EURORACK PRO RX1202FX Ultra Low-Noise Design 12-Input Mic/Line Rack Mixer with Premium Mic Preamplifiers and 24-Bit Multi-FX Processor
This is versatile and multi-purpose 12-channel rack-mount mixer has been designed as submixer for your keyboard and drum setup, multi-track monitoring or as a line mixer in fixed audio/video installations.
It boasts 8 renowned studio-grade IMP “Invisible” Mic Preamps with ultra-low noise and transparent audio quality! The mixer also features an outstanding 24-bit digital stereo FX processor with 100 awesome presets, switchable +48 V phantom power for condenser microphones and offers 2-band EQing with Clip LED for each channel.
Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
8 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with:
- 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
- Ultra-wide 60 dB gain range
Integrated 24-bit digital stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Effective, extremely musical 2-band EQ and Clip LED on all channels
4 balanced high-headroom line inputs
State-of-the-art 4580 operational amplifiers provide lowest noise and distortion—better than 4560 op amps
2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external send
CD/tape inputs assignable to main mix or control room/phones outputs
Separate control room, phones and stereo CD/tape outputs
Balanced main mix outputs with gold-plated XLR connectors
Switchable +48 V phantom power for condenser microphones
Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
Internal switch-mode power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
BEHRINGER RX1202FX Specs
SPECIFICATIONS
MONO INPUTS
MIC (IMP Invisible Mic Preamp)
Type XLR, electr. balanced
Mic E.I.N. (20 Hz – 20 kHz)
@ 0 Ω source resistance -132 dB / -134 dB A-weighted
@ 50 Ω source resistance -130 dB / -132 dB A-weighted
@ 150 Ω source resistance -128 dB / -130 dB A-weighted
Frequency response <10 Hz – 200 kHz
Gain range +10 to +60 dB
Max. input level +12 dBu @ +10 dB gain
Impedance approx. 2.6 kΩ balanced
Signal-to-noise ratio -110 dB / -112 dB A-weighted
Distortion (THD+N) 0.003%, A-weighted
LINE IN
Type ¼” TRS connector,
electronically balanced
Impedance approx. 20 kΩ balanced
10 kΩ unbalanced
Gain range -10 dB to +40 dB
Max. input level +22 dBu @ 0 dB gain
STEREO INPUTS
Type ¼” TRS connector,
electronically balanced
Impedance approx. 20 kΩ balanced
10 kΩ unbalanced
Max. input level +22 dBu
INSERT
Type ¼” TRS connector
(Tip=Send, Ring=Return)
AUXILIARY INPUTS
CD/TAPE IN
Type RCA connectors, unbalanced
Impedance approx. 20 kΩ
Max. input level +22 dBu
AUX RETURN
Type ¼” TRS connector, balanced
Impedance approx. 20 kΩ balanced
10 kΩ unbalanced
Max. input level +22 dBu
OUTPUTS
AUX SENDS (FX)
Type ¼” TRS connector, impedance
balanced
Impedance approx. 240 Ω balanced
120 Ω unbalanced
Max. output level +22 dBu
AUX SENDS (MON)
Type ¼” TRS connector, impedance
balanced
Impedance approx. 240 Ω balanced
120 Ω unbalanced
Max. output level +22 dBu
MAIN OUT
Type XLR connectors, balanced
Impedance approx. 240 Ω balanced
120 Ω unbalanced
Max. output level +28 dBu balanced
+22 dBu unbalanced
CTRL OUT
Type ¼” TRS connector, impedance
balanced
Impedance approx. 240 Ω balanced
120 Ω unbalanced
Max. output level +22 dBu
CD/TAPE OUT
Type RCA connectors, unbalanced
Impedance approx. 1 kΩ
Max. output level +22 dBu
PHONES
Type ¼” TRS connector
Max. output level +19 dBu / 150 Ω (316 mW)
EQ
Low 100 Hz / ±15 dB
High 12 kHz / ±15 dB
MAIN MIX SYSTEM DATA1
Noise
Main mix @ -oo,
Channel fader -oo -98 dB / -101 dB A-weighted
Main mix @ 0 dB,
Channel fader -oo -85 dB / -88 dB A-weighted
Main mix @ 0 dB,
Channel fader @ 0 dB -77 dB / -80 dB A-weighted
Fade attenuation2
(Crosstalk attenuation)
Main fader closed 90 dB
Channel fader closed 90 dB
Frequency response
Microphone input to Main Out
<20 Hz – 105 kHz +1 dB / -1 dB
<10 Hz – 170 kHz +3 dB / -3 dB
EFFECTS SECTION
Converter 24-bit Sigma-Delta
Frequency rate 40 kHz
Presets 100
POWER SUPPLY
Power consumption 18 W
Voltage 100 – 240 V~, 50/60 Hz
Fuse 100 – 240 V~: T 1.6 A H 250 V
Mains connection IEC (power) cable
DIMENSIONS/WEIGHT
RX1202FX
Dimensions (H x W x D) approx. 5 1/5” x 19” x 5 9/10”
(133 mm x 482 mm x 150 mm)
Weight (net) approx. 6.4 lbs. (2.9 kg)
Measuring conditions:
1: 20 Hz – 20 kHz; measured at main output.
Channels1 – 8 gain @ unity; EQ flat; all channels on main
mix; channels 1/3/5/7 leftmost, channels 2/4/6/8 rightmost.
Reference = +6 dBu.
2: 1 kHz relative to 0 dBu; 20 Hz – 20 kHz; line input; main
output; gain @ unity.
Buy Behringer RX1202Fx Eurorack Pro 12 Channel Mixer at MusiciansBuy!
RATING:
Sound Quality
9
Features
5
Ease Of Use
1
Value
8
Reliability
9
Overall
5
This RX1202FX mixer is lacking a very essential feature: It does NOT have any input for a EFX footswitch. No way to kill the effects via a footswitch! There is No way to kill the Effects if you want to announce on a microphone via a EFX input footswitch. The only way to kill the EFX is by having to turn the individual channel counter clockwise to be able to have a dry signal to make an announcement on a Microphone without the EFX. So, the mixer would have to be within arms reach at all times on stage.
-Rfinnshw -Port Saint Lucie, Florida, 09/11/07
Other views of BEHRINGER RX1202FX (Click to enlarge):
3900 Fiscal Ct, Suite 200
West Palm Beach
Florida 33404
USA
Telephone:1-877-778-7845 Toll Free
or 561-842-7451 Fax: 561-840-9032E-mail Us! Hours: Mon-Fri 10 am -7 pm EST, Sat 10 am -5 pm EST