YAMAHA SPX2000 Details
The New Generation SPX with 96kHz Audio and brand new "REV-X" Reverb Algorithm
The name "SPX" has been synonymous with "professional multi-effect processor" for more than 15 years, and the models like SPX90, SPX90II, SPX900, SPX1000 and SPX990 have been the most commonly found equipment in the studio and SR racks.The SPX2000, while inheriting the standard interface and common programs from its predecessors, brings a new dimension to the sound quality with the new "REV-X" reverb algorithm and the 96kHz audio DSP. It also offers advanced user interface like 5 assignable LCD back colors, operation lock mode and computer based editor program.SPX2000 is the new generation equipment in line with the DM series Digital Production Consoles, and is suitable for broad range of applications, from Live SR to production studios where professional quality effect processing is required.
Superb Sonic Quality with 24bit/96khz Standard Throughout
The heart of SPX2000 hardware is the 96kHz audio DSP, with 32-bit internal processing (58-bit accumulator) which offers abundant processing power for the advanced effect algorithms. The 24-bit 128-times over-sampling AD/DA converters deliver 106dB dynamic range and flat response from 20Hz to 40kHz at 96kHz sampling rate. Both are in line with the DM series Digital Production Console quality.
Refined Preset Programs Including the Newly Developed "REV-X" Reverb Algorithm
There are 3 banks to the SPX2000 memory: "PRESET", "CLASSIC" and "USER". "PRESET" bank contains 97 programs. 17 programs are made with the newly developed "REV-X" reverb algorithms. "REV-X" is a whole new generation of Yamaha Reverb programs with the richest reverberation tone and smoothest decay. There are "REV-X Hall", "REV-X ROOM" and "REV-X PLATE" algorithms. Newly introduced parameters like ROOM SIZE and DECAY envelope also bring much higher definition and finer nuances. Other 80 presets consist of the popular trademark SPX programs such as gate reverbs, delays, pitch effects, modulation and other special effects. All programs went through refined editing by the top engineers, and no program is the same as the ones offered in the previous effect processors or digital consoles. The "CLASSIC" bank on the other hand consists of 25 programs giving you the reminiscence of the original SPX90 presets. "USER" bank can store 99 user programs.
Reliable and Efficient Front Panel User Interface with Colors
SPX2000 hardware cosmetic is designed to offer optimum reliability for the engineers on site. The rugged aluminum front panel features 2 sets of "Cross-keys" - simple navigation tool anyone is familiar with. Parameters are sorted in 3 groups; "PARAMETER","FINE PARAM" and "UTILITY" to ensure speedy access. Also other dedicated buttons like UNDO, COMPARE, BANK, MODE, METER, TAP, and BYPASS ensure efficient operations. SPX2000 LCD offers 5 back light color variations(!). You can freely assign any of the 5 colors to user programs. The preset programs are colored by effect groups giving you an instant recognition of the effect type even from the distance. (CYAN: Reverbs, WHITE: Delays, MAGENTA: Pitch & Modulations, YELLOW: Others, GREEN: CLASSIC Bank) RED is reserved for warning messages. SPX2000 "OPERATION LOCK" function offers 3 security levels; from preventing accidental changing of Utility settings, or protecting stored memories to prohibiting almost all operations.
Professional Audio I/O and Control Connectors
SPX2000 Rear Panel houses, for analog connection, XLR type (w/latch) and quarter inch L + R INPUT and OUTPUT connectors both with +4dBU/-10dBu selector switch. Professional digital connection is secured with AES/EBU XLR type I/O connectors and BNC WORDCLOCK IN connector. Also MIDI IN, OUT/TROUGH and USB TO HOST connectors are provided for remote control and data management using computers, Digital Consoles or any MIDI device. Foot Switch connector for effect tempo control is placed on the front panel.
"SPX2000 Editor" for Mac OSX and Windows
SPX2000 Editor will give you the editing, data management, and remote control capability using computers, in the same environment and common interface as the STUDIO MANAGER for Yamaha Digital Consoles. "SPX2000 Editor" is scheduled for release in December 2003. (To be offered to SPX2000 users by web download from www.yamahaproaudio.com)
GENERAL SPECIFICATIONS
AD/DA Conversion 24-bit Liner 128-times Oversampling (@fs=44.1, 48kHz)
24-bit Liner 64-times Oversampling (@fs=88.2, 96kHz)
Sampling Frequency Internal Clock : 44.1, 48, 88.2, 96kHz
External Clock : Nominal Rate :39.69kHz - 50.88kHz
Double rate : 79.38kHz - 101.76kHz
Frequency Response 20Hz-20kHz (0dB + 1.0, -3.0) @48kHz
20Hz-40kHz (0dB + 1.0, -3.0) @96kHz
Dynamic Range 106dB AD + DA, Input Level VR: Max
Bank Memory PRESET BANK: 97, USER BANK: 99, CLASSIC BANK: 25
Displays LCD: 16 characters x 2 lines with 6-color Back Light,
METER LED: 12 segment (L,R)
Dimension & Weight 18.90" (W) x 1.77" (H) x 14.67" (D), 8.82 lbs
Power Requirements UC: AC 100V, 60Hz
Power Consumption 25W
ANALOG I/O CHARACTERISTICS
Terminal Level
SW Input
Level
VR. Actual
Load
Imp. For use
with
Nom Level
Connector
Nominal Max
before
Clip
INPUT
(L,R) +4dB Nom:
0dB 10kO 600O
Lines +4dBu(1.23V) +24dBu(12.28V) XLR-3-31(balanced)
Phone Jack (TRS:balanced)
-10dB -10dBu(0.245V) +10dBu(2.45V)
OUTPUT
(L,R) +4dB - 150O 600O
Lines +4dBu(1.23V) +24dBu(12.28V) XLR-3-32(balanced)
Phone Jack (TRS:balanced)
-10dB -10dBu(0.245V) +10dBu(2.45V)
DIGITAL I/O CHARACTERISTICS
Terminal Format Data Length Level Connector
AES/EBU IN AES/EBU 24bit RS422 XLR-3-31 type(Balanced)
AES/EBU OUT AES/EBU 24bit RS422 XLR-3-32 type(Balanced)
SPX2000 EFFECT PROGRAM LIST [PRESET BANK]
No. Programs Effect Type No. Programs Effect Type
1 REV-X LARGE HALL HALL 51 KARAOKE ECHO DELAY
2 REV-X MED HALL HALL 52 GOOD OL P.CHANGE PITCH EFFECT
3 REV-X SMALL HALL HALL 53 VOCAL SHIFT PITCH EFFECT
4 REV-X TINY HALL HALL 54 STEREO PITCH PITCH EFFECT
5 REV-X WARM HALL HALL 55 PITCH SLAP PITCH EFFECT
6 REV-X BRITE HALL HALL 56 HALO COMB PITCH EFFECT
7 REV-X HUGE HALL HALL 57 GRUMPY FLUTTER PITCH EFFECT
8 AMBIENCE HALL 58 ROGER ON THE 12 PITCH EFFECT
9 STEREO HALL HALL 59 BOTTOM WHACKER PITCH EFFECT
10 VOCAL CHAMBER HALL 60 VOICE DOUBLER PITCH EFFECT
11 BRIGHT HALL HALL 61 SYMPHONIC MODULATION
12 BREATHY REVERB HALL 62 SYMPHONIC ? REV MODULATION
13 CONCERT HALL HALL 63 DETUNE CHORUS MODULATION
14 REVERB FLANGE HALL 64 CHORUS & REVERB MODULATION
15 REVERB STAGE HALL 65 BASS CHORUS MODULATION
16 REV-X VOCAL PLT PLATE 66 STEREO PHASING MODULATION
17 REV-X BRIGHT PLT PLATE 67 CLASSY GLASSY MODULATION
18 REV-X SNARE PLT PLATE 68 SILKY SWEEP MODULATION
19 VOCAL PLATE PLATE 69 UP DOWN FLANGE MODULATION
20 ECHO ROOM1 PLATE 70 TREMOLO MODULATION
21 ECHO ROOM2 PLATE 71 ROTARY SPEAKER MODULATION
22 PRESENCE REVERB PLATE 72 AUTO PAN MODULATION
23 ARENA PLATE 73 PHASER MODULATION
24 THIN PLATE PLATE 74 RING MODULATION MODULATION
25 OLD PLATE PLATE 75 MOD FILTER MODULATION
26 DARK PLATE PLATE 76 DYNA FLANGE MODULATION
27 REV-X LG CHAMBER ROOM 77 DYNA PHASER MODULATION
28 REV-X WOOD ROOM ROOM 78 DYNA FILTER FILTER
29 REV-X SLAP ROOM ROOM 79 M. BAND DYNA FILTER
30 REV-X WARM ROOM ROOM 80 MULTI FILTER FILTER
31 REV-X LARGE ROOM ROOM 81 FILTERED VOICE FILTER
32 REV-X MED ROOM ROOM 82 DISTORTION DISTORTION
33 REV-X SMALL ROOM ROOM 83 AMP SIMULATOR DISTORTION
34 FAT REFLECTIONS ROOM 84 DIST ? FLANGE DISTORTION
35 BIG SNARE ROOM 85 DIST ? DELAY DISTORTION
36 BAMBOO ROOM ROOM 86 REV ? CHORUS MULTIPLE
37 REFLECTIONS ROOM 87 REV+FLANGE MULTIPLE
38 STONE ROOM ROOM 88 REV ? SYMPHONIC MULTIPLE
39 CONCRETE ROOM ROOM 89 REV ? PAN MULTIPLE
40 REVERSE PURPLE GATE REVERB 90 DELAY+ER1 MULTIPLE
41 FULL METAL GATE GATE REVERB 91 DELAY+ER2 MULTIPLE
42 REVERSE GATE GATE REVERB 92 DELAY ? ER1 MULTIPLE
43 DRUM MACH. AMB S DRUM MACHINE REVERB 93 DELAY ? ER2 MULTIPLE
44 DRUM MACH. AMB L DRUM MACHINE REVERB 94 DELAY+REV MULTIPLE
45 ELEC SNR PLAT DRUM MACHINE REVERB 95 DELAY ? REV MULTIPLE
46 MONO DELAY DELAY 96 RESO DRONE MULTIPLE
47 120 BPM MONO DDL DELAY 97 FREEZE MISC
48 120 BPM X-DDL DELAY
49 STEREO DELAY DELAY
50 DELAY L,C,R DELAY