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| MODEL | Our Price | # of tracks | Simul tracks | Recording Resolution | Phantom Power &Total Inputs | Drum Loops/ Machine | Mixer channels | Internal automation | Moving Faders | Number of FX at mixdown | KORG D3200 | $1299.00 | 32 | 12 | 16/24 | 8&12 | loops | 44 | scenes | no | 11 |
| 32 tracks, 11 simul fx+++ | TASCAM 2488mkii | CALL | 24 | 8 | 24 | 4&8 | sound module | 36 | none | no | 2 | |||||
| 24 tracks of 24 bit recording, sound module included, ease of use, 8 inputs inc. 4 with phantom power | Yamaha AW1600 | $999.99 | 16 | 8 | 16/24 | 8 | loops | 20 | no | no | 2 | |||||
| null | Zoom HD16CD | $699.00 | 16 | 8 | 16 | 8 | machine | 16 | none | no | 3 | |||||
| full featured drum machine and computer control surface | ||||||||||||||||
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Notes:
Hard drives
Backup
24 bit versus 16 bit recording
- For live instruments and vocals, 24 bit will achieve noticeably better results. However, if you are recording electric guitars, bass, drum machines, keyboards,.. 16 bit is fine and its usually not worth the extra dollars to go to 24 bit.|
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