackie DXB FEATURES

  • 96k/192k high-definition digital production console with configurable I/O card cage

  • Optional FireWire I/O cards for streaming audio to/from desktop or laptop computers

  • Dual touchscreen graphic user interfaces plus mouse control

  • 25 touch-sensitive 100mm Penny + Giles motorized faders

  • Full dynamics and parametric EQ on every channel, input and output

  • 12 Aux Sends, Pre or Post Fader

  • 2 additional DSP Insert points per channel

  • Runs select VST plug-ins internally

  • Full surround mixing and monitoring capabilities

  • Recallable mic preamp level

  • Tape-style transport with locators

  • Weighted Jog/Shuttle wheel

  • Comprehensive automation system with event editing and dynamic/scene automation

  • Complete Control Room section with selectable monitoring, talkback and phones

  • LTC, MTC, MMC and Word Clock sync

  • 96k support for TDIF, ADAT optical, AES/EBU and analog

  • Dual USB ports for connecting flash drives, wireless mouse, etc.

  • Mackie Control Universal mode for control of Pro Tools, Logic and many other DAW applications

  • 100 Base-T Ethernet for networking and updates

    SPECIFIC FEATURES:

  • 72x72 Channel I/O Matrix

  • 64 Channels with DSP at 96kHz (32 Channels at 192kHz)

  • Channel DSP includes Compressor/Limiter, Gate/Expander, and 4-Band Parametric EQ

  • 8 Mix/Surround Busses, routable to Main Mix, Channels, or Outputs

  • 8 Virtual Groups (VCA-Style) as well as Channel Linking

  • Built-in Stereo Reverb and Delay effects

  • Compatible with VST Plug-ins

  • Full Automation Capabilities

  • Includes (1) UAD-1 Powered Plug-In Card



  • Dual touchscreen user interface with hardware faders,.. lining up with their software channel counterparts for the ultimate in intuitive usability- a manual is not required to start mixing! Touch EQ on channel 9 and the display pops up to use your finger to cut or boost EQ by any band, adjust compressor settings,… Pull up a display to see the back of the mixer to see all cards installed and i/o! Mouse control. - 64 channels with DSP at 96kHZ, 8 groups, 8 busses routable to any channel or output, 12 auxes, recallable mic preamp level - Reverb and delay effects included, 4-band parametric EQ and compressor/limiter/gate/expander on every channel; compatible with VST plug-in’s- runs select plug-in’s internally - Optional Firewire cards for direct connection to computers or multi-tracks for recording - Dual USB ports; 100 Base-T Ethernet for very fast transfers; LTC, MTC, MMC and Word Clock sync - Full automation with 100mm Penny and Giles motorized faders - Sets a new standard for speed of mixing and ease of use for a digital mixer in this price range.

    Call us for special offers with this unit!


    Check here for Warranty Info Other MACKIE products.

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