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KORG KLCDE Details
Introducing the KORG Legacy Collection – DIGITAL EDITION; stunning software versions of two Korg digital synthesis masterpieces – the M1 and WAVESTATION – plus the MDE-X multi-effect plug-in. Now you can get the classic sounds of these two ground-breaking synth legends updated for the 21st century and ready to rock your computer, in VST, Audio Units and RTAS-compatible formats!
The KORG Legacy Collection delivers classic Korg synthesizers reborn as software. Taking advantage of the technical know-how uniquely available to the original manufacturer, Korg has received high acclaim for turning some of their most legendary instruments into software while adding modern parameters and up-to-date ideas. Now, joining the KORG Legacy Collection is the all-new Digital Edition, featuring the software incarnation of the legendary M1 and an enhanced version of the WAVESTATION software synthesizer.
M1 Software Synthesizer
Back by popular demand: the definitive software version of the classic M1, the Korg synthesizer that established the PCM synth sound.
Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative workstation concept, the M1’s AI (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver polished, production-ready Program and Combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real character, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1.
The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony. The M1 software synthesizer is a complete stand-alone virtual instrument; and also supports RTAS, Audio Units and VST plug-in formats to fit smoothly into a modern music production environment.
Overflowing with Sounds
The M1 software synthesizer provides all of the PCM, Program, and Combination data found in the original M1 and the M1EX internal PCM expansion, plus the PCM data and Program/Combination data from all nineteen optional ROM cards.
In addition, it contains new PCM Drum, Program and Combination data that are ideal for contemporary music production. With a total of more than 2,700 preset sounds, this is truly the ultimate M1. Of course, original M1 series data can also be imported as SysEx (SYX) files, opening up a universe of sounds to be found around the world.
New Features For Flexible Sound Creation
The M1 software synthesizer provides numerous new functions that were often requested for the original M1. At the top of the list is a rich resonant filter, and they’ve also added VDA modulation and a compressor effect. While the original M1 had 2 effect processors, this new software incarnation boasts 2 insert effects for each of the eight multi-timbral parts, as well as 2 master effects, for even greater sound processing capabilities.
User Interface Designed for Easy Operation
Taking advantage of the computer’s display, the M1 software synthesizer features a completely redesigned interface that emphasizes ease of operation. Many parameters can be seen at once, and certain parameters can be displayed graphically. Ease of use has been a primary consideration at every point -- for example, the Combination mode and Multi mode have been designed to be completely independent.
The new browser and search functions group sounds together based on instrument type and tonal character, making it quick and easy to find the right sound for any project. Once a sound has been selected, the Easy Edit page or the Performance page can be used to quickly tweak the sound so that it perfectly matches your needs.
Wavestation Software Synthesizer Version 1.5
The Wavestation appeared in 1990 offering its new “Advanced Vector Synthesis System,” which allowed combining and shifting between multiple complex waveforms.
The Wavestation achieved worldwide honors -- including “Hardware Innovation Of The Year” from U.S. Keyboard Magazine -- and featured 2 radical innovations that opened up a revolutionary new world of sound that is still very much in demand. One was the ability to “mix” or “morph” between 4 oscillators to create new and unique sounds and textures, controlled from a vector joystick or a cyclic envelope. The second innovation was Wave Sequencing, which allowed the playback of different waveforms in a specific order to create evolving soundscapes, and unique rhythmic or melodic sequence patterns.
In 2004, the Korg Legacy Collection introduced the Wavestation software synthesizer. All of the Wavestation and Wavestation-SR factory data -- 550 Performances, 385 Patches, 484 PCM waveforms, 55 types of effects -- was included in this original release.
The new Wavestation software synthesizer Version 1.5 adds all of the PCM data, Patches and Performances contained in the 6 original optional ROM cards -- more than 250 Performances, 250 Patches, 250 PCM waveforms and 150 Wave Sequences -- long sought after by many current Wavestation owners.
The Wavestation v1.5 software synthesizer opens new sound programming territory, providing more than 1,400 preset sounds plus a massive collection of additional PCM waveforms and Wave Sequences. Best of all, the Wavestation v1.5 software synthesizer is able to import original Wavestation series data via SysEx (SYX) files.
The Wavestation software synthesizer Version 1.5 is ready for today’s musical challenges, providing support for RTAS, VST and Audio Units plug-in formats -- as well as stand alone operation.
MDE-X Version 1.2 Multi-effect Plug-in
MDE-X is the awesome multi-effect plug-in first introduced in the Korg Legacy Collection, delivering 19 high quality effect types derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors.
With the new Korg Legacy Collection – Digital Edition, MDE-X Version 1.2 is here, and now supports RTAS, as well as VST and Audio Units plug-in formats. Featuring a low CPU drain design, MDE-X v1.2 comes equipped with 128 immediately useful and editable effect programs perfect for sound design, recording, mixdown sessions – even live performance!
KORG KLCDE Specs
M1 Software Synthesizer
Maximum Polyphony: 256 notes (depending on the CPU of host computer)
Number of Parts: 8
More than 2,700 preset sounds and 400 user presets
Over 900 PCM waveforms
34 effect types
Original M1 series data can be imported via .SYX file
Operates as stand-alone or VST/AU/RTAS plug-in instrument
Wavestation v.1.5 Software Synthesizer
Maximum Polyphony: 256 notes (depending on CPU of host computer)
Number of Parts:
More than 1,400 preset sounds (14 ROM banks and 3 RAM banks)
More than 700 PCM waveforms
Optional ROM cards added on Version 1.5: WSC-1S , WSC-2S , WSC-3S , PSC-1S , PSC-2S , PSC-3S
55 effect types
Original Wavestation series data can be imported via .SYX file
Operates as stand-alone or VST/AU/RTAS plug-in instrument
Plug-in: Depends on system requirements of host application program (*2)
*1: Audio interface with a low latency will be needed to play software synthesizers in real time.
*2: Audio Units or VST or RTAS compatible (for Macintosh), or VST or RTAS compatible (for Windows) host application program will be needed to use as plug-in.
Note: The software of this product is copy-protected. In order to use this product, you will need a computer that can be connected to the Internet, and has a USB port.
*Apple, the Apple logo and Mac are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.
*The “Built for Mac OS X” graphic is trademarks of Apple Computer, Inc., used under license.
*The Audio Units logo and the Audio Units symbol are trademarks of Apple Computer, Inc.
*Windows XP is a registered trademark of Microsoft Corporation in the U.S. and other countries.
*VST and ASIO are trademarks of Steinberg Media Technologies GmbH.
*RTAS are trademarks or registered trademarks of Avid Technology, Inc., or its subsidiaries or divisions.
*All other product and company names are trademarks or registered trademarks of their respective holders.
*Specifications and features are subject to change without notice.
How To Choose / Useful Information for Pro Keyboards
Click a question to see the answer.
Why a Pro Workstation keyboard vs.a Portable/Electronic/Arranger keyboard vs. a Synthesizer?
Pro keyboards have a multitude of other features like audio recording,
editing the sound to the most elemental part of the sound, a 16+ track sequencer
with detailed editing, a lot of synth sounds, they will run 4 to 18 simultaneous
higher quality effects like reverb, … and have no arranging or styles other than possibly
arpeggiators or drum patterns, . . A fully orchestrated sound/song can be accomplished
with a pro keyboard but it assumes you want to create each part or instrument sound in
a song much more closely (from scratch) than a portable ++
Portable/arranger type keyboards are more for fast songwriting,
for backing tracks when you play or for one person band with drum patterns,
bass, and other sounds with the accompaniment having different song style genres
(blues, swing, rock,...) with different patterns for the verse, chorus,...
of the song. The song styles and performances are very educational as well for
learning genres that you may be unfamiliar with. You can have many instruments
follow what your left hand plays in real time and chord recognition for
fast performing,
portables have more meat and potato sounds and fewer synthesizer sounds
Synthesizers- typically do not have workstation features
like sequencing, recording audio, having all types of sounds, . . .
but rather focus on doing a few or sounds extremely well which usually
are not acoustic or real world instruments but 'other worldly' sounds
with many ways to manipulate the sound.
What affects the price you will pay and what should you look for?
The level of realism and selection of the sounds-
each keyboard typically does some sounds better than others so decide
which main sounds are important to you and play each model (or listen to sound files)
you are interested in to find the one that sounds best to you. Does it have all the
sounds you are looking for to make a completed song?
Ease of use- hardware knobs, buttons,... amount and location and logically placed
Display size- touchscreen, color, icon based, easy to read, backlighting not too dark,...
Sequencer- depth of editing features, ease of use as you could spend most of your time here, linear recording only or pattern based recording as well, ...
Quality and number of effects- reverb, EQ per part, compressors, master FX, number of part insert FX, master/global FX, does it have enough DSP to finish a 16 track song without needing external processing
Audio recording/sampling -2 to 8 tracks or more- how easy is it to actually record and playback, does it have enough recording memory/time- re: roughly 10 meg a stereo minute, how is the recording backed up,..
Drums- does it have ‘easy to chain’ patterns or is the arpegiator easy to use, does it have pads on top of keyboard or none at all,...
The number of simultaneous notes the keyboard will play (polyphony)- important if you write denser arrangements or use instruments that use a lot of polyphony (piano,...)
Control computer software via hardware sliders, knobs,...
Computer control the keyboard with editor/librarian- as VST plug-in,
standalone, 100% editing, the visuals on a big
computer screen can shorten the learning curve (much more intuitive)
Operating system- is it intuitive or obtuse, ...
Maximum RAM memory- will determine possibly how much recording time is available
or how much room you will have for adding external samples/sounds
Connectors- # of audio outputs, balanced or unbalanced input,
data storage- memory card, jump drive, USB to computer connection
Please notice that almost every keyboard on our site has a sound file
you can play on your computer to hear for yourself.
What about speakers?
For home or studio use we prefer powered studio monitors
for the best audio quality without spending a lot and keep
the sound in stereo (versus a mono keyboard amp) which is much better with full orchestrations,...
All have headphone jacks if you prefer not to be heard.
For stage, keyboard amplifiers come in all sizes depending on the size of the venue
What accessories should I consider?
Stand- stabds come in many shapes and styles- X style, Z style, ...
Bench- consider a more sturdy 4 leg bench if you do not need portability,
X style if you do -- the wider the better.
Headphones- full size will be more comfortable and quieter
and may offer better quality audio
Pedals- most come with a sustain pedal, some have jacks for more control
- volume, expression, etc.
Bag or case- we recommend the manufacturer bags and cases first,
then Gator Cases and bags. Do you need wheels? Will only you be carrying it? Will it be on planes? (should have ATA rating)
Jump drive/Storage card for audio, midi ...
Computer interface if no USB connection- need multi-port midi,
how many channels of audio ...
Dust cover
Glossary
What is a Style?
combination of sounds like drums, bass and keys with rhythms and chord progressions
in a certain genre (rock, big band, jazz,…) which create backing tracks that you can play a lead part over
What are Song Sections?
these are divisions of a song that portable arranger keyboards identify as an intro, verses, choruses,
bridge, fills, outro,… with performed by musicians that reflect the mood/feeling of each of those sections that enable
faster song arranging
What is MIDI?
an
interface to connect a keyboard to the computer like USB port for printers. It
sends note and other data from the keyboard to the computer or vice versa.
Basically says play this note at this time at this volume level- it is not an
actual audio recording. It also makes it possible for one keyboard to play
another keyboard.
What is polyphony?
the number of
simultaneous notes that can be played, though if it’s a stereo sample/recording
each note can use 2 notes at once. Its important for anyone who plays a lot of
notes at the same time and holds down the sustain pedal. The earliest notes
played will cut out when the limit is exceeded. This can happen with pianos
with 32 note polyphony especially.
What is a sequencer?
a
recorder with 1 to 16 tracks usually so that multiple instruments can be played
back for fully orchestrated songs and can have elaborate editing capability.
Typically digital pianos have only 1 or 2 tracks for playing back a piano
performance and archiving another. These can be downloaded to the computer with
a midi interface
What is sampling/samples?
a short audio
recording of a note. For more realistic sound, digital pianos can be recorded
at different velocities so that when you strike a note harder, the timbre
changes for better realism
What are effects?
to modify and
enhance the sounds in the keyboard including non- piano sounds. e.g. - reverb
will put the piano in a small room or up to a large concert hall.
Don’t see the answer to your question?
Call us toll-free at 1 877 778 7845 and speak to our piano experts
3900 Fiscal Ct, Suite 200
West Palm Beach
Florida 33404
USA
Telephone:1-877-778-7845 Toll Free
or 561-842-7451 Fax: 561-840-9032E-mail Us! Hours: Mon-Fri 10 am -7 pm EST, Sat 10 am -5 pm EST
KORG KLCDE LEGACY Digital Edition
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