C. F. Martin and American Archtop Guitars Unveil A True Player's Archtop
Collaboration
by Dale Unger
As a teen living in Nazareth, I became fiercely inspired by meeting many of
Martin's finest craftsmen. My desire to learn how to make guitars became a
reality after my introduction to Dick Boak. In the ensuing years Dick and I
renovated the ”Church of Art” in the center of Nazareth, and we built many
unique experimental instruments. In addition to being Dick's residence, the
“Church of Art” was a guitar studio, concert hall and art gallery. It was a
great inspiration to me while I was perfecting my craft as a luthier. This is
where I constructed my first guitar in the mid ‘70s. Though he doesn't reside
there any more, Dick still owns the “Church,” and I presently teach my archtop
design and construction classes there.
Dick introduced me to Chris Martin in the late ‘70s. Our mutual passion for
the guitar helped us establish a strong and lasting friendship. In 1993 I was
introduced to another great influence in my life, Robert Benedetto. After
several years of close and intensive work with Bob, my passion and understanding
for archtop guitars matured.
As fate would have it, I decided in 1995 that the time was right to venture
out on my own. My desire was to create a “guitar for the player.” This was the
beginning of American Archtop Guitars of which I am the sole proprietor.
I approached Chris Martin in 2001 with my vision for blending Martin's
extraordinary craftsmanship and process with my particular archtop guitar
designs. Chris embraced the notion of our collaboration and after great
deliberation we ventured forward. With the support of Chris and the cooperative
efforts of Dick Boak, Tim Teel and all of the employees at Martin, I was able
to reach what I consider to be a major pinnacle in my career – the introduction
of the Martin American Archtop Guitar. It's fair and honest to say that
Martin's past offerings in the archtop arena were not very well received. While
the company's ability to craft great flattop guitars has always been unmatched,
the archtop guitar is a distinctly different entity. My thorough understanding
of the instrument and its tradition is what I have brought to the table, and,
of course, what better company could there possibly be to execute such a design
than Martin.
Accordingly, Martin and I are very proud to introduce two unprecedented
Fhole archtop guitars. Both models are offered with either a natural or
complete sunburst finish in the following options: The CF-1 model is a full 3”
thickness body with a Kent Armstrong floating humbucking neck pickup, featuring
an X-braced 3-ply top of spruce, obeche, and spruce, with solid flamed maple
sides and a veneered flamed maple arched back.
The CF-2 incorporates a thinner 2 1/2” thickness body utilizing parallel top
bracing to accept two built-in Seymour Duncan humbucking pickups with volume
and tone controls and a pickup selecting switch. Please take the time to try
these special guitars. You won't be sorry!
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Model
Specifications
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MODEL
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CF-2
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CONSTRUCTION:
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Mahogany
Blocks/Bolt-on Dovetail
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BODY SIZE:
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2 1/2'' 14 Fret
Adjustable
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TOP:
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Laminated Alpine
Spruce
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ROSETTE:
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none
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TOP BRACING
PATTERN:
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Archtop Parallel
Brace
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TOP BRACES:
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Solid Sitka
Spruce
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BACK MATERIAL:
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Laminated
European Flamed Maple
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BACK PURFLING:
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none
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SIDE MATERIAL:
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Solid European
Flamed Maple
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ENDPIECE:
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none
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ENDPIECE INLAY:
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none
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BINDING:
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none
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TOP INLAY STYLE:
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none
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SIDE INLAY:
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none
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BACK INLAY:
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none
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NECK MATERIAL:
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Flamed Maple
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NECK SHAPE:
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U Shape Archtop
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NUT MATERIAL:
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Black Ebony
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HEADSTOCK:
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Archtop
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HEADPLATE:
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Black
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HEELCAP:
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Solid Black Ebony
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FINGERBOARD
MATERIAL:
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Solid Black Ebony
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SCALE LENGTH:
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25''
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# OF FRETS CLEAR:
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14
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# OF FRETS TOTAL:
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21
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FINGERBOARD WIDTH
AT NUT:
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1 3/4''
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FINGERBOARD WIDTH
AT 12TH FRET:
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2 1/8''
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FINGERBOARD
POSITION INLAYS:
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none
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FINGERBOARD
BINDING:
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Black Ebony
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FINISH BACK &
SIDES:
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Polished Gloss
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FINISH TOP:
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Polished Gloss
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FINISH NECK:
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Polished Gloss
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BRIDGE MATERIAL:
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Solid Black Ebony
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BRIDGE STYLE:
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Floating Bridge
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BRIDGE STRING
SPACING:
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2 1/16''
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SADDLE:
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Black Gotoh
Tune-O-Matic
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TUNING MACHINES:
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Gotoh Gold w/
Ebony Button
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RECOMMENDED
STRINGS:
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Round Wound Steel
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BRIDGE & END
PINS:
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none
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PICKGUARD:
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none
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CASE:
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Tweed
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INTERIOR LABEL:
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Paper Label
designed by Dick Boak
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ELECTRONICS:
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2 Seymour Duncan
Humbucker Pickups
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OTHER OPTIONS:
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OTHER COMMENTS:
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All prices &
specifications are subject to change without notice
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