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MSRP:$6999.00 Sale Price:$5999.00 You Save: $1000.00!! Seen a better price? Let us beat it! As low as $179.97 a Month! 
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Details Specs Documentation More Pics
ALLEN GL2800M Details
Compact 16 mix dedicated IEM/wedge monitor console
Dedicated to the job
Top end monitor mix capability is now accessible to the budget conscious sound provider. The popular GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. Meet the GL2800M… affordable, capable and easy to use - without compromise, exactly right for the job.
16 mixes with stereo capability
Stereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you control up to 8 stereo in-ears or more as combinations of wedges and in-ears. Multiple stereo in-ear mixing presents new challenges to the monitor engineer. You need to balance every source including ambience within the stereo image according to the preference of each performer. The GL2800M provides tamperproof global mono/stereo assignment of its 16 mixes. Each stereo mix has level and pan control as well as stereo AFL signal checking for quick mixing without compromise.
Monitoring wedges and in-ears
Standard console headphones monitoring is simply not enough. The engineer should be able to listen to a wedge mix exactly as the performer hears it. This takes a similar speaker placed next to the console, with similar fader control and output drive. An IEM mix should ideally be listened to using a wired or wireless in-ear system similar to that worn by the performer. Unique at its price point, the GL2800M offers both types of engineer's monitoring with the ability to configure combinations of mixes to either the wedge or IEM monitor as appropriate. You can even configure a 'follow IEM' mode so that the built-in headphones amp can be used as a poor man's IEM monitoring feed. Simply plug your in-ears into the alternative 3.5mm headphones jack provided.
Monitor engineer's tools
We have looked at the many issues unique to the monitor engineer and have crafted a feature set that will make the job a lot easier... the built-in oscillator/pink noise generator for testing and calibrating the system, independent talkback to each performer and FOH, reverse talkback for the house guy to talk directly to the engineer's monitor, swept HPF on each mix to cut unwanted low end and improve amplifier efficiency, mix polarity and EQ to clean up the overall stage sound, dim function to quickly catch problem feedback, PFL automatically override AFL for quick source checking, and a lot more...
Saving hardware & space
With space at the side-of-stage mix position and in the truck transporting equipment between shows at a premium, the small foot print and compact flight case outline of the GL2800M will be appreciated. The 16 mix GL2800M 32 channel frame is less than 1.2m (47") wide, the same physical outline as the 10 aux GL2800, and light enough to be an easy two person lift. With built-in XLR mic splitter you also save the cost, space and handling of another rack of connections. Mix1-8 include 2-band swept frequency output EQ convenient for tailoring the response of in-ears or for feedback control where rack space or equipment budget is tight.
Features
• 24, 32 and 40 channel frame sizes
• 16 mixes globally assigned as mono or stereo with level and pan
• Built-in mic splitter with ground lift switching
• All masters include polarity switch, swept HPF and 6dB dim function
• Mix 1-8 include 2 band swept frequency output EQ
• Engineer’s IEM and wedge monitors with faders, meters, inserts and XLR
• IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring
• Mix AFL assignable to either wedge or IEM monitor
• PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable
• Headphones follow IEM mode, includes ¼” and 3.5mm jacks
• Talkback with independent selection to all mixes and external output
• Talk latch mode for use with switched hand held talkback mic
• Built-in oscillator/ pink noise generator assignable to any mix output
• Built-in dual supply combiner for additional power supply as a backup
• 4 mute groups
• Compact footprint ideal for flight casing and saving space at side of stage
• Solid, individual card, nutted pot construction in a no nonsense all steel chassis
• The best of analogue - great sound, reliable and easy to use
ALLEN GL2800M Specs
Performance
Maximum XLR input level +34dBu (inc pad)
Maximum XLR output level +26dBu
Internal headroom Channels +20dB, Mix +22dB
Master meters 12 segment -30 to +16dB, 0VU= +4dBu XLR
Channel meters 4 segment -12,0,+6+16dB (5dB before clip)
Frequency response 20Hz to 50kHz +0/-1dB
Mic CMRR at 1kHz > 80dB typical
THD+n at +14dBu 1kHz Mic to mix out < 0.003%
Crosstalk at 1kHz Fader shutoff >90dB
Mute shutoff >88dB
Inter channel >90dB
Noise, rms 22Hz to 22kHz Mic EIN -128dB
Residual output noise < -96dBu (-100dB S/N)
Mix noise 24 channels < -80dBu (-84dB S/N)
Channel HPF Switched 100Hz, 12dB/octave
Output HPF Swept off to 400Hz, 12dB/octave
Channel EQ HF Shelving +/-15dB, 12kHz
HM Peak/dip +/-15dB, 500Hz to 15kHz, Q=1.8
LM Peak/dip +/-15dB, 35Hz to 1kHz, Q=1.8
LF Shelving +/-15dB, 80Hz
Mix 1-8 EQ HM Peak/dip +/-15dB, 500Hz to 12kHz, Q=1.6
LM Peak/dip +/-15dB, 80Hz to 2kHz, Q=1.6
Power supply External RPS11 IEC input
External Input for optional RPS11 backup supply
Connections
Channel XLR balanced pin 2 hot Sensitivity -60 to +14dBu
Total gain range 74dB
20dB Pad out 2k ohm, in >10k ohm
Wedge Ext in XLR balanced pin 2 hot >10k ohm, 0dBu, +20dBu max
IEM Ext in TRS unbalanced >10k ohm, 0dBu, +20dBu max
Talkback mic XLR balanced pin 2 hot Sensitivity -50 to -10dBu
Phantom power Internal jumper +48V (fitted)
Inserts Channel TRS, tip send, ring return, 0dBu
Output TRS, tip send, ring return, -2dBu
Mix 1-16 out XLR balanced pin 2 hot <75 ohm, +4dBu, +26dBu max
IEM/Wedge out XLR balanced pin 2 hot <75 ohm, +4dBu, +26dBu max
Talkback/Osc out XLR balanced pin 2 hot <75 ohm, +4dBu, =26dBu max
Headphones TRS, tip L, ring R, 30 to 600 ohm headphones recommended
Lamp 4-pin XLR max 12V 5W lamp
Mechanical
24 32 40
Width 944mm (37.2”) 1171mm (46.1”) 1398mm (55”)
Depth 650mm (25.6”)
Height 170mm (6.7”)
Weight 29kg(63.8lbs) 35kg(77lbs) 41kg(90.2lbs)
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Allen & Heath GL2800M 24 input console
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