YAMAHA MG32/14FX Details top
MG24/14FX, MG32/14FX, MIXING
CONSOLES
Serious Capacity For Sound Reinforcement & Installations
If your application is live
sound reinforcement, you'll want all the channel capacity you can get - just in
case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds,
drum mics, and the rest can add up very quickly. With 24 and 32 input channels,
respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most
ambitious sound-reinforcement setups. And with dual SPX digital effect systems
on-board, you won't need racks of outboard gear to get the sound you need.
There's also a comprehensive range of group and auxiliary busses to make even
complex mixes easy.
24 or 32 Input Channels
Choose either the 24-channel MG24/14FX or the 32-channel MG32/14MX according to
your needs. All other features are the same. The MG24/14FX has 16 mono
microphone/line channels while the MG32/14FX has 24. Both offer four stereo
line channels in addition to the mono mic/line channels.
Low-noise, High-precision Mic
Preamps With Phantom Power
All 16 mic preamps in the MG24/14FX and all 24 mic preamps in the MG32/14FX are
of exemplary quality. They offer low-noise, transparent amplification with the
widest possible range of dynamic and condenser microphones, which adds up to
cleaner, better-sounding mixes. All mic preamps feature switchable phantom
power for phantom-powered studio condenser microphones. Phantom power is
switchable in 8-channel groups.
Illuminated Switches
Illuminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches
let you confirm critical console settings at a glance.
14 Buses In All For Flexible
Signal Routing
In addition to lots of input channels, live sound reinforcement applications
usually demand a number of additional mixes - usually in the form of group
sub-mixes and aux sends for external signal processing and monitor mixes. In
both the MG24/14FX and MG32/14FX you have a total of 14 mix buses: the main
stereo program bus, four stereo group bus pairs for convenient channel
grouping, six auxiliary busses (four configurable for pre- or post-fader
operation and two set up as effect sends), and two internal effect busses that
feed the dual high-performance built-in effect processors.
Insert I/O
All mono input channels feature insert I/O patch points so you can insert
compressors, EQ, or other extra signal-processing gear into the channel signal
path as required.
3-band Mid-sweep Channel EQ
and HPF
The 3-band equalizers with a sweepable midband provided on all input channels
are designed for exceptionally smooth, intuitive response that can help you to
create cleaner, tighter mixes. All mono microphone input channels also feature
a switchable high-pass filter that can be used to cut out unwanted
low-frequency noise.
Dual SPX Digital Effects
In the MG24/14FX and MG32/14FX you have not one, but two high-performance
digital signal processing stages, fed by separate effect buses, so you can
enhance your mix with two separate effects at the same time. And the effects
are provided by the very latest Yamaha DSP technology - you know you're getting
the best. Each stage provides a selection of 16 professional - quality SPX
digital effects, including reverb, delay, pitch change, chorus, phasing, vocal
doubling, distortion, and more. Parameter controls that can be adjusted to
tailor the effects to your sonic requirement are also provided and Tap delay
makes it easy to produce tempo-synchronized delays.
Talkback Input
Communication capability is important for efficient setup as well as for
keeping a show running smoothly. The MG24/14FX and MG32/14FX both feature a
talkback system that allows the FOH engineer to communicate with the monitor
engineer, performers, or other staff to keep the team operating at optimum
efficiency.
Balanced XLR Stereo and Mono
Outputs
Professional connectivity is provided by reliable XLR-type balanced stereo and
mono outputs.
Sweepable LPF for Mono Out
One of the many uses for a mono output is to drive a subwoofer system. The
MG24/14FX and MG32/14FX make this easier than ever with a built-in sweepable
low-pass filter on the mono outputs.
|
|
MG32/14FX
|
|
Total Harmonic Distortion |
Less than
0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600
Ω
(ST OUT)
|
|
Frequency Response
|
0 +1, -3
dB
20 Hz - 20 kHz @ +4 dB 600
Ω
(ST OUT)
|
|
Input Hum & Noise*1
|
-128dB
20 Hz - 20 kHz, Rs=150
Ω, Input Gain=Maximum, Input Pad =OFF, Input
sensitivity=-60 dB
|
|
Crosstalk
|
-70dB @
1kHz
|
|
CH Input
|
Mic
|
24+1
(Input A 1 - 24, Talk Back: XLR)
|
|
Line
|
24 (Input
B 1 - 24: TRS)
|
|
Stereo
|
2 (Ch 25 -
26, 27 - 28:TRS) * Ch25, 27:L (MONO)
2 (Ch 29 - 30, 31 - 32: TRS/RCA)
|
|
Insert I/O
|
24 (Ch 1 -
24: TRS T: Out, R: In, S: Gnd)
|
|
AUX
|
Send
|
6 (1 -
2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)
|
|
Return
|
2 Stereo
Sub In (L/MONO, R: TRS)
|
|
EFFECT
|
Send
|
2 (1, 2:
TRS)
|
|
2TR
|
In
|
1 Stereo
(L, R: RCA)
|
|
STEREO
|
Insert
|
1 Stereo
(L, R: TRS)
|
|
GROUP
|
Insert
|
4 (1 - 4:
TRS)
|
|
REC
|
Out
|
1 Stereo
(L, R: RCA)
|
|
ST
|
Out
|
1 Stereo
(L, R: XLR)
|
|
MONO
|
Out
|
1 (XLR)
|
|
ST SUB
|
Out
|
1 Stereo
(L, R: TRS)
|
|
GROUP
|
Out
|
4 (1 - 4:
TRS)
|
|
Phones
|
1 (TRS
Stereo)
|
|
Phantom Power
|
+ 48 V
|
|
CH & ST Ch Input Gain Control
|
44 dB
valiable
|
|
CH & ST High Pass Filter
|
80 Hz 12
dB/Octave
|
|
CH EQ (MONO)*2
-15 dB (Max.)
|
High
|
10 kHz
(Shelving)
|
|
Mid
|
0.25-5 kHz
(Peaking)
|
|
Low
|
100 Hz
(Shelving)
|
|
CH EQ (STEREO)*2
-15 dB (Max.)
|
High
|
10 kHz
(Shelving)
|
|
Hi-Mid
|
3 kHz
(Peaking)
|
|
Low-Mid
|
800 Hz
(Peaking)
|
|
Low
|
100 Hz
(Shelving)
|
|
MONO Out Low Pass Filter
|
80 - 120
Hz 12dB/octave
|
|
Internal Digital Effect
|
SPX x 2
(Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
|
|
Dimensions
|
Width
|
41.73"
|
|
Depth
|
21.25"
|
|
Height
|
5.90"
|
|
Weight
|
52.91 lbs.
|
|
Power Requirements
|
UL/CSA: 75
W 120 V/60 Hz
|
| MG32/14FX
INPUT CHARACTERISTICS |
|
Connection |
PAD |
Gain Trim |
Actual Load Impedance |
For Use With Nominal |
Input Level *1 |
Connector In Mixer |
|
Nominal |
Max. before Clip |
|
CH INPUT [A, B] *7 |
0 |
-60 |
3 kΩ |
50 - 600
Ω
Mics
600
Ω
Lines |
-60 dB
(0.775 mV) |
-40 dB
(7.75 mV) |
A: XLR-3-31 type *10
B: Phone Jack (TRS) *10 |
| 26 |
-34 dB
(15.5 mV) |
-14 dB
(155 mV) |
| 0 |
-16 |
-16 dB
(123 mV) |
+4 dB
(1.23 V) |
| 26 |
+10 dB
(2.45 V) |
+30 dB
(24.5 V) |
|
ST CH INPUT *8 *9 |
-34 |
10 kΩ |
600
Ω
Lines |
-34 dB
(15.5 mV) |
-14 dB
(155 mV) |
Phone Jack *8 *9 *7
RCA Pin Jack *9 |
| 10 |
+10 dB
(2.45 V) |
+30 dB
(24.5 V) |
|
CH INSERT IN *7 |
10 kΩ |
600
Ω
Lines |
0 dB
(0.775 V) |
+20 dB
(7.75 V) |
Phone Jack (TRS) *5 |
|
GROUP INSERT IN (1 - 4) |
10 kΩ |
600
Ω
Lines |
0 dB
(0.775 V) |
+20 dB
(7.75 V) |
|
SUB IN (1, 2) [L, R] |
10 kΩ |
600
Ω
Lines |
+4 dB
(1.23 V) |
+24 dB
(12.3 V) |
Phone
Jack *4 |
|
TB IN |
10 kΩ |
50 -
600
Ω
Mics |
-50 dB
(2.45 mV) |
-30 dB
(24.5 mV) |
XLR-3-31
type *11 |
|
2TR IN [L, R] |
10 kΩ |
600
Ω
Lines |
-10
dBV (316 mV) |
+10
dBV (3.16 V) |
RCA
Pin Jack |
|
MG32/14FX OUTPUT
CHARACTERISTICS |
|
Connection |
Actual Source Impedance |
For Use With Nominal |
Output Level *1 |
Connector In Mixer |
|
Nominal |
Max. before Clip |
ST OUT [L, R]
MONO OUT |
150
Ω |
600
Ω
Lines |
+4 dB
(1.23 V) |
+24 dB
(12.3 V) |
XLR-3-32
type *2 |
GROUP OUT (1 - 4)
ST SUB OUT [L, R]
AUX OUT (1 - 6)
EFFECT OUT (1, 2) |
150
Ω |
10 kΩ
Lines |
+4 dB
(1.23 V) |
+20 dB
(7.75 V) |
Phone
Jack (TRS) *6 |
CH INSERT OUT *12
GROUP INSERT OUT (1 - 4)
ST INSERT OUT [L, R] |
150
Ω |
10 kΩ
Lines |
0 dB
(0.775 V) |
+20 dB
(7.75 V) |
Phone
Jack (TRS) *5 |
|
REC OUT [L, R] |
600
Ω |
10 kΩ
Lines |
-10
dBV (316 mV) |
+10
dBV (3.16 V) |
RCA
Pin Jack |
|
PHONES OUT |
100
Ω |
40
Ω
Phones |
30 mW |
75 mW |
Stereo
Phone Jack |
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