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Live Sound|In Ear Monitors|Audio Technica|

Audio Technica M3L M3M In-Ear Monitor System

Audio Technica M3L M3M In-Ear Monitor System
M3LM3M
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MSRP:$1099.00
Sale Price:$799.00
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AUDIOTECHNICA M3LM3M Details

Audio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which gives allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.

High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume
1321 selectable UHF channels with automatic frequency scanning
Up to 16 simultaneous systems per frequency band
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two independent signals at the receiver
LCD information display offers step-through menus for setting preferences
XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation
Adjustable squelch eliminates annoying static
Pilot tone protects against RF interference when transmitter is turned off
Multi-level limiter (defeatable) helps protect hearing from sudden peaks
Portable system is quick to load and set up
Reduces on-stage audio clutter for better overall mix & less feedback
Use any number of Stereo Receivers (with individual mixes) on the same frequency
Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation
Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip

Selectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input

M3 Components
EP3 Headphones
In-ear dynamic headphones offer high-fidelity sound and excellent isolation
M3T Stereo Transmitter
Wireless UHF transmitter (frequency-agile) offers LCD display and 1321 user-selectable frequencies
M3R Stereo Receiver
Personal Mix Control in a lightweight body-pack with backlit LCD display

Audio-Technica is proud to introduce its new M2 and M3 Wireless In-Ear Monitor Systems. These feature-rich systems are designed to provide comfortable, crystal-clear sound on stage. Both systems are equipped with earphones offering a proprietary Audio-Technica dynamic driver with richly detailed high-fidelity sound. The clean, articulate mix allows performers to hear themselves at a comfortable volume. Instead of hearing a one-size-fits-all mix, performers have the benefit of Audio-Technica’s Personal Mix Control, offering independent control of volume and mix at the receiver. Delivering a wide array of professional features, the M2 & M3 Wireless In-Ear Monitor Systems are the new standard for in-ear audio in live performance.

Crystal-clear audio
Hear yourself clearly on stage
Personal Mix Control
Control what you hear as you perform
Avoid feedback
Get cleaner, more articulate house sound
Help conserve hearing
Experience articulate audio at lower SPLs
Travel light
Never carry a heavy monitor system again

Why choose in-ear monitors?
Hear what you want. When you want. How you want.
Clarity is first among the many reasons to make the switch from traditional floor monitors to wireless in-ear monitor systems for live performance. Many musicians find that traditional floor monitors are not giving them the articulate sound they need; they either can’t hear themselves clearly, or can’t hear themselves at all when stage volume is loud. As a result, they may experience voice strain from singing at unsustainable levels in an attempt to be heard above the on-stage noise level.

Another sound issue often plays into the decision to switch to in-ear monitors: as traditional floor wedges contribute to rising noise levels on stage, many performers are troubled by feedback, and by an overall audience mix that is muddied by stage spill from the floor monitors.

Often, artists choose in-ear monitors because they want to control what they hear on stage, creating a personal mix that’s tailored for their best performance. Others turn to in-ear monitors to help control and limit exposure to high sound pressure levels for hearing conservation. Some are simply tired of lugging heavy and cumbersome monitor equipment to each gig.


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