AUDIOTECHNICA M2LM2M Details
The M2 Wireless In-Ear Monitor System is designed to make professional in-ear monitoring features accessible for performers who want to be free from the problems associated with floor wedges. The stereo monitor system offers Personal Mix Control, which gives each musician volume and mix control of two independent signals on stage, via easy-to-use controls on the M2R stereo body-pack receiver. The wireless UHF M2T Stereo Transmitter provides a choice of 100 selectable frequencies and is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs. While up to 10 complete M2 systems may be used on stage simultaneously, any number of M2R stereo receivers may be used on the same frequency with a single M2T stereo transmitter. These rugged systems are built to stand up to the inevitable bumps of life on the road, delivering clear, natural sound for touring and installed-sound uses.
High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume
100 selectable UHF channels
Up to 10 simultaneous systems per frequency band
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two independent signals at the receiver
3.5 mm line-in jack connects to ambient microphone, click track & more
LED indicators provide easy-to-read level monitoring
XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation
Adjustable squelch eliminates annoying static
Pilot tone protects against RF interference when the transmitter is turned off
Limiter (defeatable) helps protect your hearing from sudden peaks
Portable system is quick to load and set up
Reduces on-stage audio clutter for better overall mix & less feedback
Use any number of M2R Stereo Receivers (with Personal Mix Control) on the same frequency
Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation
Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip
Auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input.
M2 Components
EP3 Headphones
In-ear dynamic headphones offer high-fidelity sound and excellent isolation
M2T Stereo Transmitter
Wireless UHF transmitter (frequency-agile) offers 100 user-selectable frequencies
M2R Stereo Receiver
Personal Mix Control in a lightweight body-pack
Audio-Technica is proud to introduce its new M2 and M3 Wireless In-Ear Monitor Systems. These feature-rich systems are designed to provide comfortable, crystal-clear sound on stage. Both systems are equipped with earphones offering a proprietary Audio-Technica dynamic driver with richly detailed high-fidelity sound. The clean, articulate mix allows performers to hear themselves at a comfortable volume. Instead of hearing a one-size-fits-all mix, performers have the benefit of Audio-Technica’s Personal Mix Control, offering independent control of volume and mix at the receiver. Delivering a wide array of professional features, the M2 & M3 Wireless In-Ear Monitor Systems are the new standard for in-ear audio in live performance.
Crystal-clear audio
Hear yourself clearly on stage
Personal Mix Control
Control what you hear as you perform
Avoid feedback
Get cleaner, more articulate house sound
Help conserve hearing
Experience articulate audio at lower SPLs
Travel light
Never carry a heavy monitor system again
Why choose in-ear monitors?
Hear what you want. When you want. How you want.
Clarity is first among the many reasons to make the switch from traditional floor monitors to wireless in-ear monitor systems for live performance. Many musicians find that traditional floor monitors are not giving them the articulate sound they need; they either can’t hear themselves clearly, or can’t hear themselves at all when stage volume is loud. As a result, they may experience voice strain from singing at unsustainable levels in an attempt to be heard above the on-stage noise level.
Another sound issue often plays into the decision to switch to in-ear monitors: as traditional floor wedges contribute to rising noise levels on stage, many performers are troubled by feedback, and by an overall audience mix that is muddied by stage spill from the floor monitors.
Often, artists choose in-ear monitors because they want to control what they hear on stage, creating a personal mix that’s tailored for their best performance. Others turn to in-ear monitors to help control and limit exposure to high sound pressure levels for hearing conservation. Some are simply tired of lugging heavy and cumbersome monitor equipment to each gig.
AUDIOTECHNICA M2LM2M Specs
OVERALL SYSTEM SPECIFICATIONS
Operating Frequencies
Band E: 790.000 to 822.000 MHz, 100 frequencies
Band F: 832.000 to 865.000 MHz, 100 frequencies
Band L: 575.000 to 608.000 MHz, 100 frequencies
Band M: 614.000 to 647.000 MHz, 100 frequencies
Not all frequency bands available in all areas. Please check with local regulations.
Minimum Frequency Step 25 kHz
Modulation Mode FM stereo
Maximum Deviation ±40 kHz
Dynamic Range 90 dB (typical), A-weighted
Total Harmonic Distortion <1% at (1 kHz, ±20 kHz Deviation)
Operating Range 100 m (300'), typical
Open range environment with no interfering signals.
Operating Temperature Range -5° C (23° F) to +50° C (122° F)
Battery performance may be reduced at very low temperatures.
Frequency Response 60 Hz to 13 kHz (+/- 3 dB)
Simultaneous Use 10 channels per band (maximum recommended)
For assistance with multi-band operation or other frequency coordination issues, please contact your local Audio-Technica customer service representative.
RECEIVER SPECIFICATIONS
Receiving System Double conversion superheterodyne
RF Sensitivity 20 dBuV (at 60 dB S/N ratio, 50 ohms termination)
Headphone Output Connector 3.5 mm TRS stereo phone jack
Headphone Output Power 65 mW (at 32 ohms)
Antenna Input SMA-type, 50 ohms
Aux Input Connector 3.5 mm TRS stereo phone jack
Batteries 2 x 1.5V AA (not included)
Battery Life 8 hours (alkaline)
Depending on battery type and use pattern
Dimensions 70.0 mm (2.76") W x
25.0 mm (0.98") D x
110.0 mm (4.33") H
Net Weight 110 g (3.9 oz), without batteries
Accessories Included EP3 earphone; frequency sticker; flexible antenna
TRANSMITTER SPECIFICATIONS
RF Power Output 10 mW/30 mW (switchable), 50 ohms
Limited to 10 mW within 863 MHz to 865 MHz
Following national regulations
Spurious Emissions Following federal and national regulations
Input Connections XLRF-type/6.3 mm stereo (1/4") combination connector
Pin 1 and Sleeve: Ground
Pin 2 and Tip: Hot
Pin 3 and Ring: Cold
Maximum Input Level XLRF-type/6.3 mm stereo, (1/4") balanced: +26 dBu
6.3 mm (1/4") mono, unbalanced: +26 dBu
Loop Output Connector XLRM-type connector
Pin 1: Ground
Pin 2: Hot
Pin 3: Cold
Power Requirement 12-18V DC, 600 mA
Antenna Attached whip
Dimensions 210.0 mm (8.30") W x
132.0 mm (5.20") D x
44.0 mm (1.70") H
Net Weight 870 g (30.7 oz), without accessories
Accessories Included AC adapter (country dependant); rack mount adapters
Audio Technica M2L M2M In-Ear Monitor
earphones
receiver
transmitter
