THE FEATURES YOU NEED TO GET THE JOB DONE
All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs,
3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels. See how its done here. (JPG or PDF)
Sweet touches abound on the CFX.mkII Series — like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")
NOT JUST ANY OLD EFFECTS
Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic — especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market.
TOUGH ENOUGH FOR LIVE
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.
Features:
• High-headroom mic preamps with RF rejection
• 20 channels (16 mic/line mono, and 2 stereo line channels)
• 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
• External and internal EFX sends
• EFX to Monitor control
• 9-band stereo graphic equalizer
• Inserts on all mic channels and main mix
• True 4-bus design with direct sub outs and L/R assign
• 2 Pre/Post Aux sends and internal/external FX level sends on each channel
• 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
• 4-band EQ on stereo line channels
• Pan, Mute, PFL solo on each channe
• Inserts and 100Hz low-cut filters on all mic/line channels
• Subwoofer output from built-in 18dB/oct. 75Hz crossover
• Ingenious BREAK switch
• Headphone output with level control
• Tape/CD inputs with level control assignable to Main Mix via Break switch
• Logarithmic taper 60mm faders
• 48V phantom power
• 12V BNC lamp jack
MACKIE CFX20MKII Specs
Specifications:
Frequency Response
Mic Input to any Output (gainm at 0 dB)
32Hz to 20kHz +0, -1 dB,
Distortion
THD and SMPTE IMD; 20Hz to 20kHz
Mic Input to Main Output < 0.05% at +4 dBu output
Common Mode Rejection Ratio (CMRR)
at 1kHz, Gain at 0 dB 60 dB
Crosstalk
Adjacent Inputs or Input to Output -90 dB at 1kHz
Fader Off -90 dB at 1kHz
Mute Switch and Break Switch Mute -80 dB at 1kHz
Input Gain Control Range
Mono Channels
Mic In: +5dB to +50dB
Line In: -15 to +30dB
Stereo Channels
Line In: -20dB to +20dB
Phantom Power
+48V DC
Equalization
Low Cut 100Hz, -18dB/octave
Mono Channel EQ High ±15dB at 12kHz
Mid ±15 dB at 100Hz to 8kHz
Low ±15 dB at 80Hz
Stereo Channel EQ High ±15 dB at 12kHz
High Mid ±15 dB at 3kHz
Low Mid ±15 dB at 400Hz
Low ±15 dB at 80Hz
Graphic EQ (9 bands):
±15 dB
Q =1.414 ISO octave centers at
63Hz, 125Hz, 250Hz, 500Hz, 1k, 2k, 4k, 8k, 16kHz
Mixer Rated Output
Main, Sub, Aux, & Efx: +4 dBu
Maximum Rated Output: +20 dBu
Since we're always striving to make our stuff better by incorporating new and improved materials, components and manufacturing methods, we reserve the right to change these specifications at any time without notice.
Maximum Input Levels
Mic input Gain at +50 dB -28 dBu
Gain at +6 dB +18 dBu
Line Input Gain at +30 dB -8 dBu
Gain at -15 dB +38 dBu
Insert Return, Stereo Line Input,
Tape Input, and Effects Return +20 dBu
Maximum Voltage Gain
Mic input to Insert Output 50 dB
Tape Output 66 dB
Sub Output 66 dB
Main Output 76 dB
Aux Send 71 dB
Line Input to Insert Output 30 dB
Tape Output 46 dB
Sub Output 46 dB
Main Output 56 dB
Aux Send 51 dB
Stereo Line Input to Tape Output 40 dB
Sub Output 40 dB
Main Output 50 dB
Aux Send 45 dB
Tape Input to Main Output 30 dB
Effects Return to Main Output 30 dB
Input Impedance
Mic Input 3 kilohms, balanced
Line Input 40 kilohms, balanced
Insert Return, Stereo Line Input, Tape Input, and Effects Returns 10 kilohms, unbalanced
Output Impedance
Main Output, Insert Output, Tape Output, Sub Output, and Effects Sends 150 Ohms
Digital Effects
Resolution 16-bit, 2-channel
Number of Presets 16
Channel Level Set LED (Sensitivity)
0 dBu (normal operating level)
VU Meters
Main L/R 12 segments Clip, +10, +7, +4, +2, 0, -2, -4, -7, -10, -20,-30
Weight:
CFX12.mkII 17.8 lbs (8.1kg)
3900 Fiscal Ct, Suite 200
West Palm Beach
Florida 33404
USA
Telephone:1-877-778-7845 Toll Free
or 561-842-7451 Fax: 561-840-9032E-mail Us! Hours: Mon-Fri 10 am -7 pm EST, Sat 10 am -5 pm EST