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Up to 56 channels
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96 moving faders
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50 dynamic channels
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Optional 3rd-Party plug-in FX
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50 dynamic channels
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4-band EQ with filters
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TC Electronic, Massenburg, Drawmer & Antares plug-ins now available
Whats new with 3.0?
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Third-party plug-ins via the Mackie UFX card
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Enhanced dynamics
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Input keying and EQ filter
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Soft knee compression toggle
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Linear and exponentional option
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48-channel overview screen
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200 levels of undo - 24-bit Alt I/O
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Advanced Mix Editor features including
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New view-sizing arrows
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Auto-loop SMPTE time code boxes
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Contextual right mouse click for track parameters and time bars
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Event Automation Track
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Enhanced Surround Sound mixing environment with
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Depth of Center Control
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Surround LFE Gain Control for each channel
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Surround-corrected bus/track assignment
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Surround Front-to-Rear Pan Control via control surface or MIDI
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Surround GUI update - new 72-channel overview
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Triumphant Return of the Desktop - drag and drop file management between File
windows
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Enhanced, flexible MIDI I/O mapping for all channel strip and master parameters
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Assignable MIDI commands on transport (REW, FF, STOP, PLAY, REC) and on the D8B
master control section
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Insert and patch point feature on channels - source either plug-ins, 8 aux
sends, 8 buses or 72 channels (pre-DSP only)
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24-bit plug-in inserts across Main L/R buses
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Time offset (delay) on each channels 1-48 with 255 samples
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Cross-Patching assigns channel strip in various orders
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Non-destructive Ungrouping
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Optional fader control of level to tape - direct out signal follows the source
fader channel
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Multiple direct outs per channel
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Snapshot Library
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Paste Repeat for automation level looping and building rock-solid grooves
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Pre/Post assignment of each aux send on each channel
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Improved BBT resolution and clocking accuracy
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Virtual group control extended to buses and MIDI faders
Product Description
The best way to sell yourself on the D8B is to ask someone who owns one. It
gets raves from Grammy-winning producers and engineers like Walter Afanasieff ,
Don Was, and Ed Cherney, established industry leaders and artists like Poke and
rappers Naughty By Nature -- as well as helping to mold the emerging talents of
remixer Johnny Vicious and film composer Stanley Smith.
It's booked solid for months at L.A. post studios like 48 Windows. It helps
produce top rated TV shows and scores the music for blockbusters like the
latest James Bond film.
When you sit down at a Digital 8•Bus, you'll feel as well as hear a difference.
It is as intuitive and easy to use as an analog console because the D8B is the
only mid-sized digital console designed by large-console automation
specialists. It's software was created by seasoned recording engineers with
years of hands-on experience using every major automated console design.
Now, with 3.0 software, 3rd-party plug-ins, and a matching hard disk recorder,
the D8B has truly come into its own as the accepted pro audio industry
production platform.
Check here for Warranty Info
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