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MOOG VYMIN005 BLU DetailsThis is one beautiful product. It's the Voyager with all the sonic quality one would expect. Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet. At first it looks black but as one draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LED's, and some new killer patches and you have an instrument you will be proud to play for a lifetime. Now, all Electric Blues will have the upgraded software and hardware to allow the player 7 banks of 128 presets and the following capabilities: The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons. - Allows you to send either 7 or 14 bit resolution from the Mod Wheel. - Optionally reduces the amount of MIDI data being sent from the Touch Surface. (These changes enable the Voyager to work better with older MIDI equipment.) -Transpose the entire keyboard by up to 2 octaves up or down. Oscillators Module3 wide-range, high stability VCO's (Voltage Controlled Oscillators) with continuously-variable waveforms. Frequency -- controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1. Octave -- selectors (3) set the frequency ranges of the oscillators in six octave steps. Wave -- controls (3) provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular. 1-2 Sync -- switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects. 3-1 FM -- switch provides linear frequency modulation of Oscillator #1 by Oscillator #3. 3 KB Cont -- switch disconnects Oscillator #3 from control by the keyboard, thereby enabling it to function as a drone. 3 Freq -- switch lowers the frequency of Oscillator #3 into the sub-audio range, thereby enabling it to function as a low frequency audio or modulating oscillator. Mixer Module Input Level controls (5) -- adjust the relative levels of the oscillator, noise, and external audio input signals. Input switches (5) -- enable the player to quickly switch individual audio signals in and out. External Level LED -- enables the player to set the correct external audio signal level. Filters Module Cutoff -- control sweeps the frequencies of both filters throughout the audio range. Spacing -- control sets the spacing between the frequencies of the two filters, over a +/-3 octave range. Resonance -- control adjusts the resonance of both filters, from none (pure lowpass response) to filter oscillation. KB Cont Amount -- control sets how much the filters open and close as the player presses different keys on the keyboard. Dual Lowpass/Highpass-Lowpass switch selects between dual lowpass operation or highpass-lowpass operation. Envelopes Module Attack -- controls (2) determine the attack times of the envelopes. Decay -- controls (2) determine the decay time constants of the envelopes. Sustain -- controls (2) determine the sustain levels of the envelopes. Release -- controls (2) determine the release time constants of the envelopes. Amount to FIlter -- control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope). Envelope Gate Switch -- selects whether the envelopes will be triggered by the keyboard, on , or by an externally-applied gate. LFO Module Rate -- control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (fifty times a second). Sync -- selector selects LFO synchronization source to be from the keyboard gate, external envelope gate, external gate, or off (no synchronization). Rate LED -- provides visual indication of the LFO rate. Modulation Busses Module Source -- selectors (2) selects the modulation source from the LFO triangle or square waveforms, Oscillator# 3, sample and hold, the external modulation input (MOD2) or noise. Destination -- selectors (2) selects the modulation destination from all the audio oscillators, just Oscillator #2, just Oscillator #3, the filter cutoff frequencies, the oscillator waveforms, or LFO Rate. Shaping -- selectors (2) selects the key pressure signal, filter envelope, note-on velocity or on to shape the modulation signal on that bus. Amount -- controls (2) sets the overall modulation amount for each bus. Output Module Headphone Volume -- control sets the overall level of the headphone output. Headphones Jack -- 1/4 in. tip-ring-sleeve phone jack for regular headphones. Glide and Fine Tune Module Fine Tune -- adjusts the overall tuning of the instrument. V 2.5 Software Capabilities Front Panel Storage and Recall Transmission and Reception of Keyboard Data Via MIDI Uploading and Downloading of Presets Via MIDI Updating of Operating Software Via MIDI Panel Mode Features Edit Mode Features Master Mode Features Player Control Interfaces Wheels -- Pitch Wheel bends pitch over a range of up to +/-1 octave. Mod wheel controls the gain of the MOD WHEEL bus. Glide and Release -- switches provide real-time on-off control over the glide and release functions. 3-Dimensional Touch Surface --provides three continuously-variable control signals which are derived from the up-down and left-right position of the player’s finger, and the amount of area with which the player makes contact to the surface. Pedal/Control Inputs Volume Accessory Port LFO Sync Envelopes Gate Sample and Hold Gate Release Mixer Ext In Mix Out/Filter Audio In Left(Mono) and Right Audio Outputs 12V Lamp MIDI In, Thru, and Out Connectors Power Input Dimensions: 30 1/2 in. Wide x 18 in. Deep x 3 in. High (when flat) 12 in. High when fully upright Weight: 40 lbs.
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